Hi, I thought Don had some great suggestions for a periodic open caller dance. I helped keep Seattle's Open Band/Open Caller monthly dance going for awhile, and really liked having a host caller. The expectation was that the host would help keep the flow of the evening going by calling the first and last dance of the night, and fill in with others if needed, would arrange the order of the other callers (so more experienced callers might alternate with newer ones). The host caller would sometimes mentor (or chose a more experienced caller who was willing to mentor) less experienced callers: step in if they needed advice on choosing a dance, have dances to suggest on hand, help with band signals and knowing when to end the dance (but as Don says - also let it be learning experience - know how much to support & give reassurance, without taking over). We did not do sign-ups in advance, but put out a sign-up sheet during the potluck before the dance. It was a given that signing up to call a dance was not necessarily an indicator of the order. Great for you for keeping this tradition going! Hope it goes well, Valerie Message: 3 Date: Mon, 23 May 2016 15:31:21 -0400 From: Don Veino via Callers &lt;callers(a)lists.sharedweight.net&gt; To: Chet Gray &lt;chetgray+sharedweight(a)gmail.com&gt; Cc: Don Veino via Callers &lt;callers(a)lists.sharedweight.net&gt; Subject: Re: [Callers] Organizing open calling Message-ID: &lt;CAAJTtiJwmrQ4xH33jh3YE+i8rWkN8_t1gZDbrLVnnnhHr_X8QA(a)mail.gmail.com&gt; Content-Type: text/plain; charset="utf-8" Hi, Sue Rosen generally does this for the periodic NEFFA caller nights at the Scout House Thursday dance. The expectation there is you have your wall clock time slots (e.g.: 7:30-7:55) and you *end* your slot on time, no matter what happened before or during your slot. Having slots specified as real clock time instead of elapsed time makes staying on/recovering to schedule much easier. I appreciate/leverage her approach and have taken it a bit more on-line. I've done this several times for our other Scout House series. My approach is to set up a shared Google spreadsheet with the available time slots, names assigned to slots. Generally in the first "half" (curiously, longer than the second :), a given caller gets two dance slots in a row and one in the second (one caller gets the flip assignment). I have the four callers enter two dances for each slot. One choice for "beginner heavy" and the other for "more experienced". Having them all in one place, we can visualize the program choices and challenge arc of the selections. The crowd that arrives leads us to which column will be the program that night. People can comment in the sheet and we work out most conflicts or necessary adjustments on-line (or by phone, etc.) before the evening. Of course there may be some tweaks that night, but having the two program difficulty choices spelled out minimizes that. This process typically takes about 2 weeks. Can be done in less time but would need to be led strongly with deadlines. People (particularly at this level) have focus on their "primary" job/life and the turnaround time on requests and changes can take days. Other thoughts: - Work out who'll introduce/recognize the band, sound, etc. (easily overdone or forgot otherwise). - Outgoing caller introduce the next one. - Tape a copy of the program up near the caller's mic. - Following caller helps enforce (gently) finishing clock time of previous caller. - Have slop slots built into your schedule (~7 minutes first half, ~5 second - not distributed into the caller slots and ideally remaining unused) and explicitly schedule any waltz/scandi and break(s) too. - You're the glue in this process. Be ready to help out but also stay back to let them work out any issues themselves - that's part of their learning too! Good luck! -Don On Mon, May 23, 2016 at 2:04 PM, Chet Gray via Callers < callers(a)lists.sharedweight.net&gt; wrote: