15 Jul
2010
15 Jul
'10
1:08 a.m.
Hello everyone,
Thanks to Bob Isaacs, I'm calling my first full evening this weekend at Swingin'
Tern in New Jersey. It's my home dance so I have a good idea of the dancers'
ability, but it will be hot and humid. I plan on running dances shorter with
longer water breaks.
Here's the preliminary program, with alternate dances I'm comfortable with
listed at the bottom. Please give me feedback!
SWINGIN TERN JULY 17, 2010
SPRING FEVER Tony Parkes dup imp
A1 8 Long lines
8Neighbor swing
A2 8 Gents alle L 1 ½
8 Partner swing
B1 8 Circle L
8 Star L
B2 8 Partner promenade across
8 Ladies chain to neighbor
BUTTER Gene Hubert Becket
A1 8 L diagonal circle L ¾
8 Neighbor swing
A2 8 Long lines
8 Ladies chain to partner
B1 16 Hey (LR, NL, GR, PL
LR, NL, GR)
B2 4, 12 Partner balance, swing
Joe DePaolo, guest caller
THE NICE COMBINATION Gene Hubert dup imp
A1 4, 12 Neighbor balance, swing
A2 8 Down the hall, turn as couples
8 Up the hall, bend line
B1 6 Circle L ¾
10 Partner swing
B2 8 Ladies chain to neighbor
8 Star L
FRIDAY NIGHT FEVER Tony Parkes dup imp
A1 4, 12 Neighbor balance, swing
A2 8 Gents alle L 1 ½
8 Partner swing
B1 8 Partner promenade across
8 Ladies chain to neighbor, give R to partner
B2 4, 4 Square through two: partner balance, pull by R, Neighbor pull by L
4, 4 Partner balance, pull by R, Neighbor pull by L
THE EYES HAVE IT Becky Hill Becket L
A1 8 Circle L, slide L
8 Ladies chain across to new neighbor
A2 8 Mad Robin: Ladies in front, gents in front
8 Half hey (LR, PL, GR)
B1 4, 12 Neighbor balance, swing
B2 8 Gents alle L 1 ½
8 Partner swing
ELLEN'S YARNS Rick Mohr Becket
A1 8 R&L through
8 L hand star
A2 8 Ladies chain on R diagonal*
8 Ladies chain across to shadow
B1 4,4 Balance ring, Petronella
4,4 Balance ring, Petronella, find partner
B2 4,12 Partner balance, swing
- - - - - - - - -
GOOD FRIDAY Kirston Koths dup imp, wave 4 Ladies L in middle, NR
A1 4,4 Balance R, L, slide R
4,4 Balance L, R, slide L
A2 2,2 Neighbor alle R ½, gents pull by L
12 Partner swing
B1 8 Long lines
8 R&L through
B2 8 Circle L ¾, pass through
8 New neighbor do si do 1 ¼ to new waves
PEDAL PUSHERS Bob Dalsemer dup imp
A1 8 Gents alle L 1 ½, scoop up partner
4, 4 Star promenade, butterfly whirl
A2 8 Ladies gypsy (do si do)
8 Partner swing, join hands in a ring
B1 4,4 Balance ring, pass through across, individually turn R
8 Single file promenade 3 places clockwise, ladies following neighbor
B2 4,12 Gents turn back; neighbor balance, swing
SARA'S JOURNEY Gene Hubert dup imp
A1 4,4 Neighbor balance, box the gnat, gents pull by L
8 Partner swing
A2 8 Circle L
8 Partner do si do
B1 4,4 Partner balance, box the gnat, ladies pull by L
8 Neighbor swing
B2 8 R&L through
8 Star L
POETRY IN MOTION Lisa Greenleaf dup imp
A1 8 Star R
8 Neighbor 1 alle R 1 ½
A2 8 N2 gypsy L
8 N1 swing
B1 8 Partner give and take to gents' side
8 Partner swing
B2 8 Ladies chain to N1
8 Star L
HEARTBEAT CONTRA Don Flaherty dup imp
A1 4,4 Balance ring, Petronella
4,4 Balance, Petronella
A2 4,12 Balance, neighbor swing
B1 8 Ladies alle R 1 ½ (gypsy)
8 Partner swing
B2 8 Circle L ¾
4,4 Balance, California twirl
ALTERNATES:
CENTRIFUGAL HEY
LANNY'S BACK
SCOUT HOUSE REEL
DELPHINIUMS AND DAISIES
STAR TREK
THE BABY ROSE
MARY CAY'S REEL
AL'S SAFEWAY PRODUCE
15 Jul
15 Jul
4:37 a.m.
