There's been lot's of great suggestions so far, so I'm sure you'll
have a full program. Here's my two cents as a caller with only a
couple years of experience. I feel I can put together a solid evening,
but want a better connection between music and dance. Going past "any
jig or reel" to this dance wants this type of tune, or if the band
wants to close with a specific tune matching it to a dance, etc.
Deconstructing the bits to see how they mesh, and talking to musicians
about it. Getting a better handle on that is my next step as a growing
caller.
On Wed, Dec 16, 2009 at 1:02 PM, Tina Fields <tfields8(a)yahoo.com> wrote:
As one of those callers with 3-4 years' experience, I agree with others who've
called for unusual formations like triplets and chestnuts. They're pretty hard to
figure out on your own, and local dances will only want them if a caller already has them
down cold.
I also would benefit from training in how to deconstruct, and thereby effectively teach,
more difficult dances for an experienced crowd. Specifically - and for any dance for that
matter - when learning a dance from a card, how to note points of potential difficulty and
how to figure out the exact clear, concise thing to say then so the dancers don't get
confused.
David, your class sounds like a wonderful opportunity and I'm suddenly a bit sorry I
don't live in the east. Break a leg!
Tina
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