Ope you're right, I somehow skipped right over the balance! I rescind my comments
about that sequence.
Harris Lapiroff
Dance Caller and Organizer
Boston Intergenerational Dance Advocates Board (Cambridge MA)
Pinewoods Camp, Inc Board (Plymouth MA)
I also agree about the rollaway - it'll flow
better if the lark is the one to half sashay. A cool transition!
The larks allemande R to swing transition is definitely funky. In this case, though, it
matters less because it is to a balance and swing. My concern would actually be that an
allemande 1x is not enough to fill the whole 8 beats. Especially because chains are also
often completed in less than 8. This is not a huge deal; I imagine most folks to get there
early will just balance early and swing long. But for those who are attuned to the music
they might find themselves with a funny pause before the balance. An alternative could be
to allemande 1.5x then pull by R. But that risks being late if both larks aren't
prompt...
- Dylan
> On Nov 27, 2024, at 09:53, Harris Lapiroff via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
>
> Agree with the previous comments. I'm a fan of the rollaway into larks RH chain
sequence! I tried to compose a dance recently with it, but it was too complicated to
work—nice to see it in a more accessible setting.
>
> I sometimes get complaints when I've called a dance with that larks alle R into
swing transition. The larks' right hand will be occupied and clunkier to release and
get around their partners' backs on time. Larks right shoulder round could be an
alternative. (Credit where it's due: it was Lisa Greenleaf's modification of
Russell Owen's "Are Your 'Most Done"
<https://www.ibiblio.org/contradance/thecallersbox/dance.php?id=4700> that revealed
this substitution to me.)
>
> Harris Lapiroff
>
> Dance Caller and Organizer
> Boston Intergenerational Dance Advocates Board (Cambridge MA)
> Pinewoods Camp, Inc Board (Plymouth MA)
>
https://chromamine.com/contra/
>
> On Wed, Nov 27, 2024, at 9:47 AM, Alex Burka via Contra Callers wrote:
>> I've used this roll away as a role swap and I agree it works best as written,
with the robins able to give the larks an extra push towards the allemande.
>>
>> On Wed, Nov 27, 2024, 9:43 AM Rich Sbardella via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
>>> Joseph,
>>> I think if the larks roll, it would not flow as well. They are backing up in
a rollaway, which might feel awkward, and then suddenly have to go forward for their chain
across.
>>> Rich
>>>
>>> On Wed, Nov 27, 2024 at 1:28 AM Joseph Erhard-Hudson via Contra Callers
<contracallers(a)lists.sharedweight.net> wrote:
>>>> Hi all,
>>>>
>>>> David Christian is a long-time dancer and stalwart event producer here in
Moscow, Idaho. If you've ever worked here he undoubtedly ran the sound for your gig.
He has been trying his hand at writing some contras. This one struck me as fun when we
workshopped it, and worthy of trying out at a dance, but I'd like to hear your
thoughts before I plunge ahead.
>>>>
>>>> "Going Dutch" by David Christian
>>>> Becket CW
>>>>
>>>> A1. Slice left
>>>> Right & Left Through
>>>>
>>>> A2. Robins Chain to neighbor
>>>> Long Lines Forward & Back - *Robins roll left and Larks step
right on the way back*
>>>>
>>>> B1. Larks right hand chain to partner
>>>> Larks allemande right 1x
>>>>
>>>> B2. Partners Balance & Swing
>>>>
>>>>
>>>> small question: Do you suppose the position swap at the end of A2 would
work better with Larks roll right and Robins step left?
>>>> large question: what do you think of the dance overall?
>>>>
>>>> Thanks,
>>>> Joseph Erhard-Hudson
>>>> Moscow, Idaho
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>
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