Jeff Kaufman <jeff(a)alum.swarthmore.edu>du>: If the dance has a satisfying ending as it is, it stays.  But I can't think of a worse way to end a dance than with "Dosido next neighbor" or "Pass Through along the Line".  So I plead guilty as charged! There are other ways to handle the situation.  If it is the end of a set and there is a partner swing at B1, then I'll use B2 to ask the dancers to thank the band, and they do.   Also, in very rare cases I'll ask the band to play an extra B (for the A1 partner swing in Batja's Breakdown) and then go out. As far as the question of where you go out in Becket dances that progress in the middle of the phrase, it seems to matter less than DI, but I prefer to have the dancers "in" at the top at the end ('cuz most Becket dances these days end with a partner swing).  If you screw it up, don't worry about out. There are *lots* more important things to worry about. Dan