Dear Marguerite,
Congratulations! I hope you have a wonderful evening....I am sure you
will do a great job!
Your program is a well conceived combination of dances with lots of
variation, balance/smooth alternations, and moves which are not
repeated too often. Great job! You obviously spent a lot of time
putting it together. Since you quite clearly would like some feedback,
I would like to offer the following thoughts:
I rarely end the first half with a partner only swing. My preference
is to put a partner-only swing dance somewhere in the middle of the
dance half (this would also be true of your second half-see next
comment). This plan has the advantage, especially when it is hot, of
giving the dancers somewhat of a break from a lot of swinging. Since
they will be having a break after the 6th dance, having them dance an
energetic dance as the last dance before the breat certainly would be
acceptable! Maybe a switch of dance #4 and #6 would do the trick. But
this is a minor point!
For the same reason, I would but Good Friday in as the second or even
third dance of the second half.
Sarah's Journey has a very high "piece count"; it may be that a dance
with longer count moves, such as a hey dance, might work better, and
not be so tiring.
And finally, a point about Give and Take: as taught by Larry
Jennings, the give and take portion should be only 4 beats: 2 beats to
move toward partner, 2 counts to return home with partner, and 12
beats for the swing. The move has morphed into the more leisurely
timing, but purists use Larry's timing.
Please keep us posted after the dance!
My warmest wishes for a great first complete dance calling evening!
Linda Leslie
On Jul 14, 2010, at 8:08 PM, Marguerite Durant wrote:
Hello everyone,
Thanks to Bob Isaacs, I'm calling my first full evening this weekend
at Swingin'
Tern in New Jersey. It's my home dance so I have a good idea of the
dancers'
ability, but it will be hot and humid. I plan on running dances
shorter with
longer water breaks.
Here's the preliminary program, with alternate dances I'm
comfortable with
listed at the bottom. Please give me feedback!
SWINGIN TERN JULY 17, 2010
SPRING FEVER Tony Parkes dup imp
A1 8 Long lines
8Neighbor swing
A2 8 Gents alle L 1 ½
8 Partner swing
B1 8 Circle L
8 Star L
B2 8 Partner promenade across
8 Ladies chain to neighbor
BUTTER Gene Hubert Becket
A1 8 L diagonal circle L ¾
8 Neighbor swing
A2 8 Long lines
8 Ladies chain to partner
B1 16 Hey (LR, NL, GR, PL
LR, NL, GR)
B2 4, 12 Partner balance, swing
Joe DePaolo, guest caller
THE NICE COMBINATION Gene Hubert dup imp
A1 4, 12 Neighbor balance, swing
A2 8 Down the hall, turn as couples
8 Up the hall, bend line
B1 6 Circle L ¾
10 Partner swing
B2 8 Ladies chain to neighbor
8 Star L
FRIDAY NIGHT FEVER Tony Parkes dup imp
A1 4, 12 Neighbor balance, swing
A2 8 Gents alle L 1 ½
8 Partner swing
B1 8 Partner promenade across
8 Ladies chain to neighbor, give R to partner
B2 4, 4 Square through two: partner balance, pull by R, Neighbor
pull by L
4, 4 Partner balance, pull by R, Neighbor pull by L
THE EYES HAVE IT Becky Hill Becket L
A1 8 Circle L, slide L
8 Ladies chain across to new neighbor
A2 8 Mad Robin: Ladies in front, gents in front
8 Half hey (LR, PL, GR)
