Hi all,
I'm calling a dance this Friday on a dock (over a reservoir). I anticipate (fear?) the following problems: mostly new dancers (we're frequently 3/4 new or new-ish); dancers having difficulty hearing me (although I will have a mic); and a relatively rough dance surface (they hold Latin Dance Club events here frequently, so it isn't entirely undanceable).
As a result, I've been looking for simple dances that allow dancers to help each other -- lots of contact, and balances/clapping/other "here's where we are in the dance"-type noises have been a focus of my planning. But I'm having a little trouble with putting together a set list with sufficient (to my mind) variety, so I'm turning to the list for suggestions.
One additional note: our organizer told me that petronellas are on the challenging side for our group even though they love them; I think this particular dance surface would make them not-fun to dance, too. So I'd really love dances that include balancing a ring but don't include a petronella.
Thanks!
Louise.
This is how I have the dance.
A2 Ladies chain on L diagonal
Forward and back
file:///Users/davidmillstone/Documents/Dance/American%20Dances/Dance%20directions/%20Collections%20of%20dances/Gene%20Hubert%20dances/Gene%20Hubert%20contras.webarchive
David Millstone
Hi,
I seem to have 2 versions of Double Boomerang by Gene Hubert.
Becket
The only difference is in the A2
Version 1
A2 ON THE LEFT DIAGONAL ladies chain / Long lines forward and back
Version 2
A2 Long lines forward and back / ON THE LEFT DIAGONAL ladies chain.
Are there 2 versions being danced? If you call or dance it which version do
you do?
If there are really 2 versions, what are the advantages or disadvantages of
each.
Thanks, hoping to call it a week from Tuesday.
Rickey Holt, Fremont, NH
Thanks for all the responses.
I found the dance documented in a couple of Ralph Page Dance Legacy
Weekend Syllabuses. In both cases it is documented as Swing rather than
Balance & Swing - maybe because of the difficulty of getting back in
time for the Balance.
The version we danced seemed to work well; the ladies just continued
their Rory O'More spin until they were heading in the right direction to
start the hey, though the option someone suggested of Ladies Allemenande
Left 1/2 into the Hey also sounds good.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940 574
http://www.contrafusion.co.uk for Dancing in Kent
Anyone recognise this:
Becket Formation
A1: Circle Left 3/4; Pass Through
New Ladies Allemande Left 1 1/2 to Partner and Ocean Wave
A2: Balance R/L, Rory O'More
Balance L/R, Rory O'More
B1: Full Hey - Ladies start Left Shoulder
B2: Partner Balance & Swing
I noted it down at a dance but didn't get a chance to ask the name or
the author. Can anyone help?
Thanks.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940 574
http://www.contrafusion.co.uk for Dancing in Kent
OK,
I am looking for dances that are from "Easy" to "Intermediate" in difficulty
that can be used in a mixed crowd that is not predominately beginners, but
more likely predominately experienced dancers, AND that do not have a ladies
chain or a circle in them. A few more Heys would be nice too. My
collection and the old American Country Dances on line database do not seem
to have any such dances. Any suggestions?
I am trying to program an evening with a minimum of repeating figures. I
realize that it may not matter. We have had this discussion earlier. But it
would be nice anyway not to have too many dances with a ladies chain in it
for instance.
Thanks all.
Rickey Holt, Fremont, NH
I'm calling a dance tomorrow. Being so close to April Fools day, I'm
planning just a tiny bit of foolishness. There's a dance, it may be called
Trick Or Treat, where the hook is a 16-count segment where the dancers are
encouraged to call some action of their own, so long as they end up back
where they started at the end. If anyone has a copy of this and can send
it my way, that would be great. Otherwise, I'll just put together my own.
Thank you,
--Ryan
I am calling a dance this Friday night for a small town in Florida that is
trying to start a contra dance series in their community hall. I have
several ONS-type dances that I use for weddings, but what I don't have is
very very easy dances for low numbers. This is their first event so we
could see 5 or 6 people. I need to make sure they have fun or it will be
the end of their dreams of a contra community! I've looked at Ted's
Triplets, but they are too complex for a group that has never contra danced
before. What are suggestions for ultra easy ONS-type dances that would
also work for very low numbers?
JoLaine
--
JoLaine Jones-Pokorney
"We are as gods and might as well get good at it!"
- Stewart Brand
Me too! Wow, what a great tool to keep in mind while planning out my programs.
Brian Hamshar
-----Original Message-----
Date: Tuesday, March 27, 2012 10:53:42 am
To: "shared weight" <callers(a)sharedweight.net>
From: "Chrissy Fowler" <ktaadn_me(a)hotmail.com>
Subject: Re: [Callers] What makes a program varied, how important is that
wow, i love don's analogy!
chrissy fowler
belfast, me
> ------------------------------
>
> From: Donald Perley <donperley(a)gmail.com>
>
> I'll make an analogy between an evening of 12 dances and an essay of
> 12 paragraphs.
>
> If a common word appears in every paragraph, I wouldn't notice. If
> it's a less common word, or every paragraph begins with the same
> word, or the same sentence appears in several paragraph, then I would.
>
> To me as a dancer, ladies chain or B&S I wouldn't notice as
> repetitious. Something like rory o'more or mad robin I would.
>
>
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