On this new dance, Name Impending, it’s interesting, and it took me 5 minutes to figure
this out but:
It can start either improper or reverse-improper. That’s because, either way, three
Petronella turns put you on the Lark’s side with your partner (one with the Lark on the
left, the other with the Robin on the left). Then the partner swing puts everything in
order. So you can start this dance improper, then let it flow. When couples come in on the
end they can stand “crossed over” or not. It might be confusing, if one doesn’t cross
over, to do the Petronellas in a Lark-Lark-Robin-Robin circle, but it’ll, as noted,
straighten out momentarily.
As I’m considering this, we may note that, when circling left ¾ into a swing, it’s far
smoother for the Robin to draw into that swing with the Lark on the right. Using
Petronella turns makes it smooth either way.
An aside: I’m not sure if others feel this way but, I really don’t like calling the
reverse-improper formation “indecent.” I think using that name is, well, sort of ugly and,
to me, not funny. Maybe I’ve finally made it to being an old curmudgeon… At any rate, I’ll
continue to call it reverse-improper.
~Erik Hoffman
Oakland, CA
From: Gregory Frock via Contra Callers <contracallers(a)lists.sharedweight.net>
Sent: Tuesday, March 3, 2020 9:17 AM
To: Chet Gray <chetgray+calling(a)gmail.com>
Cc: contracallers(a)lists.sharedweight.net
Subject: [Callers] Re: First composition! Has it been written?
Hi Chet,
I probably missed something in the instructions, but it looks to me like the dance is
indecent (robins left, larks right facing up and down). Due to a peculiarity of the
choreography, it can start improper, but will end indecent every time after that. Is that
correct? Can anyone else confirm?
If I am correct, I would label the dance as "indecent" with a note that the
dance can start from improper or indecent position.
Regards,
Greg
On Tue, Mar 3, 2020 at 11:39 AM Chet Gray via Contra Callers
<contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
wrote:
The Louisville Callers Collective, at our meet-up this past Sunday 3/1, collaboratively
wrote our first dance! I searched for homologous choreography in ContraDB and The Callers
Box, and to a reasonable extent via Google, and couldn't find any extant dances.
Anybody know of something I missed?
[name pending]
hook: stompy A, circle > progress > circle B
by: Louisville Callers
Collective<https://contradb.com/choreographers/330>
formation: improper
A1
8
balance & petronella
8
balance & petronella
A2
8
balance & petronella
8
Partners swing
B1
8
Robins chain
8
circle right 4 places
B2
2
turn alone to face Next Neighbors ⁋
4
circle left 2 places
10
Neighbors swing
2020-03-01 Louisville Callers Collective meeting collaboration.
Co-coreographers: Bob Crawford, Callie Allison, Chet Gray, Elisabeth Monica, John Murner,
Nedra McNeil, Susan Pope.
We began with a blank whiteboard, and brainstormed some of our favorite elements of
dances, among them: circle > progress > circle, group balances, good flow, swings
with partner and neighbor. We then divided the whiteboard into space for A1 A2 B1 B2, put
a partner balance & swing in the B2, and began expanding from there, diagramming where
each dancer was after each figure. Alright, what can go into a circle right? A right hand
chain. Let's put it after the partner swing. That trades the Robins' places, so
circle once around will put couples ready to progress to new neighbors. Circle left from
there. Now, where can we put a neighbor swing? Well, unless we want to end it mid-phrase,
either after the circle left or before the partner balance and swing. We need to get
partners to the same side for that, so that might be awkward. Circle left into swing,
then. Is this the hand that flows into the swing? It is! How far, then? Oh, only circle
halfway. Not the usual, might need to emphasize that calling. Okay, now to get the Larks
across for the partner swing, and we have 16 counts to do it. Hmm. Hey? Allemande?
Petronellas move people around. Maybe with a give and take? Petronella into a swing?
Let's try it. Ah-ha!
We tested it out, with music, beginning in three different places: the circle left, the
chain, and the Petronellas. Each had some things we like and disliked about the flow (and
we named each rotated variation in succession), but we thought that beginning with the
Petronellas was the most generally successful version.
Anyway, maybe it's been written before, maybe not. We're really proud of our group
(and, I think, rightfully so), which includes some brand new rising callers. I look
forward to seeing where we all go from here.
— Chet Gray
dance caller
Louisville, KY
<chetgray+calling@gmail.com<mailto:chetgray+calling@gmail.com>>
(502) 419-7008<tel:+1-502-419-7008>
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