B1 4, 12 Neighbor balance, swing
B2 8 Gents alle L 1 ½
8 Partner swing
ELLEN'S YARNS Rick Mohr Becket
A1 8 R&L through
8 L hand star
A2 8 Ladies chain on R diagonal*
8 Ladies chain across to shadow
B1 4,4 Balance ring, Petronella
4,4 Balance ring, Petronella, find partner
B2 4,12 Partner balance, swing
- - - - - - - - -
GOOD FRIDAY Kirston Koths dup imp, wave 4 Ladies L in middle, NR
A1 4,4 Balance R, L, slide R
4,4 Balance L, R, slide L
A2 2,2 Neighbor alle R ½, gents pull by L
12 Partner swing
B1 8 Long lines
8 R&L through
B2 8 Circle L ¾, pass through
8 New neighbor do si do 1 ¼ to new waves
PEDAL PUSHERS Bob Dalsemer dup imp
A1 8 Gents alle L 1 ½, scoop up partner
4, 4 Star promenade, butterfly whirl
A2 8 Ladies gypsy (do si do)
8 Partner swing, join hands in a ring
B1 4,4 Balance ring, pass through across, individually turn R
8 Single file promenade 3 places clockwise, ladies following neighbor
B2 4,12 Gents turn back; neighbor balance, swing
SARA'S JOURNEY Gene Hubert dup imp
A1 4,4 Neighbor balance, box the gnat, gents pull by L
8 Partner swing
A2 8 Circle L
8 Partner do si do
B1 4,4 Partner balance, box the gnat, ladies pull by L
8 Neighbor swing
B2 8 R&L through
8 Star L
POETRY IN MOTION Lisa Greenleaf dup imp
A1 8 Star R
8 Neighbor 1 alle R 1 ½
A2 8 N2 gypsy L
8 N1 swing
B1 8 Partner give and take to gents' side
8 Partner swing
B2 8 Ladies chain to N1
8 Star L
HEARTBEAT CONTRA Don Flaherty dup imp
A1 4,4 Balance ring, Petronella
4,4 Balance, Petronella
A2 4,12 Balance, neighbor swing
B1 8 Ladies alle R 1 ½ (gypsy)
8 Partner swing
B2 8 Circle L ¾
4,4 Balance, California twirl
ALTERNATES:
CENTRIFUGAL HEY
LANNY'S BACK
SCOUT HOUSE REEL
DELPHINIUMS AND DAISIES
STAR TREK
THE BABY ROSE
MARY CAY'S REEL
AL'S SAFEWAY PRODUCE
_______________________________________________
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Callers(a)sharedweight.net
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16 Jul
16 Jul
8:40 p.m.
Marguerite,
Good work! This looks like an excellent
program. I'm glad to see you write your dances
using effective word order. For those of us who
use effective word order in our calling this
makes it much easier to read the written dance
choreography. (Not to mention how much easier it will be for the dancers.)
With regard to Linda's point about one-swing
dances in the middle of each half of the evening:
Keep in mind that there are multiple factors that
determine how "tiring" a dance can be. But if
you want to insert a single-swing dance in the
first half of the evening consider making the
only swing a neighbor swing. During the first
half, integrating the newcomers should be a high
priority. It will make your job much
easier. Lots of neighbor swings will help to
reduce the perceived need to select a known
partner. With a lower "partnering pressure" the
dancers are more likely to be generous in partnering with newcomers.
Good luck! I'm sure you will do very well.
- Greg
***********
At 05:08 PM 7/14/2010, you wrote:
Hello everyone,
Thanks to Bob Isaacs, I'm calling my first full
evening this weekend at Swingin'
Tern in New Jersey. It's my home dance so I have a good idea of the dancers'
ability, but it will be hot and humid. I plan on running dances shorter with
longer water breaks.
