I teach the courtesy turn before I teach the dance. In contra lines, I have dancers
allemande right their neighbors "and don't stop. " Then I instruct the
women to put their free hand in the small of the gents back--voila! It's a courtesy
turn for a gents chain. I make a big point of telling the women that if they are unsure
of the move, think allemande right and the rest will fall into place.
Lisa Greenleaf
On Oct 9, 2011, at 6:17 PM, tavi merrill wrote:
I've noticed that Gents' chains are rather
infrequent in contras, and i
started asking "why?". Chaining the gents(/men/bands/leads) opens up new
flow opportunities with star R, more intuitive circle R, et cetera. Why do
we use them so little?
After a year or so of mulling on this, i think it's due first and foremost
to confusion! While ladies' chains are ONLY ever done by the right hand,
some dances call for a gents' chain by the right, while others call for a
gents' chain by the left. If the gents give left hands, then a REVERSE
courtesy turn (reversed promenade hold) is required.
Last night i danced Gene Hubert's "Triskadekaphilia". The caller made no
effort to explain the reverse courtesy turn. Looking up the dance online, i
noticed that in his choreography, Hubert makes a distinction between "gents
chain" (by the left, which necessitates the reverse courtesy turn) and
"gents do a ladies chain" (by the right).
EITHER WAY, most dancers need to be oriented to the unfamiliar mechanics of
the role reversal when ladies(women/bares/follows) give their partner or
neighbor a courtesy turn or reverse courtesy turn, especially in the latter
case. I think if we callers are a bit more attentive to the difference
between the two, and take the time to clarify it in walk-throughs, gents
chains of either stripe could be much more familiar and user-friendly to the
dancers and, becoming more common, open more choreographic and programming
opportunities for us.
Thoughts?
"Tavi" Merrill
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