I can only speak with reference to calling at NEFFA, as I have never applied to DownEast.
As some of you may know that Linda Leslie is NEFFA's program chair, I will note that
the program chair does not select performers for contra sessions.
Regarding NEFFA 2007, the following notice is now posted at http://neffa.org/perf_app.html
- The Program Committee is not prepared to take your application at this time, since it
is too late to apply for this year's NEFFA Festival. Please note that the application
to perform is always available during the month of September, with a deadline in October.
If you'd like to get an e-mail notice of application availability, send a blank e-mail
So you can note on your calendar that September is a good time to check the NEFFA web
site, and also arrange for a notice to pop up in your e-mail.
The NEFFA application invites you to come up with a briefly-described theme for your
session, with a title of 20 characters or less. IMO, use your own judgment as to how
important the theme is. If you are offering a concept that's really meaningful to you,
don't be afraid to describe it. If what you really want to do is just call some hot
contras, then IMO I wouldn't go overboard on the theme.
Unlike Northwest Folklife, callers and bands apply SEPARATELY to the New England Folk
Festival. And I believe that this is a very good thing for beginning callers who hope to
have a chance at getting onstage. This mix-and-match policy gives a fresh perspective for
experienced performers, and can be an eye-opening experience for newcomers who may get to
work with seasoned veterans. I will never forget calling at NEFFA with Northern Spy, a
band that has worked with caller David Millstone for 25 years. And where was David during
this session? Out on the floor, happily dancing to the music of his own band. NEFFA's
selection process made that wonderful hour possible for me.
For what it's worth, the first year I successfully applied I asked for a
"Festival Orchestra" slot, which means that instead of calling a themed,
hour-long session I called two dances in the Main Hall with the assembled orchestra and
then got off the stage as the next Festival Orchestra caller had a turn. IMO, the key here
(as well as in submitting a session proposal) is to choose dances that you know by heart,
can teach well, fully believe in, and love to share with a crowd. You don't want to
have second thoughts as you approach the microphone.
If you're wondering why performer applications are required so far in advance of a
festival, note that NEFFA may have 1700 performers, many of whom perform in multiple
sessions (perhaps performing alone, and with a participatory dance group, and also with a
concert performance group!). You can't doublebook a performer (or larger groups to
which she may belong), you have to give her time to move from one venue to another, plus a
bunch of other scheduling etceteras that would drive me loony to contemplate further. How
scheduling was done in the days before computers is beyond me.
Robert Jon Golder
164 Maxfield St
New Bedford, MA 02740