Here's the preliminary program, with alternate dances I'm comfortable with
listed at the bottom. Please give me feedback!
SWINGIN TERN JULY 17, 2010
SPRING FEVER Tony Parkes dup imp
A1 8 Long lines
8Neighbor swing
A2 8 Gents alle L 1 ½
8 Partner swing
B1 8 Circle L
8 Star L
B2 8 Partner promenade across
8 Ladies chain to neighbor
BUTTER Gene Hubert Becket
A1 8 L diagonal circle L ¾
8 Neighbor swing
A2 8 Long lines
8 Ladies chain to partner
B1 16 Hey (LR, NL, GR, PL
LR, NL, GR)
B2 4, 12 Partner balance, swing
Joe DePaolo, guest caller
THE NICE COMBINATION Gene Hubert dup imp
A1 4, 12 Neighbor balance, swing
A2 8 Down the hall, turn as couples
8 Up the hall, bend line
B1 6 Circle L ¾
10 Partner swing
B2 8 Ladies chain to neighbor
8 Star L
FRIDAY NIGHT FEVER Tony Parkes dup imp
A1 4, 12 Neighbor balance, swing
A2 8 Gents alle L 1 ½
8 Partner swing
B1 8 Partner promenade across
8 Ladies chain to neighbor, give R to partner
B2 4, 4 Square through two: partner
balance, pull by R, Neighbor pull by L
4, 4 Partner balance, pull by R, Neighbor pull by L
THE EYES HAVE IT Becky Hill Becket L
A1 8 Circle L, slide L
8 Ladies chain across to new neighbor
A2 8 Mad Robin: Ladies in front, gents in front
8 Half hey (LR, PL, GR)
B1 4, 12 Neighbor balance, swing
B2 8 Gents alle L 1 ½
8 Partner swing
ELLEN'S YARNS Rick Mohr Becket
A1 8 R&L through
8 L hand star
A2 8 Ladies chain on R diagonal*
8 Ladies chain across to shadow
B1 4,4 Balance ring, Petronella
4,4 Balance ring, Petronella, find partner
B2 4,12 Partner balance, swing
- - - - - - - - -
GOOD FRIDAY Kirston
Koths dup imp, wave 4 Ladies L in middle, NR
A1 4,4 Balance R, L, slide R
4,4 Balance L, R, slide L
A2 2,2 Neighbor alle R ½, gents pull by L
12 Partner swing
B1 8 Long lines
8 R&L through
B2 8 Circle L ¾, pass through
8 New neighbor do si do 1 ¼ to new waves
PEDAL PUSHERS Bob Dalsemer dup imp
A1 8 Gents alle L 1 ½, scoop up partner
4, 4 Star promenade, butterfly whirl
A2 8 Ladies gypsy (do si do)
8 Partner swing, join hands in a ring
B1 4,4 Balance ring, pass through across, individually turn R
8 Single file promenade 3 places clockwise, ladies following neighbor
B2 4,12 Gents turn back; neighbor balance, swing
SARA'S JOURNEY Gene Hubert dup imp
A1 4,4 Neighbor balance, box the gnat, gents pull by L
8 Partner swing
A2 8 Circle L
8 Partner do si do
B1 4,4 Partner balance, box the gnat, ladies pull by L
8 Neighbor swing
B2 8 R&L through
8 Star L
POETRY IN MOTION Lisa Greenleaf dup imp
A1 8 Star R
8 Neighbor 1 alle R 1 ½
A2 8 N2 gypsy L
8 N1 swing
B1 8 Partner give and take to gents' side
8 Partner swing
B2 8 Ladies chain to N1
8 Star L
HEARTBEAT CONTRA Don Flaherty dup imp
A1 4,4 Balance ring, Petronella
4,4 Balance, Petronella
A2 4,12 Balance, neighbor swing
B1 8 Ladies alle R 1 ½ (gypsy)
8 Partner swing
B2 8 Circle L ¾
4,4 Balance, California twirl
ALTERNATES:
CENTRIFUGAL HEY
LANNY'S BACK
SCOUT HOUSE REEL
DELPHINIUMS AND DAISIES
STAR TREK
THE BABY ROSE
MARY CAY'S REEL
AL'S SAFEWAY PRODUCE
_______________________________________________
Callers mailing list
Callers(a)sharedweight.net
http://www.sharedweight.net/mailman/listinfo/callers
17 Jul
17 Jul
2:02 a.m.
