Hi Rich,
The dance was first published as "Branle de l'Official" in 1589 in
Orchésographie.
You can see the original wording, under "B. DE L'OFFICIAL." near the
bottom of the page at
http://www.graner.net/nicolas/arbeau/orcheso22.html
And there's the music, running down the left hand side of the page
:-)
(BTW In the dance just above it you will see the earliest
description I know of a three-person Hey (HAYE).)
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
I’m trying to get in touch with Bob Isaacs — we’re calling together in November — but my internet skills are not yielding info that’s producing a response. Bob (or someone with his current contact info), could you please contact me off list at steve dot pike dot madison at gmail dot com? Thanks!!
Steve Pike
Madison, WI
Wanted a beginners' dance with a chain but without a star-L progression.
Jotted down this one. I find it quite likely that someone has written it
before:
[untitled], imp.
A1: N b&s
A2: long lines forward & back
ladies chain
B1: ladies alle. R 1x
P swing
B2: circle L 3/4
bal. ring and pass through
So a) has this been written? And b) can folks recommend already-written
dances that meet my criteria?
Cheers,
Maia
Chris Weiler's Positive Solutions
<http://www.puttinonthedance.org/wp-content/uploads/2011/11/Positive-Solutio…>
on dealing with problem dancers, and the CDU Policy
<http://www.puttinonthedance.org/wp-content/uploads/2011/11/09-12-16-CDU-pol…>
are thoughtful and useful documents.
We have a different problem here.
One woman often complains to board members about men she sees as creepers
or sexual predators. She reports their misbehavior on behalf of their
victims. The victims don't initiate these reports.*
Many others *don't* see these men as creepy or inappropriate. Recently one
of the "victims" clarified that her discomfort with the man was a year ago
and she'd long ago dealt with it to her satisfaction. The man in question
had heard only rumors that some nameless woman was unhappy about some
nameless thing he'd done.
This woman also publicly asked that young women who feel harassed should
talk to her about it. We feel that's the Board's job, not hers.
It seems that this woman is fishing for - or even inventing -
"naughty-dancer" problems.
When a married man gets accused of being a sexual predator, his wife has to
wonder if it's true. This adds to any marital tensions they may already
have. So, while this woman is not actually punching anybody in the face,
it seems to me that she's committing violence.
How should we handle this?
- I think we need a "No proxy complaints" policy - i.e., the victim has
to speak up (and then our process will usually fix simple miscommunication
issues).
- We need to clearly identify board members, so genuine victims know who
to talk to.
But does anybody have other ideas about preventing one person's issues from
poisoning the atmosphere of a mostly friendly dance?
____
* I know, victims often have a hard time stepping up and complaining, so
advocacy may be a good thing. But that's a different discussion. In these
situations, there's no victim; there's no predator; there's just an
accusation with little to back it up.
Hi Everyone
In a normal (1s improper) contra, you start with your partner across from
you and your neighbour next to you. Anyone outside the minor set is a new
neighbour / shadow / something else.
In a Becket formation, you start with your partner next to you. Who's
opposite you - your neighbour or your opposite? If it's your opposite,
who's your neighbour? Is it the person next to you who isn't your partner?
(I have seen it used this way.)
Jeremy Child
Exeter, UK
Hi Callers,
There are a number of dances that have significant clockwise momentum; I try to label such dances so I don't call them back to back. However, I'd like to identify a collection of dances with the *least* clockwise movement (beyond swinging in the other direction).
Which moves are CCW? I realize that this depends somewhat on how the move is danced.
Have you IDed any dances as particularly good to call after a very clockwise one?
Thanks!Lindsey
Two persons have lamented privately to me that my posts are reaching the group with almost unreadably small text.No where else I send email or post has reported this problem
Which, if any of these lines better?
1. Garamond small
2. Garamond medium3. Garamond large
4 Modern small5 Modern Medium6 Modern wide Michael Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
Recently there was some discussion of the difference between a "rollaway
with a half-sashay" and a plain ol' rollaway. Jim Saxe presented the dance Roll
Away <http://contradances.blogspot.com/2012/03/roll-away.html> as an
example of a contra with a rollaway without a half-sashay. Can anyone else
name/post choreography for any CONTRAS (or 4-face-4s, I suppose... not
looking for squares at the moment, though) that include a rollaway *without* a
half-sashay?
Cheers,
Maia
Hello everyone,
Seth and Chris here, the lists founders and (currently) silent members.
The discussions from yesterday and today have generated a lot of traffic
and a lot of emotions. So I'd like to take this opportunity to remind
us all why we are here.
Chris and I started this list to SUPPORT each other and other callers.
Please remember that when writing and responding here. Everyone should
be treated with kindness.
When you write an email, please consider this before you press send: If
you were face to face, would you say the same thing? Does what you are
writing add to the SUPPORT of the community?
And finally, remember that humor and sarcasm are not easily communicated
through email. Please leave sarcasm and jokes out, as the other people
reading your email may not know if you are being serious or not.
Thank you,
Seth & Chris