At the Dare To Be Square weekend in November, we did several dances that started in a big circle, but the essence of the dance was a series of two-couple figures that took place anywhere on the floor. http://squaredancehistory.vidcaster.com/DbJm/harlem-rosette-big-set-square-… This one was called by Larry Edelman. It started with couples dancing with other couples and moving on as a couple. Later during the dance, Larry changes the calls so that dancers swing the opposite person and keep that one for the next promenade. --- http://squaredancehistory.vidcaster.com/44TM/pull-the-lady-thru-mixer/ This one, called by Phil Jamison, is related to: Kentucky Reel <http://homepage.ntlworld.com/greenery/BarnDances/WholeSet.html#Kentucky%20Reel> and Borrowdale Exchange <http://homepage.ntlworld.com/greenery/BarnDances/WholeSet.html#Borrowdale%20Exchange>. --- http://squaredancehistory.vidcaster.com/22hU/southern-appalachian-squares-3… This is another one called by Phil Jamison. It started in a big set, and it could have been two concentric circles because not much needs to happen in the circle. As you'll see in the video, starting around 1:00, couples are off on their own, moving at their own pace. No, it's not a mixer in the usual sense, but you and your partner get to interact in a fun way with lots of people and you certainly do a lot of swinging with others all over the hall. --- MIXERS IN SHORT LINES http://squaredancehistory.vidcaster.com/E5jB/southern-appalachian-squares-5… This is a simple one in short lines, but you see in the video that after a while people find some pretty creaative ways of making things more interesting. No, this may not appeal to the dances Ralph Page termed "pickle faces," but that's where picking the right dance is the caller's responsibility. Another fun dance, for the right people, is Julian's Jolly, which comes from the English ceilidh tradition: Julian's Jolly longways for 6-7 couples, works well with bouncy jigs such as Off She Goes or Tenpenny Jigs A1 Couples sashay down and back A2 R shoulder do-si-do; L shoulder do-si-do B1 Clap your own knees 2x, clap right hand with partner 2x; repeat with left hands Clap: Knees, Right, Knees, Left; your own together, your own behind back, clap both with opposite B2 Swing person on R diag., while bottom man races to top of set to swing 1st woman The woman don't progress; they get a new partner by the men coming to them for the swing. --- MIXERS FOR GROUPS OF THREE DANCERS If there's not enough room to make one big circle, sometimes doing a dance where people are in lines of three facing LOD around the hall is a way of packing more into the space. Larry Edelman called one he titled "Silly Threesome" http://squaredancehistory.vidcaster.com/e2a8H/silly-threesome/ Brian DeMarcus, now in Anchorage but with deep roots in southern dance traditions, has a composition that starts with folks in that same formation 3x3 Bow Knot Mixer (Brian DeMarcus) Lines of 3 like Spokes of a Wheel Facing ccw A1 Lines of 3 Walk Forward (8) RH High, LH Low, Reverse Direction of Line (8) A2 Lines of 3 Walk Forward (8) RH High, LH Low, Reverse Direction of Line (8) B1 LH High, Rt person duck under to center of set (8) and Circle Left with others. Two that made arch swing on the outside of set. (8) B2 Outside Two Promenade, while insides Circle Rt Inside join up with any Twosome to reform Lines of 3 The transition from A2 to B1 is a continuous motion. In a more New England vein: Ted's Solo Mixer Ted Sannella Formation: individuals stand anywhere in the hall A1 Find someone and promenade, anywhere A2 LH turn, once and a half Left shoulder dosido B1 Balance and swing B2 Two-hand turn Dosido right shoulder, once and a half... and find someone new Set a Crochet A1 Promeande Quebecois style (gent on left with R arm around partner's waist, woman with L hand resting on his R shoulder) A2 Gents hold on to partner, link L arms with another gent, all four wheel around counterclockwise B1 Ladies chain over and back B2 Swing opposite, who becomes your new partner GENERAL COMMENT: For anyone who gets this far, I'll just note that all of these don't take very long to teach, they shuffle people around in often unexpected ways, and that with cheerful music played at a good clip, they're lots of fun. No need to run 'em really long, certainly nowhere near as long as most contras go. David Millstone Lebanon, NH