Greg McKenzie wrote:
If you want to insert a single-swing dance in the first half of the
evening consider making the only swing a neighbor swing.
You want to know a dance before you do this. Some places people will
like it, many places no one will notice, at others people will really
dislike it.
During the first half, integrating the newcomers should be a high
priority. It will make your job much easier.
Yes. I like mixers for this. At a dance such as the thursday concord
ma one where a partner-swing-less dance is almost never called (I
recall one once, in 2006) and will elicit much grumbling, you can
still get away with a circle mixer early in the evening. People will
grumble, but if there are a lot of newcomers that night they'll
understand.
Jeff
18 Jul
18 Jul
4:17 p.m.
New subject: Integrating Newcomers (Was "Calling debut")
On the subject of integrating newcomers Jeff wrote:
Yes. I like mixers for this. At a dance such as the
thursday concord
ma one where a partner-swing-less dance is almost never called (I
recall one once, in 2006) and will elicit much grumbling, you can
still get away with a circle mixer early in the evening. People will
grumble, but if there are a lot of newcomers that night they'll
understand.
It is interesting that mixers seem to be tolerated by some more than
contras with no partner swing. This may be because mixers are
seen--somewhat begrudgingly and, incorrectly I would argue--as a bow
to the needs of newcomers.
Mixers are, it should be noted, also free of partner swings. In a
partner-swing-free contra, on the other hand, you may nevertheless be
able to promenade, chain, or gypsy with your partner throughout the
entire dance slot. In general I would much prefer a contra with no
partner swing over a mixer. At regular open public contra dances I
no longer call mixers. There are several reasons for this:
First, I find that mixers are too often a heavy-handed way to force
the regular dancers to integrate newcomers. This can set a negative
tone that is transferred to the newcomers themselves, creating an
attitude that newcomers should be "tolerated." The "grumbling" Jeff
mentions above is not easy to miss. It seems obvious that many
newcomers will be aware of this attitude and it will interfere with
their motivation, and possibly their inclination, to integrate into
the dance community.
Second, I feel that mixers can actually discourage many regulars from
partnering with newcomers. This happens when mixers are not
announced in advance. Consider the situation when a more experienced
dancer takes the initiative to approach a newcomer and partner with
them only to learn that the dance will be a mixer. This can be
discouraging to those who put out the effort to partner with a
newcomer. If you want to call a mixer please announce it clearly and
well in advance of the partnering process.
Third, the decision to call a mixer can send several implied messages
to the regular dancers that have a negative influence. These include:
- The caller assumes that most of the regulars are not partnering
with newcomers.
- The caller assumes that most of the regulars do not enjoy
dancing with newcomers.
- The caller does not have confidence in the regulars to welcome
and to partner with new dancers on their own.
All three of these implied messages could be easily assumed by anyone
who hears the "grumbling" cited above when a mixer is announced. In
fact the implied messages are probably accurate most of the time.
Words and actions have consequences, and people will instinctively
look for the implied message rather than the explicit one. This is
how human communication works. Consider the implied messages if the
caller assumes the opposite. What if the caller assumes:
- All of the newcomers are already partnered with more experienced dancers.
- All of the regulars enjoy welcoming and partnering with newcomers.
- The caller can count on the regulars to take the lead in
welcoming and partnering with newcomers.
If the caller assumes all of the above, the caller will speak and
behave differently. For one thing the caller might be less likely to
call a mixer. The implied messages will be very different ones.
