22 May
2012
22 May
'12
3:55 p.m.
I think my A.D.D. has helped give me a good perspective on the role of the
caller.
I see a dance as being like a three-legged stool. The band, dancers and
caller are the three legs. It is primarily the caller's job to keep things
level. This is how it usually works. However, the band and dancers must also do
their part. I have led dances during which the energy and enthusiasm of the
dancers kept me level. I have also led dances where the band kept us level
through its choice of tunes, playfulness, and musicianship. It is a true joy
when the three legs keep each other level.
I have been an organizer/producer for several series, the sound guy, a
dancer, and a member of the band. I have tried to remember that even those who
don't get the "glory" have an important part in making a dance successful.
The caller may get the thanks, but all of us make things happen.
John B. Freeman, SFTPOCTJ
22 May
22 May
6:12 p.m.
On 5/22/2012 9:55 AM, JohnFreem(a)aol.com wrote:
I see a dance as being like a three-legged stool. The
band, dancers and
caller are the three legs. It is primarily the caller's job to keep things
level. This is how it usually works. However, the band and dancers must also do
their part. I have led dances during which the energy and enthusiasm of the
dancers kept me level. I have also led dances where the band kept us level
through its choice of tunes, playfulness, and musicianship. It is a true joy
when the three legs keep each other level.
I think this is an important point. While the caller may be the
most visible person at the head of the hall, everyone else has their own
responsibility as well. One example is that while the caller can adjust
the program to accommodate new dancers and attempt to teach the dances
well so they can join in, it is up to the experienced dancers in the
hall to be welcoming and helpful to ensure that those new dancers have a
good time and come back again. Of course the caller can say something
to remind/encourage the experienced dancers to ask new people to dance,
but there is only so much you can do from the stage.
An experience I had several years ago really made it clear to me
that the band and dancers can have just as much effect on the mood of
the evening as the caller. It was during January several years ago. I
was the scheduled caller at our local dance. The scheduled band was a
great out of town group and I was really looking forward to working with
them and expecting a big crowd for the dance. On the day of the dance
there was a big snowstorm and the band called to say they would be
unable to come due to the roads being closed. Some local musicians
quickly stepped in to put together a pick up band to fill in. With the
snow I knew the crowd would be much smaller than expected. These two
factors, a small crowd and a last minute replacement band rather than
the great group I was looking forward to, put me in a bad mood and I
went to the dance expecting it to not be a fun evening. However, the
substitute musicians did a great job and those few people who did make
it to the dance were people who REALLY wanted to be there. Their energy
and enthusiasm helped turn my bad mood around and it ended up being a
very memorable and fun dance. This taught me an important lesson about
keeping things in perspective and enjoying events for what they are, not
for what I think they should be.
Jonathan
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Jonathan Sivier
Caller of Contra, English and Early American Dances
jsivier AT illinois DOT edu
Dance Page: http://www.sivier.me/dance_leader.html
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Q: How many angels can dance on the head of a pin?
A: It depends on what dance you call!
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JohnFreem＠aol.com -
Jonathan Sivier