I would love to read elaboration / articulation on why a ballroom hold
feels more "intimate" than other holds?
Is it a matter of the historical social attachment we have in our minds
with couples dances that use the hold, and romance in our culture?
Is it a physical proximity? (I find ceilidh holds to be closer, crossed
arms has my hands bearish their belly which has its own intimacy to me,
though sometimes barrel holds can be done with a bit more space - though I
wouldn't say the default)
Is it something else?
Maybe if we looked at the why, it'd give insight to what a solution to an
alternate swing hold and/or an adjusted mindset might entail?
In dance,
Julian Blechner
He/him
Western Mass
On Wed, Mar 13, 2024, 11:20 AM Katherine Kitching via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Hello!
I was the one who suggested the modified ballroom swing, and I'm going to
respond here to both some of Becky and Jerome's and John's questions/
thoughts.
Women's discomfort in conventional ballroom hold
I did actually mention in my initial email that as a cisgender woman, I
have really appreciated the additional space that the modified ballroom
hold creates between me and the men I dance with.
Actually as a not particularly touchy-feely human being, I appreciate the
additional space it creates between me and anyone I dance with!
But I have especially appreciated the space between me and any male
partner.
Interestingly, I didn't think about it too much in the past. I was fairly
comfortable swinging with anyone, and our group has a good vibe so there
isn't much creepiness. I felt fine with the conventional ballroom swing.
But -- now that we have implemented the modified ballroom hold as the
standard with all neighbours and also as the standard with a partner if you
don't discuss otherwise, it's been *very* interesting....
I've sometimes swung with a male partner who decides to use conventional
ballroom without discussing it --and I suddenly feel VERY claustrophobic
about it!
I will usually say to them when I get a chance - "let's remember to use
the elbow-hold now!" - and as soon as they do, I instantly breath a sigh
of relief. It just feels way more comfortable to me. Without exception.
-- (and to give these fellows who launch right into conventional ballroom
hold the benefit of the doubt- they tend to be our longest-term dancers and
it I think in a lot of cases they just have a hard time re-programming - we
have only been doing the modified ballroom for about 6 months, and not
everyone comes to every dance. I'm giving them time to get used to the new
normal. That said, I am pretty sure there are few men who think, "oh, she
is a caller, she is an experienced dancer, she will be happy to swing
closely with me!" . I have this idea because a few of them seem to roll
their eyes a bit when I remind them that I prefer to dance with the new
modified hold :D Incidentally this has never happened with a female
partner....)...
Inadvertent "boob touching"
This is not something I have ever heard of before in the swing, but
someone did bring it up a few dances ago when we tried to use a modified,
more role-symmetrical hold for the courtesy turn, with both hands crossed
in front. One of our longtime and larger-busted female dancers told me
that this was *not* going to work, due to all the inadvertent boob touching
that happened to her when her partners were getting into position. So we
canned that idea! :) And it made me more aware of this issue as something
to watch out for.
Thanks for drawing attention to it as a potential aspect of the swing.
Robins arm-clamping and robins feeling like they have to skitter backwards
I haven't consciously encountered either of these issues but look forward
to hearing more.
(Jerome's point) - Signalling which flavour of swing to use?
So in our community, we have just made it clear that this modified
ballroom hold is now the new standard.
So, that means for every neighbour you meet, this is how you swing with
them.
And with your partner, this is what is expected --unless the two of you
have a consensual conversation and decide on something else.
(and sometimes for fun we do show partway through the dance, some other
swing holds that partners may like to experiment with, if they are
comfortable with each other. John S's page has been very helpful in this
regard!! Thank you John :) )
Of course, if two neighbours meet each other in the line and they know
each other well (e.g. maybe they are spouses!), they may spontaneously do
something else becauuse they know each other well enough to feel that out
on the spot. But we make it very clear that you should not assume that
your neighbour or partner wants to do something other than the standard
hold, unless you have an explicit discussion. Since that's not really
feasible with neighbours, it means that neighbours in almost all cases are
going to swing with the modified ballroom and that is that :)
Regarding John's request to get a visual of this hold
- i'll be curious if anyone else on this list is using this new hold, or
if it is just us in Halifax.
I can't even remember now how we came up with the idea. It may have been
through our own experimenting. A bunch of us have been chatting after some
dances about how we can make our figures as gender-neutral/symmetrical as
possible, and we have been trying out all sorts of different swing holds to
see what might work best for us. Sometimes we start with one of John's
examples and then see how it might be modified if it feels too close. As
I suggested above, we've also been trying to figure out more
symmetrical-hold courtesy-turn alternatives (for robins and larks chains)
but so far haven't found a satisfactory one.
(feel free to start a new thread if you have any ideas!).
John - if nobody else has a photo or video of the hold we're using in
Halifax, I will try to remember to get one for you at our April dance!
writing myself a note, now...
best,
Kat K
Halifax NS Canada
John Sweeney <john(a)modernjive.com> <john(a)modernjive.com>
Please could someone post a picture or video of the modified
ballroom hold that is being discussed? Or send it to me and I will add it
to my Web site with a link so that people can see it.
