The "Gent's face out" call still confuses me. If it means "face away
from the center line of the longways set" which is what "out" means
when, for example, you're doing a long wavy line, then I can see why
dancers are confused about whom they are supposed to to star with.
The people you are going to star with are either up the hall or down
the hall from you and that's the orientation I think the dancers need
to hear.
Maybe the "turn away from your partner" that Richard mentioned
conveys that information, but "a widespread moment of confusion"
doesn't sound like fun to me -- especially with newcomers in the mix.
To me it just indicates that either the dance is flawed or the caller
hasn't taught it well.
Ah well. I have my plans for how I'll call it. We'll see if the
dancers are having fun -- the ultimate test.
Interesting discussion -- I'm enjoying reading different perspectives
on this dance.
Dale
On Mon, Jan 31, 2011 at 8:18 PM, Bree Kalb <bree(a)mindspring.com> wrote:
This is how I've always taught/called this
dance--partners allmd only one
time, spot your shadow and join them in a star left--and it works very well
for the reasons Richard mentioned.
Bree Kalb
Carrboro, NC
-----Original Message----- From: Richard Green
Sent: Monday, January 31, 2011 9:07 PM
To: 'Caller's discussion list'
Subject: Re: [Callers] Happy as a Warm Pig in Cold Mud
I just danced (but have never called) this dance last weekend at our local
dance. At the end of the A2 the call was for the gents to face out instead
of in. I am not sure if this was intentional or not, but it not only worked
fine, I liked it better than the original, which I assume is the version in
Katy's original post. I think the dance works fine either way, as long as
all the dancers are doing the same thing, but the calls need to be tweaked a
little.
I preferred the shorter allemande ending with the Gents facing out because,
at the end of the partner allemande, there was a widespread moment of
confusion as people struggled to remember to turn away from their partner
and find their shadow for the LH star. This caused the star to be
consistently late, and the Partner Swing to be short. It seems like this
delay would have been worse if we had continued the partner allemande
another half way around.
If the dance is done this way, I would change the A2 calls as follows:
A2
Men allemande L once and a half
Partner Allemande R a little more than once around until
the men face out and the ladies face in, look away from your partner to find
your shadow on your left
For the B1 I might say something like:
B1
With your shadow and another couple make a LH Star. You are in a different
star from your partner. Star once around until you meet your partner coming
out of a different star and swing your partner.
A little much to say as a calls, but okay for the walk through.
A couple of other notes:
You don't reach across to your shadow; they are next to you when you do the
star.
Also, in this variation of the dance, while you are waiting out you are
obliged to participate in the LH star. If you cross over before the star,
you won't be next to your shadow for the star, although it all works out in
the end. I don't think that is the case in the original version.
It should be noted that there were a fair number of beginners, but the
moment of confusion going into the left hand star seemed to affect more than
just the beginners; in fact, to me it was part of the fun of the dance.
Richard Green
Wayne, Maine
-----Original Message-----
From: callers-bounces(a)sharedweight.net
[mailto:callers-bounces@sharedweight.net] On Behalf Of kheine(a)twcny.rr.com
Sent: Monday, January 31, 2011 12:56 PM
To: callers(a)sharedweight.net
Subject: [Callers] Happy as a Warm Pig in Cold Mud
Have any of you ever called this dance by Mike Boerschig? It's been in my
box for years, and I've never called it because I haven't been sure about
who should go to which star. It was published one way in Midwest Folklore
(see below), but the two YouTube videos I've seen of it have a shorter
partner allemande, ending with the first woman and second man (i.e., second
corners) starring above, while the second woman and the first man (first
corners) star below.
If you've called this and have an opinion about how it's best danced, or if
you've found it challenging to teach, I'd love to hear what you have to say
about it!
--Katy Heine
HAPPY AS A WARM PIG IN COLD MUD
by Mike Boerschig
dpl imp
A1
Neighbor balance and swing
A2
Men allemande left once and a half
allemande right partner once and three quarters
so men are facing in, women out
B1
Star left
away from partner, 1st corners star up, 2nd down; reaching across to shadow
in star
swing partner
B2
Circle left three quarters
balance in that circle, California twirl partner to face next couple
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--
I get up every morning determined to both change the world and have
one hell of a good time. Sometimes this makes planning my day
difficult.
-E. B. White