Enough for now.
- Greg
19 Jul
19 Jul
12:21 p.m.
New subject: Integrating Newcomers (Was "Calling debut")
Wow.
I call mixers because it is the one and only time in an evening when the whole group is
gathered together. Instead of "my little clique" it is "all of us are in
this together" as a dancer and as a caller I enjoy that experience.
I call mixers because I find a whole evening of contra, contra, contra, contra, contra...
boring (as a dancer.) Especially if every dance has a similar piece count, pacing, and two
swings (or at least a partner swing.)
There are probably other reasons as well, but these are my primary thoughts. Any idea of
needing to twist the arm of people to welcome newcomers has not entered into it.
The modern urban contra dance scene is welcoming to people who would fit in anyway.
That's not necessarily a bad thing. It is the nature of hobby activities. Since muc
dancers go to a dance primarily to dance "what they want to dance the way they want
to dance it" then anything outside of their hobby mind-set is anathema.
Beth
-----Original Message-----
<snip>
First, I find that mixers are too often a heavy-handed way to force the
regular dancers to integrate newcomers. This can set a negative tone that is
transferred to the newcomers themselves, creating an attitude that
newcomers should be "tolerated." The "grumbling" Jeff mentions above
is
not easy to miss. It seems obvious that many newcomers will be aware of
this attitude and it will interfere with their motivation, and possibly their
inclination, to integrate into the dance community.
Second, I feel that mixers can actually discourage many regulars from
partnering with newcomers. This happens when mixers are not announced
in advance. Consider the situation when a more experienced dancer takes
the initiative to approach a newcomer and partner with them only to learn
that the dance will be a mixer. This can be discouraging to those who put out
the effort to partner with a newcomer. If you want to call a mixer please
announce it clearly and well in advance of the partnering process.
Third, the decision to call a mixer can send several implied messages to the
regular dancers that have a negative influence. These include:
- The caller assumes that most of the regulars are not partnering with
newcomers.
- The caller assumes that most of the regulars do not enjoy dancing with
newcomers.
- The caller does not have confidence in the regulars to welcome and to
partner with new dancers on their own.
<more snip>
17 Jul
17 Jul
5:46 p.m.
Congratulations, Marguerite!
One idea (if it's not too late) for programming when it's hot, is many people
don't like to put their hands on a sweaty wrist for a star. (I don't!) So, when
it's hot, I try to avoid calling dances with wrist-grip stars except for the first
dance and the first dance after the break. I'm sure that's why in Western square
dancing men wear long-sleeved shirts and in most of the deep South, the tradition is
hands-across stars.
Most of all, remember to ENJOY AND HAVE FUN! That reminder helped me when I started
calling.
Steve
----- Original Message -----
From: "Marguerite Durant" <mldurant(a)yahoo.com>
To: callers(a)sharedweight.net
Sent: Wednesday, July 14, 2010 8:08:48 PM
Subject: [Callers] Calling debut
Hello everyone,
Thanks to Bob Isaacs, I'm calling my first full evening this weekend at Swingin'
Tern in New Jersey. It's my home dance so I have a good idea of the dancers'
ability, but it will be hot and humid. I plan on running dances shorter with
longer water breaks.
Here's the preliminary program, with alternate dances I'm comfortable with
listed at the bottom. Please give me feedback!
