9 Oct
2018
9 Oct
'18
8:05 p.m.
When a couple moves up and down the lines, we call that 'progression'.
When a couple moves ACROSS the lines, I call that 'transgression'. Not counting
four face fours (aka mescolanzas, double countras) I know of three dances that
'transgress' in some form or another:
* Out of Bounds*, Will Mentor
* Becket's Crossing, Chris Kermiet
* New and Improved, Super Ultra Snake Oil #9* (seth's riff from) Roger Diggle
What others are out there?
Seth
*Technically these are 'minor' transgressions since they only go over to the other
line and then come back. Still, they are 'crossing the line'!
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9 Oct
9 Oct
9:34 p.m.
Star Wars by Peter Foster has couples from each line go out and star
with couples from the next line. Does that count?
Jonathan
On 10/9/2018 3:05 PM, Tepfer, Seth via Callers wrote:
When a couple moves up and down the lines, we call
that 'progression'.
When a couple moves ACROSS the lines, I call that 'transgression'. Not
counting four face fours (aka mescolanzas, double countras) I know of
three dances that 'transgress' in some form or another:
* Out of Bounds*, Will Mentor
* Becket's Crossing, Chris Kermiet
* New and Improved, Super Ultra Snake Oil #9* (seth's riff from) Roger
Diggle
What others are out there?
Seth
*Technically these are 'minor' transgressions since they only go over to
the other line and then come back. Still, they are 'crossing the line'!
10 Oct
10 Oct
2:50 a.m.
Resource? not familiar with Wil's Out of Bounds..
~ When I dance, I cannot judge, I cannot hate, I cannot separate myself from life. I can
only be joyful and whole, that is why I dance. ~Hans Bos~ ~
On Tuesday, October 9, 2018, 5:55:03 PM EDT, Jonathan Sivier via Callers
<callers(a)lists.sharedweight.net> wrote:
Star Wars by Peter Foster has couples from each line go out and star
with couples from the next line. Does that count?
Jonathan
On 10/9/2018 3:05 PM, Tepfer, Seth via Callers wrote:
When a couple moves up and down the lines, we call
that 'progression'.
When a couple moves ACROSS the lines, I call that 'transgression'. Not
counting four face fours (aka mescolanzas, double countras) I know of
three dances that 'transgress' in some form or another:
* Out of Bounds*, Will Mentor
* Becket's Crossing, Chris Kermiet
* New and Improved, Super Ultra Snake Oil #9* (seth's riff from) Roger
Diggle
What others are out there?
Seth
*Technically these are 'minor' transgressions since they only go over to
the other line and then come back. Still, they are 'crossing the line'!
_______________________________________________
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List Address: Callers(a)lists.sharedweight.net
Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
4:17 p.m.
Is someone willing and able to share the choreography to the list?
Thanks for considering that.
Out of Bounds, Will Mentor
Becket's Crossing, Chris Kermiet
New and Improved, Super Ultra Snake Oil #9* (Seth's riff from) Roger Diggle
Donna Hunt
4:33 p.m.
On 2018-10-10 12:17 PM, Donna Hunt via Callers wrote:
Is someone willing and able to share the choreography
to the list?
Thanks for considering that.
Out of Bounds, Will Mentor
Not available on the web, as far as I know.
Becket's Crossing, Chris Kermiet
See the author's website:
https://k-1.us/contras/beckettscrossing.html
New and Improved, Super Ultra Snake Oil #9*
(Seth's riff from) RogerDiggle
Assuming Seth meant "Pam's Ultra-New Super-Improved Snake Oil Formula #9",
you can find it at:
http://www.ibiblio.org/contradance/thecallersbox/dance.php?id=10634
-Michael
6:06 p.m.
Will's Out of Bounds is a fun idea that has two versions. One is
A1. 8 Slide L and circle L ¾
8 Neighbor swing
A2. 8 Ladies chain to partner
8 Square through three and face out
B1. 8 Long lines forward and back
(1)
8 Between sets star L ¾
B2. 6 Ladies allemande R
10 Partner swing
The other is to replace the B1 with a hey (LR, NL, GR, PL) between sets. The F&B
gives couples a chance to realign for the star, while the hey will produce heys of 2, 4,
6, and other forms of chaos. Teaching tip; those ladies who allemande in B2 are the same
ones who chained in A2, which helps clean up any unwanted confusion. This is also best
with many short sets - that minimizes the time those at the far sides face no one - Bob
________________________________
From: Callers <callers-bounces(a)lists.sharedweight.net> on behalf of Michael Dyck via
Callers <callers(a)lists.sharedweight.net>
Sent: Wednesday, October 10, 2018 12:33:09 PM
To: callers(a)lists.sharedweight.net
Subject: Re: [Callers] Transgressions
On 2018-10-10 12:17 PM, Donna Hunt via Callers wrote:
Is someone willing and able to share the choreography
to the list?
Thanks for considering that.
Out of Bounds, Will Mentor
Not available on the web, as far as I know.
Becket's Crossing, Chris Kermiet
See the author's website:
https://k-1.us/contras/beckettscrossing.html
New and Improved, Super Ultra Snake Oil #9*
(Seth's riff from) RogerDiggle
Assuming Seth meant "Pam's Ultra-New Super-Improved Snake Oil Formula #9",
you can find it at:
http://www.ibiblio.org/contradance/thecallersbox/dance.php?id=10634
-Michael
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List Name: Callers mailing list
List Address: Callers(a)lists.sharedweight.net
Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
3:28 p.m.
In the English repertoire, in Freeford Gardens and really most any dance
that has people leading out to the side of the set there is the opportunity
to loop around folks in the next set. Similarly, in progressive squares
such as grapevine twist when I'm in the couple that's last in a figure,
I'll invite my partner to momentarily join another set at the end of the
line so we're in action somewhere. All these are examples of ad lib
choreography, rather than something intended by the author, except in the
larger sense that the author intended dancers to play and have fun.
--Jerome
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and power
and magic in it." --Johann Wolfgang von Goethe
On Tue, Oct 9, 2018 at 3:05 PM Tepfer, Seth via Callers <
callers(a)lists.sharedweight.net> wrote:
When a couple moves up and down the lines, we call
that 'progression'.
When a couple moves ACROSS the lines, I call that 'transgression'. Not
counting four face fours (aka mescolanzas, double countras) I know of three
dances that 'transgress' in some form or another:
- Out of Bounds*, Will Mentor
- Becket's Crossing, Chris Kermiet
- New and Improved, Super Ultra Snake Oil #9* (seth's riff from) Roger
Diggle
What others are out there?
Seth
*Technically these are 'minor' transgressions since they only go over to
the other line and then come back. Still, they are 'crossing the line'!
------------------------------
This e-mail message (including any attachments) is for the sole use of
the intended recipient(s) and may contain confidential and privileged
information. If the reader of this message is not the intended
recipient, you are hereby notified that any dissemination, distribution
or copying of this message (including any attachments) is strictly
prohibited.
If you have received this message in error, please contact
the sender by reply e-mail message and destroy all copies of the
original message (including attachments).
_______________________________________________
List Name: Callers mailing list
List Address: Callers(a)lists.sharedweight.net
Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
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6 comments
7 participants
participants (7)
-
Bob Isaacs -
Donna Hunt -
Jerome Grisanti -
Jonathan Sivier -
Laur -
Michael Dyck -
Tepfer, Seth