3 Mar
2014
3 Mar
'14
12:34 p.m.
I've actually had good luck by taking some of the early chestnuts that were done in
triple minor formation and tweaking them a bit into triplets. I call at events put on by
the National Park Service with a core group of reenactors in historic dress. Members of
the general public join in as they wish, so the make-up on the floor is quite varied.
Instead of the top couple casting off one place, I have them cast to the bottom of the
triplet. I also tend to convert the right & left thrus into circle left/circle right,
or a two-hand turn with partner.
Regards,
Deborah Hyland
St. Louis
3 Mar
3 Mar
12:45 p.m.
New subject: Callers Digest, Vol 115, Issue 2
Yep.. I often call Chorus Jig as a triplet.. In B2 the ones swing their way to the bottom
of the set. I wouldn't THINK OF calling Chorus Jig for a beginning group BUT as a
triplet it works well and it's a really nice way to TEACH contra corners without
dancers getting mixed up about who their first and second contra corners are..
bill
Date: Mon, 3 Mar 2014 09:34:29 -0800
From: djeh_b(a)yahoo.com
To: callers(a)sharedweight.net
Subject: Re: [Callers] Callers Digest, Vol 115, Issue 2
I've actually had good luck by taking some of the early chestnuts that were done in
triple minor formation and tweaking them a bit into triplets. I call at events put on by
the National Park Service with a core group of reenactors in historic dress. Members of
the general public join in as they wish, so the make-up on the floor is quite varied.
Instead of the top couple casting off one place, I have them cast to the bottom of the
triplet. I also tend to convert the right & left thrus into circle left/circle right,
or a two-hand turn with partner.
Regards,
Deborah Hyland
St. Louis
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