I don't necessarily mix up the calling as much as the hash approach
below - but I do sometimes change an easy beginner dance with two
ladies chains into two right and left throughs midway through the
dance, with a warning that I might do something like that before I
begin the dance, just for variety (and if I want to teach both of
those for some later dances). In dances later in the evening, I'll
occasionally have the men do-si-do instead of the women if it's just
once, though there's at least one dance where it's one-and-a half
that I can do a reciprocal crossing move at the end to make it all
work out OK. Or switch other similar figures, or switch around and
have the twos swing and face up every other time instead of the one's
swing and face down if I want to do an unequal dance but give
everyone a chance to swing their partners.
Martha
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Today's Topics:
1. Re: Hash Call (John Sweeney)
----------------------------------------------------------------------
Message: 1
Date: Thu, 23 Sep 2010 17:27:15 +0100
From: "John Sweeney" <info(a)contrafusion.co.uk>
To: <callers(a)sharedweight.net>
Subject: Re: [Callers] Hash Call
Message-ID: <E95A66998AE749C78576F0ACE6D438A4@JohnT400>
Content-Type: text/plain; charset="us-ascii"
Hi Jeanette,
Sorry, hash is a term used by square dancers to mean a dance
where there are no initial walk-through and no fixed pattern to the
dance - the caller calls whatever they want and the dancers respond
immediately (with the extra challenge in Modern Western Square Dancing
that the name of the move also defines exactly which way you face
at the
end of the move!).
They often do a "tip" of two dances one after another with the
same partner (and indeed the same other six people in your square).
The
hash call comes first, and then (brain now thoroughly melted away) you
are rewarded by a second dance which follow a simple repetitive
pattern
(often referred to as a "singing call" since it is often done to a
popular song and everyone joins in the chorus).
So, in the example below, where it says "hash" against A1 and
A2, I call a different set of moves each time through the dance.
I usually choose three or four of the examples listed below that
I want to work on (let's call them Ax, Ay and Az. First I walk them
through any new moves, and B1/2. Then I call something like:
Ax, B1/2, Ax, B1/2, Ay, B1/2, Ay, B1/2, Az, B1/B2, Az, B1/B2, Ax,
B1/B2,
Ax, B1/B2.
It makes new dancers learn how to listen and respond quickly to
a call, and allows you to focus on moves that are causing them a
problem
(doing it within a much more controlled environment). Then we do a
normal contra (probably using some of the moves I just made them do
over
and over again) and they usually find the contra really easy - gives
them confidence.
Of course all the above is aimed primarily at a workshop
environment for a group of (mainly) beginners, but our experienced
dancers seem to enjoy it as well.
I was also interested in whether anyone ever does a hash call in
a contra, i.e. get the dancers formed up, start the music, and just
start calling, but calling a different set of moves each time through
the music (maybe with some repetition to give some sort of anchor).
Hope that helps.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940 574
http://www.contrafusion.co.uk for Contra Dancing in Kent
-----Original Message-----
Date: Wed, 22 Sep 2010 17:49:02 +0100
From: "John Sweeney" <info(a)contrafusion.co.uk>
Subject: Re: [Callers] Medleys
Hi,
Do you include hash calls as a subset of medleys?
I often do hash calls with beginners to help them practice lots
of different moves. I make them into four couple sets and do
something
like:
"Anything Goes" by John Sweeney
Four Couple Becket
A1: Hash
A2: Hash
B1: On the Left Diagonal: R & L Through; Straight Across: R & L
Through
B2: Gypsy Meltdown with your partner
Using a four couple set and a progression like the one in B1 means
that
there are no end effects and the dancers get to practice their
diagonal
movements in a controlled manner.
Then for A1/A2 I can call anything I like that is a null transform
(i.e.
they end up where they started).
Examples:
Circle Left 3/4, Neighbour Swing on the side; Circle Left 3/4, Partner
Swing on the side
Balance the Circle, first corners cross; Balance the Circle, second
corners cross; Repeat
Balance the Circle, Petronella turn x 4
Circle Left; Circle Right; Star Right; Star Left
Circle Left; Star Right; Circle Right; Star Left
Circle Left; Star Left; Circle Right; Star Right
Balance the Circle; Ladies Roll Away with a Half Sashay (swap places
with Neighbour) x 4
R & L Through Across & Back; Ladies' Chain Across & Back
Ladies' Chain Across; R & L Through Back x 2
Ladies Chain Across; Full Hey (Ladies start with R Shoulder); Ladies
Chain Back
Half Poussette; Dosido x 2
Draw Poussette; Gypsy x 2
I haven't tried this for longways-for-as-many-as-will. They do
it all the time in squares, does anyone do it in contras?
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 &
07802 940 574
http://www.contrafusion.co.uk for Contra Dancing in Kent
------------------------------
Message: 3
Date: Thu, 23 Sep 2010 06:43:30 -0700 (PDT)
From: Jeanette Mill <jeanette_mill(a)yahoo.com.au>
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] Medleys
Message-ID: <679985.90554.qm(a)web30703.mail.mud.yahoo.com>
Content-Type: text/plain; charset=utf-8
Thanks for your great replies everyone.
Now I have another question - what is a hash call?
cheers
Jeanette
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