Contra Callers November 2012

contracallers@lists.sharedweight.net

63 participants
48 discussions

by Rickey

Hi, I am wondering if you have any dances for low numbers of dancers (perhaps 6 or less), when most or all of the dancers are beginners and adults. I am also wondering if you have any dances (presumably different dances), that do not require choosing a partner and are good openers for beginner adults. Thanks as always to all, Rickey Holt.

2 years, 1 month

Re: [Callers] Festival Applications

by robertgolder＠comcast.net

I can only speak with reference to calling at NEFFA, as I have never applied to DownEast. As some of you may know that Linda Leslie is NEFFA's program chair, I will note that the program chair does not select performers for contra sessions. Regarding NEFFA 2007, the following notice is now posted at http://neffa.org/perf_app.html - The Program Committee is not prepared to take your application at this time, since it is too late to apply for this year's NEFFA Festival. Please note that the application to perform is always available during the month of September, with a deadline in October. If you'd like to get an e-mail notice of application availability, send a blank e-mail to NEFFA_Performers-subscribe(a)yahoogroups.com So you can note on your calendar that September is a good time to check the NEFFA web site, and also arrange for a notice to pop up in your e-mail. The NEFFA application invites you to come up with a briefly-described theme for your session, with a title of 20 characters or less. IMO, use your own judgment as to how important the theme is. If you are offering a concept that's really meaningful to you, don't be afraid to describe it. If what you really want to do is just call some hot contras, then IMO I wouldn't go overboard on the theme. Unlike Northwest Folklife, callers and bands apply SEPARATELY to the New England Folk Festival. And I believe that this is a very good thing for beginning callers who hope to have a chance at getting onstage. This mix-and-match policy gives a fresh perspective for experienced performers, and can be an eye-opening experience for newcomers who may get to work with seasoned veterans. I will never forget calling at NEFFA with Northern Spy, a band that has worked with caller David Millstone for 25 years. And where was David during this session? Out on the floor, happily dancing to the music of his own band. NEFFA's selection process made that wonderful hour possible for me. For what it's worth, the first year I successfully applied I asked for a "Festival Orchestra" slot, which means that instead of calling a themed, hour-long session I called two dances in the Main Hall with the assembled orchestra and then got off the stage as the next Festival Orchestra caller had a turn. IMO, the key here (as well as in submitting a session proposal) is to choose dances that you know by heart, can teach well, fully believe in, and love to share with a crowd. You don't want to have second thoughts as you approach the microphone. If you're wondering why performer applications are required so far in advance of a festival, note that NEFFA may have 1700 performers, many of whom perform in multiple sessions (perhaps performing alone, and with a participatory dance group, and also with a concert performance group!). You can't doublebook a performer (or larger groups to which she may belong), you have to give her time to move from one venue to another, plus a bunch of other scheduling etceteras that would drive me loony to contemplate further. How scheduling was done in the days before computers is beyond me. -- Robert Jon Golder 164 Maxfield St New Bedford, MA 02740 (508) 999-2486

4 years, 7 months

Fruit Punch choreography

by Joy Greenwolfe

Speaking of dances with missing details, I have a great dance called Fruit Punch. Diane Silver called it at Bogue Banks Boogie a few years ago. Not sure who wrote it (maybe Diane?). I evidently wrote it down wrong since it doesn't progress but instead keeps sending the dancers back and forth. Someone said it felt like it was missing a circle somewhere. Does it start with a circle left half way into a slide left? Does anyone have the correct choreography? I haven't heard back from Diane yet about this question. What I have is this: Fruit Punch by Diane or? I have Improper written down, but it looks like a Becket. A1 With couple on L diagonal, Yearn to new Neighbors and fall straight back (8) Ladies Allem R 1+1/2 (8) A2 N Balance & Swing (16) B1 Take hands in a ring. Balance the ring (4) Pass through to an ocean wave (4) Balance the wave (4) N Allemande R x1 (4) B2 Ladies Allemande L 1+1/2 to partner (8) Partner swing (8) Thanks for any clarification anyone might have. Joy Greenwolfe Durham, NC

