Great question. I look forward to reading the responses. It's always tricky because the dancers don't get to practice the end effects until they need to use them once in anger, and then it's over in seconds. And it's hard to get them in your head when you're practicing the dance at home as a caller. Jeanette "When we eat from the industrial-food system, we are eating oil and spewing greenhouse gases." - Michael Pollan ----- Original Message ---- From: PARKER MANN <M_P_Mann(a)shaw.ca> To: callers(a)sharedweight.net Sent: Mon, 6 September, 2010 4:21:45 PM Subject: [Callers] Dances with tricky end effects I 'm planning on calling a couple of dances this weekend where there is interaction with couples outside the usual minor sets. One of them is Dan pearl's composition "Cal and Irene." My concern is what happens at the top and bottom of the lines. What recommendations do you have to prepare dancers for end effects when they are not used to anything more than "cross over and wait?" Thanks. Parker _______________________________________________ Callers mailing list Callers(a)sharedweight.net http://www.sharedweight.net/mailman/listinfo/callers _______________________________________________ Callers mailing list Callers(a)sharedweight.net http://www.sharedweight.net/mailman/listinfo/callers