I think that rolling starts (seamless transition from walkthrough into the
dance, as the band just starts playing music during the walkthrough) are
super neat if done properly! But I'm still not quite sure how to do them
properly. So I ask you all:
1) tips on how to execute a rolling start well, making sure all the dancers
are on board etc.?
2) thoughts on what dances/tunes will/won't work well with a rolling start?
Cheers,
Maia
In a couple weeks, I'm scheduled to call at a contra dance series
whose usual hall is unavailable for that evening. The alternative
hall where I'll be calling is smaller than the usual one, so may
be rather crowded. I'd like to have anyone's suggestions of
contras suitable for a crowded hall.
Being more crowded than usual might also mean that it will be
hotter than usual, especially in the later part of the evening,
when we'll need to close windows on account of noise restrictions.
So I'd like to the program to include some dances that give people
a chance to relax a little, and that can be done at moderate tempo
without feeling draggy.
The series is well established series of the "modern urban contra"
sort. While I don't want to have people crashing into each other
if it's crowded, and I don't want to wear them out if it's hot, I
also don't want to stray too far from dancers' expectations of
most dances having both partner and neighbor swings, etc.
[In case anyone's wondering, I do have a copy of the CDSS booklet
"Dances for a Crowded Hall"m which talks about stuff like avoiding
expansive figures. The specific dances listed in that book,
however, are English Country Dances.]
Thanks in advance for any ideas.
--Jim
Hey all,
First, a disclaimer: Some people on this listserv thing shadow swings are
problematic. Some don't see any issue with them. This is NOT the
conversation I want to have in this thread; *I ask that you respond to the
question I'm asking and do not debate my premise--at least not in this
particular thread. *This should help keep this thread on track and
hopefully reduce excess noise and go-nowhere discussions on this listserv.
Thanks!
Anyway, the actual question I wanted to ask (whew!)--
There do exist some really fabulous shadow-swing dances that I would love
to be able to call, as long as I could do so without putting anyone in an
uncomfortable position. Do folks have ideas for ways to mitigate the
potential harms of shadow swing dances? I was considering, at the beginning
of the dance, having dancers identify their shadow and mentioning, "this
will be a shadow swing dance, so if you need to make any changes, do so
now" (or something like that)--haven't gotten the wording down-pat, but the
idea is giving dancers advance warning of a shadow swing so they can move
(thereby changing their shadow) if they need to. Any thoughts on this
method? Suggestions of others?
Cheers.
Maia
Hello! The Allemande Joy Contra Dance Tour is a group of 32 dancers, musicians, and callers from the US who spend a month every other year touring New Zealand, mostly the south island. We stop in cities along the way to conduct and/or participate in local contra dances. The trip also includes a dance weekend. The next trip is January 29-February 29, 2016.
The 2016 trip is sold out except we are saving a slot for one more caller. Price is $4,050 for a single, which includes round trip air fare from LAX, lodging, meals, tour bus, and dances.
If you or a caller you may know is interested in joining us, please contact Julie, 2016NZContra(a)gmail.com. You can also find more information on our Facebook page. Search for Allemande Joy 2016 New Zealand Contra Dance Tour.
Please feel free to share this information. Thanks!
Vicki MorrisonTallahassee, FLtallygal007(a)yahoo.com
I am relaying this information to any concerned. Dick Henschel was the
voice of Hilton Sound Equipment, and was always a helpful voice to
callers. He will be missed.
It is with the greatest of sadness, to inform you of the sudden passing of
Dick Henschel on Saturday evening.
>
> Eight months ago, Dick discovered that he had cancer...specifically
Mantle Cell Lymphoma, which originates in the lymphatic system. This
particular form is a very rare form of non-Hodgkin’s lymphoma. There are
only 11,000 cases of this in the US.
>
> Dick entered treatment at Walnut Creek Hospital six months ago and
recently symptoms showed up which led to the suspension of that treatment
and the investigation of other therapies. Saturday he became very ill and
he was rushed to the hospital. Doctors discovered he had a massive
abdominal infection resulting in sepsis, a life-threatening response which
can lead to tissue damage, organ failure and death. Sadly he passed very
quickly and peacefully with Vicky holding his hand.
>
> Funeral arrangements have not yet been finalized, but will be shared as
soon as they are available.
