I’m with you, Martha!
All that “ravens pass left, neighbours pass right” stuff is just noise to me (and always
was, even as a new dancer)—I always wondered who they were talking to up there—I couldn’t
imagine how anyone could process all that information coming at them like a machine gun!).
I just needed the floor pattern and I was fine. Personally I’ve settled on “everyone
passes by right shoulders when in middle of the set and everyone passes by left shoulders
on the sides” as a compromise between too much info vs. too little. But I like the drawing
of the floor pattern idea as a quick adjunct for the visual learners out there like me. I
toyed for a while with bringing a fan belt (rubber loop) and crossing it in the middle to
show the weaving pattern, but magic marker on manilla folder is considerably more
practical! :-)
Yes, everyone learns differently, so it’s helpful to teach it in more than one way.
Thanks, everyone, for all the useful suggestions!
Becky (Toronto)
On Mar 3, 2020, at 10:11 AM, Martha Wild via Contra
Callers <contracallers(a)lists.sharedweight.net> wrote:
When I first danced, I couldn’t get the hey for weeks and weeks until someone drew a
figure 8 with an extra loop on a blackboard for me. Then it all made sense.
For that reason, now, I keep a large hand-drawn with dark thick magic marker figure 8
with extra loop on a piece of stiff light paper (like a manilla folder thickness) that I
can hold up and show briefly as I am teaching the figure. It doesn’t get everyone, but it
gets people like me. There are always one or two -
“ahas” that I hear. I could never learn it from the pass this shoulder or that
instruction. I needed the floor pattern. Everyone learns differently.
Martha
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