11 years, 9 months

WMUR History of Contra Video

by Don Veino

There was a two-part video previously available on the WMUR TV (Manchester, NH) web site on the history of contra dancing. IIRC, it had footage from the RPDLW. I'd linked to it from the http://mondaycontras.com site but WMUR apparently redesigned their site and those links no longer work (and searching uncovered nothing). Does anyone have an alternative location where that material is posted? Thanks, Don

12 years

Fw: What is the best contra dance(s) ever written?

by Michael Fuerst

Concerning Paul's suggestions, what is the sequence for Paul's suggestion "To Have & To Hold" ? I found the sequences for the other two: The second time around, Improper by Jim Kitch A1 N gypsy & sw A2 M almd left 1 1/2; 1/2 hey B1. P gyspy & sw B2. Long lines; Cir left 3/4, pass thru Bowl of Cherries, Improper by Sue Rosen A1 N Dsd & swing A2 Promenade across, W ch to P B1 W gypsy each other, then sw P B2 Circle left, Cross Trails (pass thru across, pass N by left shoulder to face new N) Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844 ________________________________ From: Paul Wilde <zenyente(a)gmail.com> To: Michael Fuerst <mjerryfuerst(a)yahoo.com>; Caller's discussion list <callers(a)sharedweight.net> Sent: Friday, November 30, 2012 1:19 AM Subject: Re: [Callers] What is the best contra dance(s) ever written? Hey all, Three of my favorite contemporary dances are: To Have & to Hold by Don Flaherty The Second Time Around (apologies, author temporarily slipped my mind) Bowl of Cherries by Sue Rosen Not intentional, but there isn't a balance in one of them. warmest regards, Paul Wilde

12 years, 1 month

What is the best contra dance(s) ever written?

by Michael Fuerst

If you had to choose one or two or at most three ... Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844

12 years, 1 month

Re: [Callers] Right & Left Through

by John Sweeney

Kalia said, "a right and left through over and back (4 changes of rights and lefts for you English dancers)". Q1: Why for English dancers? Dancers in England do R&L Throughs, and I am pretty sure that ECD dancers in the USA do them as well. Q2: "Four changes" does NOT (to the best of my knowledge) have any courtesy turns in it, whereas wherever I have danced in the UK or the USA (extensively in both countries) R&L Throughs DO. How do you do a R&L Through? Q3: When the dance is proper like this, then the two men are courtesy turning each other - is that what makes the difference? In my experience the men turn shoulder to shoulder, possibly with arms around each other, but they still do a turn which wouldn't happen in "four changes". (And the ladies likewise of course.) Q4: Does anyone know how a R&L Through was done, and with what styling, back when this dance was written? Thanks. Happy dancing, John John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 http://www.contrafusion.co.uk for Dancing in Kent

12 years, 1 month

Re: [Callers] Fw: What is the best contra dance(s) ever written?

by Roger Hayes

Mention must be made of "Wizards Walk". (Was it written, or found?) - Roger Hayes

12 years, 1 month

Re: [Callers] What is the best contra dance(s) ever written?

by JohnFreem＠aol.com

My all-around favorite to begin any dance has long been Don Armstrong's "Broken Sixpence". It moves a lot, introduces dancers to each other, is easy for beginners to comprehend, and would look familiar to square dancers. It's all about the fun! John B. Freeman, SFTPOCTJ

12 years, 1 month

Favorite contra albums

by Kalia Kliban

I've been listening a lot lately to Elixir's album "Rampant" and Wild Asparagus's "From the Floor Up". I really like them just as upbeat music to listen to. KGB's waltz album "The Red Light of Evening" is in that class, too. What are some of your favorite contra band recordings, and what is it about them that really gets your tail wagging? Kalia

12 years, 1 month

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Contra Callers November 2012