Chris,
I have had the band comment time to play again so soon. Since we have similiar
professions, efficiency is so important. Just standing there is a challenge for me. When
it is hot like it was this Sat in Bethlehem Pa, I have to force myself to let the dancers
talks for a minute or two. Also, I forget the band may want to talk to each other. The
band was the Contrapolitans with Rich Mohr sitting in, they were incredible and had alot
of fun on stage. There was a few times I just had to watch the clock and not say anything
until the digital clock on stage changed to the next minute. It was reassuring noticing
the dancers talking all along the line and letting them talk for a minute or so felt good
to me. It may benefit me to reread the section of Give & Take regarding time
management. For a numbers guy like me, this information was so helpful. Thanks for the
reminder Chris
----- Original Message ----
From: Chris Weiler <chris.weiler(a)weirdtable.org>
To: Shared Weight <callers(a)sharedweight.net>
Sent: Tuesday, May 29, 2007 6:57:01 AM
Subject: [Callers] slow down...
Had an interesting gig this weekend (a good one, just interesting).
Things were going along smoothly, I thought. The fiddler had made a
comment earlier that I had a high ratio of playing time to down time,
but I didn't think much of it. Before we started the 2nd to last dance
of the first half, and I was waiting for the band to be ready to start
the music, the fiddler snaps at me that I'm teaching too fast and it's
much to stressful for choosing tunes! I looked him straight in the eye,
apologized, and then promised to slow down. I spent the next bit of time
trying to figure out how to slow down. Couldn't think of too many ways.
I slowed my pace of teaching down. I made sure to take a minute and talk
to the band before even requesting that people line up. I introduced the
band before the next dance (although this probably didn't add any time
for the fiddler to think about tune selection).
We made nice at the break and he explained that he was under stress in
other areas of his life. I had done my homework (so I thought) and done
my pre-dance interview - turns out with the wrong musician! The fiddler
was the real leader and he had shown up at the last minute and was too
busy setting up to talk.
Some other fun points: I announced in the 2nd half that we were going to
dance Chorus Jig and the crowd ohhhed and ahhhed and scrambled to line
up!! For the 2nd dance of the evening, we had about 15-20 kids show up.
Some had danced before and they did fine! I had to adjust my language
because I would call a ladies chain and a bunch of the dancers would go
over and back. 8^)
All in all a fun dance! I'd love to hear your thoughts about slowing
down the teaching for musicians who need more time for tune selection.
Any techniques? Since I really try to match my dances to the level of
the dancers, I rarely need a 2nd walkthrough. And since I time my
teaching off of the dancer's speed of doing the moves (calling the next
while they're finishing the previous move), not much time to add there.
Happy Dancing!
Chris Weiler
Goffstown, NH
www.chrisweiler.ws
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