Contra Callers January 2017

contracallers@lists.sharedweight.net

1 participants
28 discussions

by Rickey

Hi, I am wondering if you have any dances for low numbers of dancers (perhaps 6 or less), when most or all of the dancers are beginners and adults. I am also wondering if you have any dances (presumably different dances), that do not require choosing a partner and are good openers for beginner adults. Thanks as always to all, Rickey Holt.

1 year, 7 months

Re: [Callers] Festival Applications

by robertgolder＠comcast.net

I can only speak with reference to calling at NEFFA, as I have never applied to DownEast. As some of you may know that Linda Leslie is NEFFA's program chair, I will note that the program chair does not select performers for contra sessions. Regarding NEFFA 2007, the following notice is now posted at http://neffa.org/perf_app.html - The Program Committee is not prepared to take your application at this time, since it is too late to apply for this year's NEFFA Festival. Please note that the application to perform is always available during the month of September, with a deadline in October. If you'd like to get an e-mail notice of application availability, send a blank e-mail to NEFFA_Performers-subscribe(a)yahoogroups.com So you can note on your calendar that September is a good time to check the NEFFA web site, and also arrange for a notice to pop up in your e-mail. The NEFFA application invites you to come up with a briefly-described theme for your session, with a title of 20 characters or less. IMO, use your own judgment as to how important the theme is. If you are offering a concept that's really meaningful to you, don't be afraid to describe it. If what you really want to do is just call some hot contras, then IMO I wouldn't go overboard on the theme. Unlike Northwest Folklife, callers and bands apply SEPARATELY to the New England Folk Festival. And I believe that this is a very good thing for beginning callers who hope to have a chance at getting onstage. This mix-and-match policy gives a fresh perspective for experienced performers, and can be an eye-opening experience for newcomers who may get to work with seasoned veterans. I will never forget calling at NEFFA with Northern Spy, a band that has worked with caller David Millstone for 25 years. And where was David during this session? Out on the floor, happily dancing to the music of his own band. NEFFA's selection process made that wonderful hour possible for me. For what it's worth, the first year I successfully applied I asked for a "Festival Orchestra" slot, which means that instead of calling a themed, hour-long session I called two dances in the Main Hall with the assembled orchestra and then got off the stage as the next Festival Orchestra caller had a turn. IMO, the key here (as well as in submitting a session proposal) is to choose dances that you know by heart, can teach well, fully believe in, and love to share with a crowd. You don't want to have second thoughts as you approach the microphone. If you're wondering why performer applications are required so far in advance of a festival, note that NEFFA may have 1700 performers, many of whom perform in multiple sessions (perhaps performing alone, and with a participatory dance group, and also with a concert performance group!). You can't doublebook a performer (or larger groups to which she may belong), you have to give her time to move from one venue to another, plus a bunch of other scheduling etceteras that would drive me loony to contemplate further. How scheduling was done in the days before computers is beyond me. -- Robert Jon Golder 164 Maxfield St New Bedford, MA 02740 (508) 999-2486

4 years, 2 months

Calling a Halloween dance tonight? Try this circle mixer...

by Amy Cann via Callers

I try and call the dances of Rich Blazej whenever I can and this one's a Halloween favorite, re-done as "Werewolves and Zombies". *Garfield's Escape* -- circle of couples PLUS ONE EXTRA in the center (Garfield) A1 All into the center EIGHT steps and back, menacing the Garfield A2 Circle left, circle right B1 Women (werewolves) promenade single file to the right, while men (zombies) "star" by the right -- each man puts his right hand on right shoulder of the man in front - including Garfield. B2 Caller hollers "Escape!" ("Boo!", or maybe "Braaaiiins") and all men run to the outside and swing with a woman in the outer circle. A new Garfield remains in the center. Rich himself named this after Garfield the comic-strip cat, way back when he was cynical and funny (the cat, not Rich). "The single man remaining at the end of the dance is entitled to a pan of lasagna and some fresh kitty litter". My favorite normal tune for this is the minor jig Coleraine, played at a slightly slower lurch-y tempo, but if I'm lucky the band'll do the Alfred Hitchcock theme. Have fun, just thought I'd share -- and I'd love to hear how it goes if you do it, and what variations emerge. Cheers, Amy