Thanks.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://www.contrafusion.co.uk for Dancing in Kent
Jerome Grisanti via Contra Callers <contracallers(a)lists.sharedweight.net>
Wednesday, March 13, 2024 11:36 AM
One challenge is implementation: if the whole group learned the same swing
position, symmetrical or asymmetrical, from scratch, your proposal would
not be a problem unless/until your dancers visited other dances — and even
then. perhaps not a big issue.
In a community with mixed crowds (both experienced and newcomers), dancers
would need to signal which flavor of swing they wanted. And what about
folks with two different preferences meeting for a neighbor swing?
So developing those signals, and defaults, would be my focus. As for the
swing itself, I believe John Sweeny or one of the other UK members of the
list has a video catalog of various swings on a website. Good teaching tips
too.
Jerome
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Becky Liddle via Contra Callers <contracallers(a)lists.sharedweight.net>
Wednesday, March 13, 2024 11:16 AM
In the discussion about some men being uncomfortable doing ballroom dance
hold swing with other men, the modified ballroom hold (hand above elbow of
partner instead of on robin’s shoulder) was mentioned.
In this discussion, much has been said about men who don’t want to do
ballroom hold with other men, but what nobody has mentioned yet is the
scads of women (both straight and queer) who have long been uncomfortable
dancing ballroom swing with men (or often just with particular men). *I
am intrigued by this modified ballroom swing idea because it might solve
many problems at once*.
I have two simultaneous (and conflicting) emotional responses to men
uncomfortable swinging with other men:
The ungenerous one is: "As a lesbian I had to get over my discomfort
swinging with you in order to participate in the joy of contra. If I can do
it, you can do it." But more importantly (and more generously): *We’d
like everyone to be as comfortable at contra dances as is reasonably
feasible*. To that end, I am very interested in this idea of the modified
ballroom hold. It might solve MANY different problems. Here are a few that
come to mind:
1. The enforced intimacy problem: this is not just a problem with straight
men being uncomfortable swinging with other men. There is a lot of forced
intimacy in the ballroom hold. Maybe that intimacy is not the best thing to
force on *anyone*?. Modified ballroom swing would help with the problem
of not wanting enforced closeness/intimacy with others for all kinds of
reasons: keeping distance from the lecherous dancer who uses the ballroom
hold as an excuse for unwanted intimacy; but also simply to provide a bit
of space for folks who simply aren’t comfortable being that close to
ANYBODY. I recently struck up a conversation with a new dancer who was
leaving early (because we need to know why we’re losing potential dancers)
and she said “It just feels too intimate.” She didn’t say too intimate
swinging with men or with women. Just “too intimate” and I got the definite
feeling that it was the enforced close hold (with *everyone*) that was
difficult for her. I wonder if we would have lost her if we used the
modified ballroom swing (hand above elbow instead of on shoulder).
2. There are other difficulties with the ballroom hold: sometimes there is
simply not enough room: short arms or large girth can make it difficult to
reach the back of the shoulder of the other partner at times, and this
leaves the Lark in the uncomfortable/dangerous position of “where do I put
my hand now?” While trying to avoid the “accidental side boob graze” issue.
3. Speaking of which, is nobody else out there having trouble with this
“side boob graze” problem with the ballroom hold? I’m a lesbian who dances
the Lark role because of knee and hip issues. At least once/evening when
moving into or out of the ballroom hold I accidentally graze the side of my
partner’s breast. If I were straight I wouldn’t worry about it. But as a
lesbian my mind always leaps to “what if she thinks I did that on purpose?” *Do
straight men not also have this problem?? Why is nobody talking about
this??* If the robin is female-presenting, the back of the robin’s
shoulder is dangerously close to the side of her breast. Which means (a)
it’s easy for a sleaze to cop a feel and pass it off as an accident, and
(b) it’s easy for a lesbian or straight man to truly accidentally graze and
then worry that they’ll be *perceived *as a sleaze. The elbow hold would
solve both of these problems.
4. The robin clamping down their arm problem: Larks, have you ever danced
with a robin who clamps down their arm on your wrist during the swing?
Again, elbow hold would solve this.
5. The problem of robins dancing backwards when swinging: I have never
danced the modified ballroom hold, but I’d like to know from folks who do:
does it solve the problem of many robins feeling like they need to dance
backwards when swinging? On the occasions when I do dance robin (usually
because I’m pairing with a newbie who is dancing lark) I often find myself
skittering backwards in the swing, instead of both of us walking/dancing
forward. I’m not experienced enough as a robin to fully understand this
phenomenon, but I think it has to do with the closeness and rigidity of
some Larks’ hold in the ballroom swing. Question for folks who have used
the elbow hold: does this hold solve this problem and allow the robin to
dance forward instead of backward in the swing?
I am particularly interested in this issue because I am about to move from
Toronto (where the ballroom hold is firmly established) to an island off
the coast of Vancouver (Bowen Island) where, if I want to continue to
dance, I will have to start my own contra dance. This conversation has made
me wonder whether I should start that group with the modified ballroom hold
to solve many of these problems. *I’d love to hear from others who have
used this swing about the pros and cons *(if any) and any other advice
you’d have for someone starting a dance using this swing hold.
Thanks!!
Becky Liddle
(Note: my email is changing from beckyliddle(a)bell.net to
becky.liddle(a)icloud.com )
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