A while ago, i was intending to call a 4x4 (The Warm Up) at our
local dance, the Chicago Barn Dance, but thought it might be nice to
use a dance that accomplished the same thing (swinging both opposites
during the sequence) but not using the star or a hey. Another idea to
incorporate was the give and take, which seemed a good move for the
standard introductory figure of many 4x4s. What i came up with is
called Villa Olivia (where i wrote the dance):
Villa Olivia
4x4 Tom Senior note "buddy" in your line of 4, (same
gender person) and the direction you face.
A1. Lines go forward, Men draw opposite back to swing (Give and
Take), end the swing facing your buddy across the line of direction of
the dance.
A2. Make and ring, balance, twirl right one place (as in petronella),
swing opposite #2. End facing across to your buddy.
B1. Right and left across, ladies chain 1/2, turning to end facing
partner. (in the direction of progression)
B2. Lines go forwrd, Women draw partner back to swing. End swing
facing original direction.
Perhaps you may find this useful.
Tom
--
Tom Senior
Dance while you can.
see my website: http://marblechimes.com/
The sharing of info on this thread has been great, and certainly helped
me a lot (and I know I'm not alone here). Thanks so much to all. My
calling experience has been more in the free or food paying level, and
when playing in a dance band for a new dance series we've been paid
$10-15 each from the proceeds of the Swing Dance night since the
contra/square night hasn't made enough money yet. So I'm happy to hear
others are paid sometimes and will aim to that goal in our own series.
If anyone has any input for ONS gigs that would be nice, too.
On a different level than the ongoing series, an annual week-end
traditional music festival in the region may pay festival callers
$200-250 for part of the Friday night dance plus one or two hour long
workshops during the weekend. Plus they get free admission and meals.
It varies a lot because the bands and callers are usually also
contracted for other performances at the festival. There have been in
the past a few single dance events where the caller was paid $50-75.
Bands may be paid $200-500.
Summer cheers,
Sue Robishaw
Thanks Clark. Looks like it is indeed defunct, unless/until somebody is
willing to take on hosting duties for it.
From your link, I was able to find the webpage of Russell Owen, who
used to maintain American Country Dances Online. He has just recently
shut it down; he has this note on his webpage:
Note: if you are looking for American Country Dances On Line: I shut
down 2011-06-13 as I did not have time to maintain it. If you wish
to host it please contact me.
Russell Owen
University of Washington
PO Box 351580
Seattle, WA 98195-1580
rowen uw edu
Russell's webpage is at
http://www.astro.washington.edu/users/rowen/
-- Mark
> From: Clark Baker<cmbaker(a)tiac.net>
> To: Caller's discussion list<callers(a)sharedweight.net>
> Subject: Re: [Callers] American Country Dances Online
> Message-ID:<DD011E0F-7948-46CB-BFEE-21A1868A668F(a)tiac.net>
> Content-Type: text/plain; charset=us-ascii
>
> Not a perfect answer, but perhaps this will help...
>
> http://classic-web.archive.org/web/*/http://arcserve.astro.washington.edu/d…
>
> On Jun 26, 2011, at 7:51 PM, Mark Widmer wrote:
>
>> Does anyone know what became of the website American Country Dances Online? It used to be at
>>
>> http://arcserve.astro.washington.edu/dances/
>>
>> It was a useful way to find dances when I was a newer caller, and I would like to pass it on somebody. But it is either defunct or has moved elsewhere.
>>
>> Mark Widmer
>>
One of those "aha!" moments: A new contradancer here in Charlotte, after his
first night dancing, said "Hey! This is just like marching band! I know I have
6 counts to get to the next place!" Gonna see how I can incorporate that idea
into Monday night's teaching...
Gretchen Caldwell
Charlotte, NC
Please feel free to pass on to callers new and experienced, wanna-be callers, friends, total strangers, dead people, whomever might want to come. Thanks! :)
Callers Week Intensive at Cumberland Dance Week (July 17-23)
Cumberland Dance Week will feature a callers' intensive program this year. Two full sessions each day of instruction, exercises, and practice time, led by Seth Tepfer. The week will feature 3 late night open mic calling times and opportunities to add more dance parties.