4 years, 9 months

A new(?) dance, written with a gyre

by Luke Donforth via Callers

Hello all, Linda Leslie's suggestion of gyre as a replacement for gypsy bubbled around in my brain and a new (I think) dance percolated up. It has a twist that isn't the gyre (which I consider just new nomenclature); women casting out of the swing to travel from one minor set to another (similar to gent's movement in Scoot by Tom Hinds). I haven't gotten to test it with dancers yet, as I just finished running it through with pegs on my desk; but I wanted to share it in support of a new term. A Gyre for Linda by Luke Donforth Contra/Becket-CCW A1 ----------- (4) Pass through to an ocean wave (ladies left, catch right with partner) (4) Balance the short Wavy line (2) Walk forward (3) Shadow gyre right 1/2 (3) Gents gyre left 1/2 in the middle A2 ----------- (16) Neighbor gyre right and swing B1 ----------- MEANWHILE FIGURE: (8) Men allemande Left 1-1/2 WHILE women cast cw around whole set one woman’s place (8) 1/2 Hey, passing partner by right shoulder B2 ----------- (16) Partner gyre right and swing at home As for the other aspects that have been discussed: I pronounce it with a softer g sound. For reasons unclear to me, gyre has different accepted pronunciations; but (to my knowledge) gyration doesn't. As for using the term (which I clearly support); it costs me nearly nothing to switch and helps make the dance more accessible for some; both in dropping a term some find offensive and making the name more descriptive of the move. My job as a caller is to help share the joy of dancing, and if this does that I'm in favor of it. -- Luke Donforth Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>

6 years, 3 months

Re: [Callers] Another vote for "jets" and "rubies"

by Amy Wimmer via Callers

Donna, I can imagine a scenario in which organizers would be shy to share this information for fear of retaliation or pressure from those who want them to change their practices. Having received such pressure, personally, I am sure it will happen to others. I'm not saying all pressure to change is bad, but that some people don't like being pushed. It is a (smallish) issue around the term "gypsy" in my neck of the woods. -Amy On Jan 31, 2017 6:39 AM, "Donna Hunt via Callers" < callers(a)lists.sharedweight.net> wrote: If we were creating a doc for attendance and opening it up to the "world of contra dances organizers" to comment why not add some other categories that we've been discussing? Linda Leslie suggested the Organizers group might have stats. I'm wondering if CDSS keeps any? When Jeff replied to my query about LGBTQ dances and groups using non-gender terminology I wasn't at all surprised to see the list (since I know most of those groups), but I *was* surprised to realize that there were no groups in other major cities throughout the country. Topics that might be on the Doc: Dance Organizations that use non-gender terminology Dance Organizations that have considered but decided not to use non-gender terminology Dance Organizations that have decided to use a non "gypsy" terminology Dance Organizations that have considered but decided not to use non "gypsy" terminology There could be a write in section where Dance Organizations could state which terms they use. I would request that the attendance be under 25, 26-50, 51-75, 76-100, etc. Or even increments of 20. There are several small groups in this country that survive with under 20 attendance and other groups where a drop in 25 dancers means serious financial hardship. Dave is concerned that groups might be wary about posting such information. Are there groups represented on this list that might NOT participate in this information gathering? Seems useless to even create the Doc unless folks are willing to post the data. Donna Hunt -----Original Message----- From: Dave Casserly via Callers <callers(a)lists.sharedweight.net> To: Jeff Kaufman <jeff(a)alum.swarthmore.edu> Cc: callers <callers(a)lists.sharedweight.net> Sent: Mon, Jan 30, 2017 4:12 pm Subject: Re: [Callers] Another vote for "jets" and "rubies" What if we made a Google doc with more vague categories where dances could self-report their attendance? Something like, a column for the state where the dance is located, a column for 2015 average attendance, all done in ranges of 1-50, 51-100, etc, and another column for 2017 attendance, with the same ranges? I think that would be useful for purposes of knowing how many dances are suffering declining attendance, and where those dances are, but wouldn't give out enough specific information to make organizers queasy about publicly releasing data. On Mon, Jan 30, 2017 at 1:35 PM, Jeff Kaufman via Callers < callers(a)lists.sharedweight.net> wrote: > For attendance, what I would love to see is dances making their > attendance numbers fully public. Something like a googledocs > spreadsheet that anyone can view where you put in attendance numbers. > > (I've advocated for this, internally to BIDA, for years > (unsuccessfully). We do have a sheet like this, but it's not public.) > > On Mon, Jan 30, 2017 at 1:07 PM, Linda Leslie via Callers > <callers(a)lists.sharedweight.net> wrote: > > It may be that the Organizers’ List for Shared Weight may have this kind > of > > data. > > Linda > > > > On Jan 30, 2017, at 12:51 PM, Ron Blechner via Callers > > <callers(a)lists.sharedweight.net> wrote: > > > > No, I haven't seen statistical analysis of this. Maybe it's worthwhile > for > > this to be polled out to various dances. > > > > Best regards, > > Ron > > > > On Jan 30, 2017 10:54 AM, "Donna Hunt" <dhuntdancer(a)aol.com> wrote: > > > > Just getting back to this thread, lots to catch up on. > > > > Jeff and Ron: You both seem like the statisticians here. Is there any > data > > that reflects where in the country the LGBTQ gender-free dances are and > > where the communities that use gender-free terminology are? > > > > Just curious. > > > > Ron: When you say that local dances attendance is down is there data > about > > that compared to dances where attendance is not down? Again, looking for > > information country wide or even geographic area. > > > > Thanks > > Donna Hunt > > > > _______________________________________________ > > Callers mailing list > > Callers(a)lists.sharedweight.net > > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net > > > > > > > > _______________________________________________ > > Callers mailing list > > Callers(a)lists.sharedweight.net > > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net > > > _______________________________________________ > Callers mailing list > Callers(a)lists.sharedweight.net > http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net > -- David Casserly (cell) 781 258-2761 <(781)%20258-2761> _______________________________________________ Callers mailing list Callers(a)lists.sharedweight.net http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net _______________________________________________ Callers mailing list Callers(a)lists.sharedweight.net http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net