>
> Sympathies my be extended to Vicky by emailing her at RHandVH24 at
gmail.com or by mail at:
> 1631 Rio Blanco Drive
> Concord, CA 94521
>
> In lieu of flowers, donations may be made to the CALLERLAB Foundation for
the Preservation of Square Dancing at:
> CALLERLAB Foundation
> Dana Schirmer, Executive Director
> 200 SW 30th Street, Suite 104
> Topeka, KS 66611
>
> Phone: (785) 783-3665
> Email: info at callerlab.org
>
> Please share this sad news with your square dance friends.
>
>
> Bill Heyman
> P.O. Box 550
> Marlborough, NH 03455-0550
>
Back in 2008 I wrote a dance to celebrate my first year of contra dancing
and Chris Weiler was kind enough to go through it with me. In doing so I
heard my first mention of the Who-What-How Much format for dance
description.
I'm working on a personal project where I'd like to be sure I've identified
all the "Who" roles in that model. For my purposes, I'm doing this in the
context of contras, traditional squares, triplets, family dances, etc. (but
not necessarily English, Ceilidh, Scottish, etc. - though I'm not closed to
gathering any that may exist uniquely therein).
I've listed below what I've collected so far from my personal cards deck
review & research through several published works.
Are there any Whos I've missed?
Please note: I've deliberately left the primary role designation for last
as I wish to avoid rehashing that topic once more. Let's please just accept
there's a designation for the primary roles and agree they'll be determined
by circumstance and conscience, as fits a given dance community.
Thanks!
Don
ROLE DESIGNATORS - "WHO"
Partner
Neighbor
Corner
Opposite
Everyone (All)
Center/End
Shadow/Trail Buddy
Couple
Top/Middle/Bottom; Ones/Twos, etc.; Heads/Sides; First/Second, etc. (var.
of Couple or Primary Role)
Travel Buddy (4F4)
Active/Inactive (is this distinctly required, or is it always an alternate
name for another role var., e.g.: 1s?)
Neutrals/Ends (var. of Couple or Primary Role)
Ring of N (4,8, etc.)
And of course...
Primary Role (Lark/Raven, Righty/Lefty, Lady/Gent, Talls/Smalls, etc.), in
plural or specific variation (e.g.: Talls, Raven 2, End Lady)
Other identifying terms:
Active/inactive couple or person, for certain dances when it is descriptive, or impractical to use numbers. (Often 3 or 5 couple sets, 2+1 mixers, Virginia reel variants, squares, or Scottish dances)
Right hand / left hand (lady/gent) for squares
1st corner/2nd corner or right hand/left hand for contra corners (these are not necessarily neighbors, nor shadow/partner at set ends, nor are they precisely previous/current/next neighbors in a double progression)
Inside/outside for mixers or couple dances
Those who can, those who want, those who did/didn't
Leader (for lines)
Leads/Follows (squares, mostly)
Was top/bottom on the list?
Lone person/9 pin (mixers, odd number of dancer sets)
A/B for royal (double) squares
That's what springs to mind.
Neal
Sent from my T-Mobile 4G LTE Device
Several years ago I enjoyed dancing a square that I believed was written by
Roger Whynot, but I cannot remember the square. I think it began with
couple one Fwd and Back, then Couple one goes fwd into a three point star
with the nearest side couple. As they turn the star, they unwind into two
facing lines of three. After that I am lost.
Does anyone recall such a square or a similar square? I would appreciate
any help>
Rich
I am in England. 90% of my bookings are for "Barn Dances" or "Ceilidhs".
The ones I run go under the name "Dancing for Fun" with a description of:
" Come and learn a wide range of wonderful dances, from 17th Century Jane
Austen style to 21st Century Ceilidh, including Square Dances, American
Contras, English Barn Dance, Contra Waltzing and the Polka!"
And yes, I really do call of those at ONSs ( not ONS's. :-)
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
Greetings all,
I know this has been discussed before, but I am gathering a list of descriptive titles for
one-night-stand dances. Especially looking titles that work in describing in a way that would be acceptable and understandable to the people organizing these events. (i.e. Do they really want their event to be called a one night stand? )
Here's a start:
One-shot-deal
Barn Dances
Special Event dances
One-off.
Anyone have any more?
sue
Sue Hulsether
shulsether(a)mac.com
www.suehulsether.com
608-632-1267 Cell
608-629-6250 Home
P.O. Box 363
Viroqua, WI 54665