During the week we will cover:
* Introduction to calling
* Effective teaching
* Calling squares
* Programming an evening
* The Beginners workshop (new dancer session)
* Working with musicians
* The Business side (marketing, money, insurance)
* Dance Weekends
* and much more
This class is for people who want to:
* learn to call from scratch (contras or squares)
* take their calling to the next level
* call and teach more effectively
* practice calling in a safe space
Each day we will have one session where we will go over material in a setting that provides a mix of lecture, discussion, and active participatory exercises. The second session will be lab, where we will be practicing calling contras and squares with live music and dance guinea pigs.
Participants will have homework each day and be expected to participate in the open calling sessions and dance parties.
Cumberland Dance Week is July 17-23, 2011 at Lake Cumberland 4-H Educational Center, Nancy Kentucky.
More information about Cumberland Dance week is available at: www.cumberlanddanceweek.org/<http://www.cumberlanddanceweek.org/>
Cost starts at $699 (2 adults per room, all inclusive). Scholarships are available.
Call 770-289-3204 or email seth(a)danceRhapsody.com<http://www.dancerhapsody.com/redir.aspx?C=9ea99a1f8b424edba2141ac2e0fc0748&…> to discuss details.
________________________________
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Does anyone know what became of the website American Country Dances
Online? It used to be at
http://arcserve.astro.washington.edu/dances/
It was a useful way to find dances when I was a newer caller, and I
would like to pass it on somebody. But it is either defunct or has
moved elsewhere.
Mark Widmer
Lisa Sieverts and I used to laugh about our calling gigs boiling down to driving hundreds of miles for dozens of dollars, and that was back when gas was 90c/gal!
Chrissy
--- You wrote:
Since no one's getting rich on the fees we pay musicians, I doubt that there are
many musicians who show up just for the money.
--- end of quote ---
Well, we didn't get paid very much but at least we got to drive a long distance.
;-)
David Millstone
Hi Shared Weight callers!
I just sent the latest news on the upcoming conference for Northeast dance organizers. Wanted to let everyone know that from this point forward, I'm only going to send those updates to the Shared Weight organizers list. If you want to get direct updates from us, send an email to NEDanceOrgs(a)gmail.com
Also, I've been noticing with interest the recent exchanges regarding performer/sound compensation, most of which seem more relevant to the organizers list than the callers list. Any thought of cross-posting for the benefit of the folks who are only on the organizers list?
Cheers!
Chrissy Fowler
Belfast, ME
Dear Northeast Dance Organizers,
The Longest Day has just passed for
all of us in the Northeast, and the four of us are very busy with tasks
related to the Puttin' On the Dance conference planned for November
11-13.
Here's our news:
* Mary Wesley of Ferrisburgh,VT
has joined our conference organizing team! We're thrilled to add her
energy and experience to our planning crew, and we eagerly anticipate an
inspiring weekend conference in November.
* Our conference website is ready! http://www.puttinonthedance.org/
You'll find all sorts of interesting info there, including specifics on
conference fees, various deadlines, travel info, forms, and more. Many
thanks to two multi-talented Northeast dance organizers - Toki Oshima of Whitefield ME for her artwork and Ethan
Hazzard-Watkins of Brattleboro VT for his website design.
* Find us on Facebook! Here's a handy link:
http://www.facebook.com/pages/Puttin-On-the-Dance/168215219908921
* Registration is now open, with the Earlybird Fees in effect until September 1. (See Register tab on the website for full details.)
*
We have some scholarship funding in hand, and we are actively seeking
additional contributions to the scholarship fund. (For info and
application, see Scholarships, under Register tab on the website) We hope you will also use creative ways to pay your conference fees. (For a few useful suggestions, see Fund Your Attendance, under Register tab on the website.)
* Next steps include finalizing the Program content, session Topics, and Session Leadership, as you can see from those pages on the website. Keep in touch with your suggestions and input!
Happy Solstice and happy organizing!