7 years, 5 months

Re: [Callers] Another vote for "jets" and "rubies"

by Dugan Murphy via Callers

Since it was an article about my dance series that started this conversation about role terms, I'll offer that the primary reason we chose "jets" and "rubies" as gender-free terms is so that regular contra dancers from other places can come in and dance without needing anything to be explained to them since the terms are pretty similar to "gents" and "ladies." We also took a look at this graphic of Ron Blechner's analysis of gender-free role terms people have been talking about: http://amherstcontra.org/ContraDanceRoleTerms.pdf We may not use "jets" and "rubies" forever, but we figured we'd give it a try. There didn't seem to be any reasons not to try and there are certainly plenty of reasons to try. Most men at our dance dance as jets and most women dance as rubies, but for the few who dance opposite, switch around, or whose gender expression doesn't fit the man/woman binary, I'd like to think that formally separating dance roles from gender is validating in a meaningful way. Dugan Murphy Portland, Maine dugan at duganmurphy.com www.DuganMurphy.com www.PortlandIntownContraDance.com www.NufSed.consulting

7 years, 5 months

Re: [Callers] Another vote for "jets" and "rubies"

by Ron Blechner via Callers

No, I haven't seen statistical analysis of this. Maybe it's worthwhile for this to be polled out to various dances. Best regards, Ron On Jan 30, 2017 10:54 AM, "Donna Hunt" <dhuntdancer(a)aol.com> wrote: Just getting back to this thread, lots to catch up on. Jeff and Ron: You both seem like the statisticians here. Is there any data that reflects where in the country the LGBTQ gender-free dances are and where the communities that use gender-free terminology are? Just curious. Ron: When you say that local dances attendance is down is there data about that compared to dances where attendance is not down? Again, looking for information country wide or even geographic area. Thanks Donna Hunt

7 years, 5 months

Re: [Callers] Local styles vs. consensus (Was: Another vote for "jets" and "rubies")

by Ron Blechner via Callers

Hearing the multiple-prompts-for-same-move topic framed in a new way has been helpful to me. I've enjoyed that local communities have different feels to them. I like that this discussion led to Tony and others indicating that term variations are part of the charm of local variations. With regards to Tony's question about the number of terms increasing in contra, a question: I understand that squares used to be more commonly interspersed with contras at dances, correct? Squares provide so many different moves that they need special teaching for individual dances. So are modern contras that much different? If I need to teach a box the gnat or a square-thru to a room with a number of new dancers, does it matter whether that move is taught for a contra or a square? I agree that the contras themselves have gotten more complex in the past few decades, but the overall choreography over time? I might like to hear more voices of long-time callers / dancers for perspective. Best regards, Ron Blechner On Jan 30, 2017 10:17 AM, "Tony Parkes via Callers" < callers(a)lists.sharedweight.net> wrote: Rich Hart wrote: << I'd also add to your two requirements (enjoyable and in a safe space), a third one. that is that our dances should also be welcoming to all, regardless of their position in life, and dance skills. As callers, we all try to chose dances and calls that are appropriate, and acceptable for the local dancers. That should not change.>> I deliberately kept my list of requirements short, because I’m not convinced there’s consensus on any others. You might think “welcoming to all, regardless of… dance skills” would be a no-brainer, but in reality, some series are (perceived as) far less welcoming than others. One could even argue (though I’m not arguing here) that this is not necessarily a bad thing, as long as there’s at least one series in every metropolitan area that nurtures beginners. I do want to say that I find it somewhat troubling when a series that doesn’t bill itself as “challenging” or “experienced” develops a reputation for freezing out newcomers. I agree that callers try to present programs that are “acceptable for the local dancers”; but that’s not the same as being “welcoming to all.” The local dancers may be quite sophisticated in their tastes and capacities, and it may be hard (though not impossible) to please them and still foster an inclusive atmosphere. The disparity between series attitudes may be a good thing, a bad thing, or some of each, but it’s the reality in many areas. Tony Parkes Billerica, Mass. www.hands4.com New book: Square Dance Calling (ready Summer 2017) _______________________________________________ Callers mailing list Callers(a)lists.sharedweight.net http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net

