David Millstone wrote:
Doing what your friend suggested-- double balance--
seems mighty frenzied.
You'd need to circle left in six counts-- certainly possible, but needs
everyone rarin' to go, double balance for eight, and race through the
twirl in two counts. Why the rush?
From a different aesthetic, what bothers me most is the timing of the
balances. Nearly all balances are:
* On the phrase: balance (4) and swing (12)
* On the half phrase: circle 3/4 (8), balance (4), pass through (4).
* On the quarter phrase: ladies in to a 'tidal' wave (4) balance (4).
This is partly convention and partly the structure of tunes.
This dance would have people six beats into the phrase needing dance a
balance that would cross the half-phrase boundary. Unless you had a
great tune for it (which would be a bad tune for most dances), the music
won't tell the dancers when to start the balance and they'll be unhappy.
Jeff
--
Jeff Kaufman
http://sccs.swarthmore.edu/~cbr/