The more I think about it, the more I think that Gene Hubert probably
thought the phrases in The Butterfly are too short for a dance with such
long, flowing figures. When I think of a flowing dance, I think of a dance
where one's movement is uninterrupted. Fan in the Doorway certainly fits
that description, what with the heys and such; in fact, there are only two
times for the gents in the entire dance where you need to change direction
of motion (when turning single to come back up the hall, and when bending
the line to circle left, which is opposite the direction of your momentum
at that moment).
The Butterfly has three-beat phrases, so, if matched with Fan in the
Doorway, you'd get stops in the music when the dancers' motion doesn't
stop. That said, I think there are probably ways of playing the tune where
a sensitive band could make it work fine. But I think it does make sense
that a longer-phrased tune would be more advisable generally.
On Fri, Feb 7, 2014 at 12:50 PM, Cis Hinkle <chinkle(a)mindspring.com> wrote:
Cis Hinkle says
"The Butterfly" is not quite suited for "Fan in the
Doorway"
Anyone know why? Seems I've danced it to that tune but it has
been a few years!
-Joe Micheals
Seattle
I was startled to read I had an opinion on this subject until I read the
original posting from 2010. I obviously didn't make it clear, but that
comment about The Butterfly came from the author (the great Gene Hubert) in
Dizzy Dances III, from which I was quoting. As I said in the post, at the
time I had never called Fan in the Doorway (which I agree is a beautifully
flowing dance).
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