Sounds like we've all been talking to the same popular band... :-)
We have lots of very good local two person bands as well.
One problem I see with the equal share for all performers formula is callers
try to line up gigs with the smaller bands. It seems more logical to me to
disconnect the two, so that the caller's compensation is not a function of
the size of the band, either in a positive or negative sense.
--Dennis
On Mon, Jul 18, 2011 at 12:00 PM, <callers-request(a)sharedweight.net> wrote:
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Today's Topics:
1. Re: Caller Fees (Will Loving)
2. Re: Caller Fees (Jeff Kaufman)
3. Re: Caller Fees (Donald Perley)
----------------------------------------------------------------------
Message: 1
Date: Mon, 18 Jul 2011 11:20:26 -0400
From: Will Loving <will(a)dedicationtechnologies.com>
To: "Caller's discussion list <callers(a)sharedweight.net>"
<callers(a)sharedweight.net>
Subject: Re: [Callers] Caller Fees
Message-ID: <CA49C77A.44A66%will(a)dedicationtechnologies.com>
Content-Type: text/plain; charset="ISO-8859-1"
As both a dance series organizer and a caller, I'm thrilled that we are
having this discussion. Performer payment was the area that I spent the
most
time talking with other organizers about prior to starting our Downtown
Amherst (MA) series.
Several posts have mentioned paying the band only a certain number of
shares, usually four, even if there are more than four musicians. Though
both the caller and the band are essential to the dance, this is presumably
being done to protect the callers pay. Now lets consider the other side of
the coin.
What if your band consists of only two musicians? The assumed "normal"
arrangement would be that everyone get's a 1/3 share. Now consider that the
band is bringing and setting up their own top-notch sound system. Normally
the person providing and working sound gets paid anywhere from $25-200, or
a
full share, depending on the venue, whether they are supplying equipment
and
their level of expertise (the high end being someone like Bob Mills). Next,
let's add in the fact that this particular band will draw substantially
more
dancers, usually 25-50% more, than other 2-person bands.
Is it appropriate to pay the band more? In this scenario would it be
appropriate to pay the band 3 shares instead of 2? From the band's
perspective, they are not only bringing and doing sound, but are also
bringing in a lot of value/income for the dance and should be rewarded for
it. Isn't this the same as limiting a band to getting 4 shares to protect
the caller's pay, even if there are more than 4 musicians? Is the band
correct in wanting to protect their pay as well based on the extra value
they bring?
My guess from reading most people's posts is that you would in fact agree
with this, but some callers I've been talking with strongly disagree. I'm
interested to hear people's thought on it. As an organizer, I'm feeling a
bit caught between callers' feelings that 'equal shares for all performers'
is a hard and fast principle and the band wanting something for the extra
value they bring. From reading everyone's posts, talking with people and
looking at Jeff's spreadsheet, it seems to me that while there may be an
ideal of 'equal shares for all performers' (kind of like 'liberty and
justice for all') the reality of how pay is divided is quite varied.
I'm deeply committed to paying all performers/artists well for the efforts
and energy, including minimums and profit sharing. Our dance series is only
9 months old but we committed to doing this critical piece properly. We are
working hard to fund-raise for a high-quality and fully paid for sound
system so we can eliminate that as a weekly expense and have more money go
to the performers. We are slowly growing a reserve fund in order to be able
to guarantee minimums even when weather intervenes - such as the recent
tornados that came through Western Mass on our dance night.
Thanks for your thoughts.
Will Loving
Amherst Area Contra Dances
Amherst, MA USA
http://amherstcontra.org
on 6/18/11 10:32 PM, Sue Robishaw at sue(a)manytracks.com wrote:
Hi,
I know that "it varies" and probably quite widely, but I'm trying to
get
an idea of what is typically charged for one-time
or semi-regular dance
calling (not the high end festivals and balls and camps) or how receipts
are
divided between caller, band, and house. My
interest is as caller, band,
and
dance organizer so all input would be
appreciated. You can reply off-list
to
sue(a)manytracks.com.
Thanks,
Sue Robishaw, Upper Peninsula of Michigan
--
William M. Loving
Dedication Technologies, Inc.
7 Coach Lane
Amherst, MA 01002-3304 USA
will(a)dedicationtechnologies.com
Tel: +1 413 253-7223 (GMT ?5)
Fax: +1 206 202-0476
------------------------------
Message: 2
Date: Mon, 18 Jul 2011 11:42:53 -0400
From: Jeff Kaufman <jeff(a)alum.swarthmore.edu>
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] Caller Fees
Message-ID: <20110718154251.GD16154(a)melfpelt.swarpa.net>
Content-Type: text/plain; charset=us-ascii
Will Loving wrote:
What if your band consists of only two musicians?
Bida has dealt with requests by two person bands to be paid more in
two ways:
1) paying them as a three person band, or
2) paying them the fee that would normally go to a sound person, in
exchange for bringing and running their own sound
The second option is equivalent to the first, but the band gets only
two shares of profit instead of three.
We don't have a thought out policy on this; these are just the
solutions we went with for the two bands who asked. We also almost
never have two person bands.
Jeff
------------------------------
Message: 3
Date: Mon, 18 Jul 2011 11:43:08 -0400
From: Donald Perley <donperley(a)gmail.com>
To: "Caller's discussion list" <callers(a)sharedweight.net>
Subject: Re: [Callers] Caller Fees
Message-ID:
<CAMKNU+-VH=y06xnmbr6u10UtpOcb5NLDNpvcd5dRkHM109gbOQ(a)mail.gmail.com
Content-Type: text/plain;
charset=ISO-8859-1
On Mon, Jul 18, 2011 at 11:20 AM, Will Loving
<will(a)dedicationtechnologies.com> wrote:
Now consider that the
band is bringing and setting up their own top-notch sound system.
Normally
the person providing and working sound gets paid
anywhere from $25-200,
or a
full share,
At our dances, if the band brings their own sound system, they get
paid for that function, and as far as I've seen they always get first
option on that. Some bands prefer not to if they are coming a
distance (or one stop on a tour) and it would mean 2 cars or a van
instead of 1 car.
------------------------------
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End of Callers Digest, Vol 83, Issue 17
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