Sounds like we've all been talking to the same popular band... :-)
We have lots of very good local two person bands as well.
One problem I see with the equal share for all performers formula is callers
try to line up gigs with the smaller bands.  It seems more logical to me to
disconnect the two, so that the caller's compensation is not a function of
the size of the band, either in a positive or negative sense.
--Dennis
On Mon, Jul 18, 2011 at 12:00 PM, <callers-request(a)sharedweight.net> wrote:
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 Today's Topics:
   1. Re: Caller Fees (Will Loving)
   2. Re: Caller Fees (Jeff Kaufman)
   3. Re: Caller Fees (Donald Perley)
 ----------------------------------------------------------------------
 Message: 1
 Date: Mon, 18 Jul 2011 11:20:26 -0400
 From: Will Loving <will(a)dedicationtechnologies.com>
 To: "Caller's discussion list <callers(a)sharedweight.net>"
        <callers(a)sharedweight.net>
 Subject: Re: [Callers] Caller Fees
 Message-ID: <CA49C77A.44A66%will(a)dedicationtechnologies.com>
 Content-Type: text/plain;       charset="ISO-8859-1"
 As both a dance series organizer and a caller, I'm thrilled that we are
 having this discussion. Performer payment was the area that I spent the
 most
 time talking with other organizers about prior to starting our Downtown
 Amherst (MA) series.
 Several posts have mentioned paying the band only a certain number of
 shares, usually four, even if there are more than four musicians. Though
 both the caller and the band are essential to the dance, this is presumably
 being done to protect the callers pay. Now lets consider the other side of
 the coin.
 What if your band consists of only two musicians? The assumed "normal"
 arrangement would be that everyone get's a 1/3 share. Now consider that the
 band is bringing and setting up their own top-notch sound system. Normally
 the person providing and working sound gets paid anywhere from $25-200, or
 a
 full share, depending on the venue, whether they are supplying equipment
 and
 their level of expertise (the high end being someone like Bob Mills). Next,
 let's add in the fact that this particular band will draw substantially
 more
 dancers, usually 25-50% more, than other 2-person bands.
 Is it appropriate to pay the band more? In this scenario would it be
 appropriate to pay the band 3 shares instead of 2? From the band's
 perspective, they are not only bringing and doing sound, but are also
 bringing in a lot of value/income for the dance and should be rewarded for
 it. Isn't this the same as limiting a band to getting 4 shares to protect
 the caller's pay, even if there are more than 4 musicians? Is the band
 correct in wanting to protect their pay as well based on the extra value
 they bring?
 My guess from reading most people's posts is that you would in fact agree
 with this, but some callers I've been talking with strongly disagree. I'm
 interested to hear people's thought on it. As an organizer, I'm feeling a
 bit caught between callers' feelings that 'equal shares for all performers'
 is a hard and fast principle and the band wanting something for the extra
 value they bring. From reading everyone's posts, talking with people and
 looking at Jeff's spreadsheet, it seems to me that while there may be an
 ideal of 'equal shares for all performers' (kind of like 'liberty and
 justice for all') the reality of how pay is divided is quite varied.
 I'm deeply committed to paying all performers/artists well for the efforts
 and energy, including minimums and profit sharing. Our dance series is only
 9 months old but we committed to doing this critical piece properly. We are
 working hard to fund-raise for a high-quality and fully paid for sound
 system so we can eliminate that as a weekly expense and have more money go
 to the performers. We are slowly growing a reserve fund in order to be able
 to guarantee minimums even when weather intervenes - such as the recent
 tornados that came through Western Mass on our dance night.
 Thanks for your thoughts.
 Will Loving
 Amherst Area Contra Dances
 Amherst, MA USA
 
http://amherstcontra.org
 on 6/18/11 10:32 PM, Sue Robishaw at sue(a)manytracks.com wrote:
  Hi,
      I know that "it varies" and probably quite widely, but I'm trying to
 get
  an idea of what is typically charged for one-time
or semi-regular dance
 calling (not the high end festivals and balls and camps) or how receipts 
 are
  divided between caller, band, and house. My
interest is as caller, band, 
 and
  dance organizer so all input would be
appreciated. You can reply off-list 
 to
  sue(a)manytracks.com.
      Thanks,
      Sue Robishaw, Upper Peninsula of Michigan 
 --
 William M. Loving
 Dedication Technologies, Inc.
 7 Coach Lane
 Amherst, MA 01002-3304   USA
 will(a)dedicationtechnologies.com
 Tel: +1 413 253-7223   (GMT ?5)
 Fax: +1 206 202-0476
 ------------------------------
 Message: 2
 Date: Mon, 18 Jul 2011 11:42:53 -0400
 From: Jeff Kaufman <jeff(a)alum.swarthmore.edu>
 To: Caller's discussion list <callers(a)sharedweight.net>
 Subject: Re: [Callers] Caller Fees
 Message-ID: <20110718154251.GD16154(a)melfpelt.swarpa.net>
 Content-Type: text/plain; charset=us-ascii
 Will Loving wrote:
 
 What if your band consists of only two musicians?
 
 Bida has dealt with requests by two person bands to be paid more in
 two ways:
  1) paying them as a three person band, or
  2) paying them the fee that would normally go to a sound person, in
    exchange for bringing and running their own sound
 The second option is equivalent to the first, but the band gets only
 two shares of profit instead of three.
 We don't have a thought out policy on this; these are just the
 solutions we went with for the two bands who asked.  We also almost
 never have two person bands.
 Jeff
 ------------------------------
 Message: 3
 Date: Mon, 18 Jul 2011 11:43:08 -0400
 From: Donald Perley <donperley(a)gmail.com>
 To: "Caller's discussion list" <callers(a)sharedweight.net>
 Subject: Re: [Callers] Caller Fees
 Message-ID:
        <CAMKNU+-VH=y06xnmbr6u10UtpOcb5NLDNpvcd5dRkHM109gbOQ(a)mail.gmail.com
  
 Content-Type: text/plain;
charset=ISO-8859-1
 On Mon, Jul 18, 2011 at 11:20 AM, Will Loving
 <will(a)dedicationtechnologies.com> wrote:
   Now consider that the
 band is bringing and setting up their own top-notch sound system. 
 Normally
  the person providing and working sound gets paid
anywhere from $25-200, 
 or a
  full share, 
 At our dances, if the band brings their own sound system, they get
 paid for that function, and as far as I've seen they always get first
 option on that.  Some bands prefer not to if they are coming a
 distance (or one stop on a tour) and it would mean 2 cars or a van
 instead of 1 car.
 ------------------------------
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