While taking today to clean up my dance inventory I took a look at French Four, which goes like this: French Four Contra Duple/Improper Traditional A1 1s balance, right pull by, cross below 2s, 2s move up 1s balance, right pull by, cross above 2s, 2s move down A2 1s Balance & Swing B1 1s down center, turn as a couple, come back 2s cast 1s to second place B2 All right and left through, twice If the major set is short and dancers tired, this can be done as a triple minor to give the 2s and 3s even more resting out (but pretty dull for the 3s). So then I wondered what it might take to make it a triplet (because I’m collecting my triplets as part of my inventory review) and came up with this variation in B2. Triplet variation All dancers proper A1 (new) 1s balance, right pull by, cross below 2s, 2s move up 1s balance, right pull by, cross above 2s, 2s move down A2 1s Balance & Swing B1 1s down center, turn as a couple, come back 2s cast 1s to second place B2 Lines of 3 forward and back Lines of 3 forward, on the way back 3s roll 1s to bottom (left to right) This variation gives the 3s more to do. What do you think? Is it too odd to have same-roles do the roll away with each other? \Bob Peterson bob(a)contracorner.com