Chrissy, Delia, Linda & Mary
--
Puttin' On the Dance: A Conference for Northeast Dance Organizers
November 11-13, 2011
www.puttinonthedance.org
Chrissy Fowler (ME) Delia Clark (VT) Linda Henry (MA) Mary Wesley (VT)
The relative merits of pay for callers, musicians and sound people would be
a good topic for discussion.
I'm both a musician and a caller, too, and while calling is harder for me,
it's possibly because I've not been doing it for 60 years, which is about
how long I've been a musician. So you might say I put in the hard work years
ago on playing music and am putting in the hard work now to call. If I
became a sound person, I'd have to work pretty hard, too. But just about the
time that I got to be worth paying a lot of money for, it would probably be
easy.
But I am curious - in your groups, are callers paid more, or less, than
musicians (on average)? How about the sound guys? And on what do you base
the amounts?
I remember a discussion on approximately this topic a couple of years ago,
where someone had moved from a large dance community, where she was paid
rather handsomely, to a small community where everyone was a volunteer. If I
remember right, she enjoyed being a part of both communities, but noted that
the one difference was that the volunteers were more likely *not *to show up
if there was a difficulty, whereas the paid talent would show up even in a
snowstorm. You were paying, in other words, for professionalism.
Then there is a curious situation that has developed here. Our musicians,
years ago, were part of the dance community. They'd come to our dances, and
at our dance weekend, they'd dance, and jam on the lawn, and we'd all dine
together. Then we started rewarding them with higher pay because we liked
their contribution so much. The result over time was that they started
treating it as a gig rather than as a social event. Now they show up about
ten minutes before dance time, they play, and then they either go home or,
at our dance weekend, they find some out-of-the-way place to jam, away from
the dancers. I just looked at our list of bands, and there's only one
person - okay, two - listed in our local contra dance bands that regularly
dance with us any more. Is that normal in your communities?
M
E
On Sun, Jun 19, 2011 at 6:52 PM, Cynthia Phinney <online(a)starleft.org>wrote:
> At our series (a small local dance in rural Maine), we divide the door up
> into one share each for band members, caller, and sound (sound gets one
> share) for bands of five people or less. Once the bands get over five
> people, the caller gets a larger share.
>
> My experience of being both a caller AND a musician, is that calling is
> significantly more work than playing. I also find that it is more work,
> usually, to call for a large band than a small one. Communication is more
> challenging, and there is usually more doodling and chatting in the
> background from the band. Plus - for us - some of our larger bands are
> students and so the music isn't perfectly honed for dancers, which means
> that the caller is needed even more to help keep the dancers on the phrase
> since it isn't so crisply defined by the musicians (our dance also has a
> significant percentage of inexperienced dancers).
>
> -cynthia
>
>
> -----Original Message-----
> From: callers-bounces(a)sharedweight.net
> [mailto:callers-bounces@sharedweight.net] On Behalf Of Dan Pearl
> Sent: Sunday, June 19, 2011 12:50 PM
> To: callers(a)sharedweight.net
> Subject: Re: [Callers] Caller Fees
>
> Interesting!
>
> I chair the Thursday Night Dance Committee of NEFFA, which runs a weekly
> dance
> at the Concord Scout House, in Massachusetts. I would characterize our pay
> as
> good. Here are the basics:
>
> 1. We expect equal shares for all performers (musicians/callers). In only
> very
> unusual circumstances will we pay different amounts.
> 2. Guarantee (per performer) is dependent on # of performers. 3 => $155; 4
> =>
> $145; 5 => $125; 6 => $104; 7 => $89.
> 3. Performers who travel a distance (say over 1 hour) to get to the dance
> get
> $15 extra.
> 4. Bonus *is* dependent on attendance. We assume that if people came out in
> droves to dance, the performers probably had something to do with it, and
> they
> should be rewarded. For a well-attended night, it is not unusual for
> performers
> to make around $200 each. For an exceptionally well-attended night, they
> might
> make $300 each.
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>
> _______________________________________________
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> Callers(a)sharedweight.net
> http://www.sharedweight.net/mailman/listinfo/callers
>
--
For the good are always the merry,
Save by an evil chance,
And the merry love the fiddle
And the merry love to dance. ~ William Butler Yeats