SWINGIN TERN JULY 17, 2010
SPRING FEVER Tony Parkes dup imp
A1 8 Long lines
8Neighbor swing
A2 8 Gents alle L 1 ½
8 Partner swing
B1 8 Circle L
8 Star L
B2 8 Partner promenade across
8 Ladies chain to neighbor
BUTTER Gene Hubert Becket
A1 8 L diagonal circle L ¾
8 Neighbor swing
A2 8 Long lines
8 Ladies chain to partner
B1 16 Hey (LR, NL, GR, PL
LR, NL, GR)
B2 4, 12 Partner balance, swing
Joe DePaolo, guest caller
THE NICE COMBINATION Gene Hubert dup imp
A1 4, 12 Neighbor balance, swing
A2 8 Down the hall, turn as couples
8 Up the hall, bend line
B1 6 Circle L ¾
10 Partner swing
B2 8 Ladies chain to neighbor
8 Star L
FRIDAY NIGHT FEVER Tony Parkes dup imp
A1 4, 12 Neighbor balance, swing
A2 8 Gents alle L 1 ½
8 Partner swing
B1 8 Partner promenade across
8 Ladies chain to neighbor, give R to partner
B2 4, 4 Square through two: partner balance, pull by R, Neighbor pull by L
4, 4 Partner balance, pull by R, Neighbor pull by L
THE EYES HAVE IT Becky Hill Becket L
A1 8 Circle L, slide L
8 Ladies chain across to new neighbor
A2 8 Mad Robin: Ladies in front, gents in front
8 Half hey (LR, PL, GR)
B1 4, 12 Neighbor balance, swing
B2 8 Gents alle L 1 ½
8 Partner swing
ELLEN'S YARNS Rick Mohr Becket
A1 8 R&L through
8 L hand star
A2 8 Ladies chain on R diagonal*
8 Ladies chain across to shadow
B1 4,4 Balance ring, Petronella
4,4 Balance ring, Petronella, find partner
B2 4,12 Partner balance, swing
- - - - - - - - -
GOOD FRIDAY Kirston Koths dup imp, wave 4 Ladies L in
middle, NR
A1 4,4 Balance R, L, slide R
4,4 Balance L, R, slide L
A2 2,2 Neighbor alle R ½, gents pull by L
12 Partner swing
B1 8 Long lines
8 R&L through
B2 8 Circle L ¾, pass through
8 New neighbor do si do 1 ¼ to new waves
PEDAL PUSHERS Bob Dalsemer dup imp
A1 8 Gents alle L 1 ½, scoop up partner
4, 4 Star promenade, butterfly whirl
A2 8 Ladies gypsy (do si do)
8 Partner swing, join hands in a ring
B1 4,4 Balance ring, pass through across, individually turn R
8 Single file promenade 3 places clockwise, ladies following neighbor
B2 4,12 Gents turn back; neighbor balance, swing
SARA'S JOURNEY Gene Hubert dup imp
A1 4,4 Neighbor balance, box the gnat, gents pull by L
8 Partner swing
A2 8 Circle L
8 Partner do si do
B1 4,4 Partner balance, box the gnat, ladies pull by L
8 Neighbor swing
B2 8 R&L through
8 Star L
POETRY IN MOTION Lisa Greenleaf dup imp
A1 8 Star R
8 Neighbor 1 alle R 1 ½
A2 8 N2 gypsy L
8 N1 swing
B1 8 Partner give and take to gents' side
8 Partner swing
B2 8 Ladies chain to N1
8 Star L
HEARTBEAT CONTRA Don Flaherty dup imp
A1 4,4 Balance ring, Petronella
4,4 Balance, Petronella
A2 4,12 Balance, neighbor swing
B1 8 Ladies alle R 1 ½ (gypsy)
8 Partner swing
B2 8 Circle L ¾
4,4 Balance, California twirl
ALTERNATES:
CENTRIFUGAL HEY
LANNY'S BACK
SCOUT HOUSE REEL
DELPHINIUMS AND DAISIES
STAR TREK
THE BABY ROSE
MARY CAY'S REEL
AL'S SAFEWAY PRODUCE
_______________________________________________
Callers mailing list
Callers(a)sharedweight.net
http://www.sharedweight.net/mailman/listinfo/callers
5239
days inactive
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days old
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6 comments
6 participants
participants (6)
-
95sg23＠comcast.net -
beth＠hands4.com -
Greg McKenzie -
Jeff Kaufman -
Linda Leslie -
Marguerite Durant