As someone who danced a lot in the Boston area around the time that that picture was drawn
I think that the forearm hold (I don't think it usually involved the elbow, mostly
just the forearms, in spite of the drawing) was used to make the swing take up less space
in very crowded halls. The main contact is still the arm around the back.
Beth
-----Original Message-----
From: callers-bounces(a)sharedweight.net [mailto:callers-bounces@sharedweight.net] On Behalf
Of John Sweeney
Sent: Friday, February 17, 2012 9:29 AM
To: callers(a)sharedweight.net
Subject: Re: [Callers] Foreshortened Hold for a Swing
Read said "Perhaps I'm not picturing this correctly, but anything that encourages
dancers to give weight with the outstretched arm is something I would discourage. When I
teach the swing, I go out of my way to teach that the outstretched hand is purely
decorative, that you're not giving any weight there."
Perhaps looking at the picture will help. You can find it at
http://www.amazon.com/Zesty-Contras-Selection-Provocative-Explanatory/dp
/images/B00072379M
Click on the picture a couple of times and wait for it to load the higher resolution
version and you can see it clearly.
The arms that would normally be outstretched are NOT outstretched!
No, you don't give weight there. You should keep your own balance in a swing.
Centrifugal force is what generates pressure against the areas of connection - primarily
the man's right hand on the lady's left shoulder-blade. Having the connection at
each other's elbows provides another area where the centrifugal force can be resolved.
It is very comfortable and very easy to swing faster in this hold.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940 574
http://www.modernjive.com for Modern Jive Events, Instructional DVDs and Interactive Maps
http://www.contrafusion.co.uk for Dancing in Kent
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