I like to try to feel out the crowd when deciding when to end a dance.   It's been
suggested by many callers that the excitement of dancing a contra is almost like a
bell shaped curve.  The excitement goes up and then comes back down.  The trick is
to end just before the excitement starts to drop off.
Tom
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 Today's Topics:
    1. Card boxes and Dance ending (David Giusti)
    2. Re: Card boxes and Dance ending (Peter Amidon)
 ----------------------------------------------------------------------
 Message: 1
 Date: Sun, 14 Jan 2007 13:30:04 -0500
 From: David Giusti <David.Giusti(a)oberlin.edu>
 Subject: [Callers] Card boxes and Dance ending
 To: callers(a)sharedweight.net
 Message-ID: <f951c77935ce.35cef951c779(a)oberlin.edu>
 Content-Type: text/plain; charset=us-ascii
 Hello,
 So most callers have dance cards, and all dances have to be ended at
 some point.  I have my ways of doing it, of course, and I've asked a lot
 of callers about theirs, but haven't found anything I'm quite happy with.
 Basically, how do you organize your box of dance cards and why do you
 like it that way?
 And,
 How do you figure out when to end a dance?  Of course finish with all
 couples in, but how do you decide when it's about time to end it?
 Some callers simply set a timer, or count a number of times through, or
 end when couples have come back to where they started.  What do you do?
  Does anyone try to gauge the energy of the dancers on the floor and end
 when it seems right?
 Thank you very much,
 David Giusti
 ------------------------------
 Message: 2
 Date: Sun, 14 Jan 2007 14:25:05 -0500
 From: Peter Amidon <peter(a)amidonmusic.com>
 Subject: Re: [Callers] Card boxes and Dance ending
 To: "Caller's discussion list" <callers(a)sharedweight.net>
 Message-ID: <p06230950c1d02f6221db(a)[192.168.1.100]>
 Content-Type: text/plain; charset="us-ascii" ; format="flowed"
 David Giusti wrote:
 Hello,
So most callers have dance cards, and all dances have to be ended at
some point.  I have my ways of doing it, of course, and I've asked a lot
of callers about theirs, but haven't found anything I'm quite happy with.
Basically, how do you organize your box of dance cards and why do you
like it that way? 
 Hi David
 I am very happy with my database way of organizing dances. I do not
 have dance cards.  I do have a comfortable working knowledge of
 using databases; I use them in all of my work as a freelance musician.
 I use Panorama, but I would recommend anyone starting out to use
 Filemaker Pro.
 The short story is that I keep all of the dances on a database.  The
 actual dance is recorded in eight 8-beat fields:
 A1a
 A1b
 A2a
 A2b
 B1a
 B1b
 B2a
 B2b
 Other fields, other than the obvious, include the date that I entered
 the dance,
 whether it is in my current repertoire, what the difficulty level is, whether
 I've ever called it.  Of course there are a lot of other fields you could make:
 e.g. swings: how many and with whom, etc.
 I can easily select out dances that I want to memorize to build my repertoire;
 I export the dance instructions and a separate page that has just the
 titles and
 choreographers names.  I drill and practice the dances until I can remember the
 whole dance just from the title.
 To prepare for an evening contra dance I might print out a big list
 of dances from
 which to choose from which to make the dance list for that night.
 Once I have chosen and sequenced dances for that evening, I number
 the dances I've chosen
 in the database from, say, 1 - 11, put them in order, and export the
 dances, the
 choreographer's name, and instructions for the band (what kind of
 tune - that is another
 field I have in the database), and put it all on one sheet that I
 print out and give to
 the musicians ahead of time so they can more easily plan the evening.
 I print, for
 my own use, the instructions to all the dances I am calling that
 night.  They fit
 on two sides of one sheet; I usually only use this if I am calling new dances
 that are not yet ingrained in memory.
 I also print out a list of a bunch of alternate dances I might call in case
 I need to vary from the planned program.  These dances are already memorized,
 so I do not need to print out the dance instructions to these.
 For a festival or dance weekend where I am calling a lot, I print out a couple
 of booklets of my current dances.  One page has all of the titles and
 authors listed,
 and I sort the dances into three categories of difficulty.  The other
 pages have
 all of the dances' along with the dance instructions.  Again, this is an easy
 import from the database; I just choose which dances and fields to export and
 then format the resultant text in MS Word.
 Best,
 Peter
 --
 Peter Amidon
 peter(a)amidonmusic.com
 20 Willow Street
 Brattleboro, VT 05301
 802-257-1006
 cell: 917-922-5462
 
http://www.amidonmusic.com
 http://www.dancingmasters.com
    I have never been lost, but I will admit to
      being confused for several weeks.
                         -Daniel Boone
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