7 years, 5 months

Local styles vs. consensus (Was: Another vote for "jets" and "rubies")

by Tony Parkes via Callers

Chet Gray wrote: <<In regards to the present variety in role terminology, I may be fairly alone in this opinion, but I hope we never intentionally arrive at a grand consensus. I love that different terms for roles have sprung up in different communities, just as I love that so many wonderful terms have sprung up for eye-turn/shoulder-turn/spiral. I love hearing "allemande", "hand turn", and "hand 'round" in different communities. I love that "dosado" means drastically different things in different long-lived community ("square") dances. I love that some communities default to hands-across stars while others default to wrist-hold stars. I love that there are at least three different promenade positions, and each is default in different communities. As much as my engineer brain would enjoy it, I hope we never have a CALLERLAB to strictly define terminology and steps for contra dances.>> Amen! One of the things I’ve long lamented about the modern square dance movement is the disappearance of regional variations. If square dancing is viewed as a hobby, it makes sense (given the mobility of people in industrialized countries) to standardize the meaning of calls, hand and arm positions, and other rules and customs. But if it’s viewed as a folk art, it’s a crying shame to lose the variations. To me, standardizing a folk dance form is like saying there’s only one right way to cook chicken. (Given how far MSD has strayed away from tradition and toward homogenization, it feels to me as if they’re saying KFC is the only right way to cook chicken.) The contra dance world has never had an entity like Callerlab with the clout to convince local groups to standardize, and I don’t think it needs one. Two of the big attractions of contra dancing (IMO) are its lack of regimentation and the small number of terms a newcomer must learn. That small number (again IMO) means that adjusting from one village to another is not difficult: Typically only 3 or 4 terms out of 15 or 20 are understood differently. A big question in my mind is whether there’s anything approaching a consensus among contra callers (and interested organizers and dancers) on any points beyond the obvious: that dancing should be enjoyable and a dance venue should be a safe space. I would strongly caution folks against thinking there’s a consensus when only a small percentage of callers and leaders has been heard from. I’m thinking here, not specifically about the gender-free vs. gendered issue or which gender-free terms to adopt, but about the big picture – which includes those issues, but also includes standardization vs. local styles, “gypsy” vs. a new term (and again, which one to adopt), and which, if any, of the many new movements to expect dancers to memorize. This last issue is much on my mind, as the contra vocabulary has more than tripled since I started dancing. Do we really want to go down that road? Getting back to the issue of gender-free terms (though I’ve changed the subject line to allow more general discussion), I hope that here, as elsewhere, we can feel free to experiment and not feel constrained by what other people and groups are doing. Tony Parkes Billerica, Mass. www.hands4.com<http://www.hands4.com> New book: Square Dance Calling (ready Summer 2017)

7 years, 5 months

Folk Dance Books Available

by Jerome Grisanti via Callers

Recently, the university where my wife works got rid of their dance department, and my wife brought home to me multiple copies of a bunch of folk dance books, including: Folk Dances of the British Isles (Anne Schley Duggan, Jeanette Schlottmann, Abbie Rutledge -- at least three copies) Folk Dances of European Countries (Anne Schley Duggan, Jeanette Schlottmann, Abbie Rutledge -- at least three copies) Folk Dances of the United States and Mexico (Anne Schley Duggan, Jeanette Schlottmann, Abbie Rutledge -- at least three copies) Folk Dances of Scandinavia (Anne Schley Duggan, Jeanette Schlottmann, Abbie Rutledge -- at least three copies) The Teaching of Folk Dance Teaching of Ethnic Dance (Joukowsky) American Indian and Other Folk Dances (Shafter) Caller/Teacher Manual for the Extended Basics Program for American Square Dancing (Ruff) (Two books: Levels 1-3 and Beyond Level 3) Folk Dancing in High School and College (Grace I. Fox) Folk Dance Progressions (Lidster and Tamburini) AND, she wants me to clean up my dance library. Any help you can offer to move them to new homes (come and get them, I'll send them to you, etc.) would be greatly appreciated. Thanks! --Jerome Jerome Grisanti 660-528-0858 http://www.jeromegrisanti.com "Whatever you do, or dream you can, begin it. Boldness has genius and power and magic in it." --Johann Wolfgang von Goethe

7 years, 5 months

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Contra Callers January 2017