Whew, it’s been a while since the earlier iteration of this conversation and my mind is
fuzzy. Does that mean that in the midwest you’ll be calling “gyre” as in “With your
partner, gyre and swing”? Or actually “gyrate”? Or…? 
I tried using gyre at a dance in December, saying that it was a great new name for my
personal favorite dance move, gypsy. There were groans on the floor, but… whatever!
  On Jan 21, 2016, at 7:35 PM, Janet Bertog via Callers
<callers(a)lists.sharedweight.net> wrote:
 
 I'm not ignoring you guys (well, most of you anyway), I just got busy and I was a bad
student again and didn't write down my reference so I will have to find it again. 
Right now I have glue in my eye, so it will have to wait.  
 
 I also did not hear any more back from Carol, so I will report on what I did get from her
and her colleague later this evening.
 
 Not that any of it matters, people have already made up their mind and, in the midwest at
least, it sounds like we are going to have people gyrating all over the floor.  
 
 Janet
 
 
 On Thu, Jan 21, 2016 at 6:52 PM, James Saxe <jim.saxe(a)gmail.com
<mailto:jim.saxe@gmail.com>> wrote:
 Alan Winston asked (replying to Janet Bertog):
 
  Where did you find a dance description for
Flowers of Edinburgh in the 1500s? 
 
 I, too, am curious.  I suspect that Alan is asking this question,
 as I am, more from an interest in the history of dancing and dance
 terminology than for the purpose of deciding what terminology to
 use in the future.  (To be clear, I believe that both topics--the
 history and what to do now--are entirely appropriate for this
 list.)  Please supply a reference if you have one.
 
 Speaking as someone who claims no formal training or other
 qualification as a dance historian, but who is nonetheless an
 interested dabbler in dance history, I think that a genuine
 16th-century source using "gip" (or
"gyp"/"gipsy"/"gypsy"/
 "jib"/,,,) as the name of a dance figure would be quite an
 interesting find, especially if the source also included some
 clue about what the term actually meant at that time.  On the
 other hand, a 20th-century description of a dance with a "gip"
 (or "half gip/gyp/gipsy/..." or "whole gip/...") together with
 a vague allusion to a dance of the same title having existed
 in the 16th century wouldn't be so exciting.
 
 With a little searching, I turned up various descriptions of
 Bampton morris dancing that list half gip[/gyp/...] and whole
 gip as common figures and "Flowers of Edinburgh" as one of the
 specific dances.  Here's just one example:
 
      
http://www.tvmm.org.uk/Notes/Bampton.htm
<http://www.tvmm.org.uk/Notes/Bampton.htm>
 
 And here's a video:
 
      
https://www.youtube.com/watch?v=VC2QtfnKrB8
<https://www.youtube.com/watch?v=VC2QtfnKrB8>
 
 Note the whole gips starting about 1:37.
 
 My searching also turned up many references to an RSCDS-style
 Scottish dance titled "Flowers of Edinburgh."   This site
 
      
http://www.scottish-country-dancing-dictionary.com/video/flowers-of-edinbur…
<http://www.scottish-country-dancing-dictionary.com/video/flowers-of-edinburgh.html>
 
 has half a dozen videos of the dance being done by different
 groups, plus an animation and a link to dance instructions.
 As you can see, this "Flowers of Edinburgh" includes no
 "gypsy" figure and bears practically no resemblance to the
 morris dance of the same name except that both are done in
 some kind of longways set.
 
 I also turned English Country Dance versions, including these:
 
      
https://www.youtube.com/watch?v=48y_4FU9EFU
<https://www.youtube.com/watch?v=48y_4FU9EFU>
      
https://www.youtube.com/watch?v=dWMID3ExAas
<https://www.youtube.com/watch?v=dWMID3ExAas>
 
 The first one lightly resembles the RSCDS version in that it
 has a sort of "swing and change" in B2 where the RSCDS version
 has a poussette.  The one version in the second video is
 yet different.
 
 In the absence of further evidence, a 16th-century dance
 called "Flowers of Edinburgh", if such existed, might, for
 all I knew, have been wildly different from all the versions
 I've cited above.
 
 On Jan 21, 2016, at 10:53 AM, Janet Bertog via Callers <callers(a)lists.sharedweight.net
<mailto:callers@lists.sharedweight.net>> wrote:
 
  The equivalent of the Welsh word gip is glance or
gaze. 
 
 That does suggest a tempting etymology for the dance figure.
 But, as we know, tempting etymologies sometimes turn out to
 lack support (as, for example, in the case of "a la main"
 for "allemande").  So, again, if you know of sources from
 even as late as the 19th century connecting the Welsh "gip",
 meaning glance/gaze with the similarly named morris dance
 figure or with "gypsy" as used in ECD and (more recently)
 contra dancing, please share the details.
 
 Again, I'm asking out of historical interest, not making
 any claim about how the history should or shouldn't affect
 callers' choices about terminology today.
 
 Thanks.
 
 --Jim
 
 > On Jan 21, 2016, at 11:30 AM, Alan Winston via Callers
<callers(a)lists.sharedweight.net <mailto:callers@lists.sharedweight.net>>
wrote:
 >
 >
 >
 > On 1/21/16 10:48 AM, Janet Bertog via Callers wrote:
 >> This was my original suggestion (see discussion in November). Then I found gip
in Welsh, which seems to fit better except foe one thing. The earliest dance I can find
with a gip/gypsy is Flowers of Edinburg from Scotland in the 1500s (note the date precedes
the use of the word Gypsy by the English). It doesn't matter though. To many, the word
is a slur in one context to some people and so should not be used, no matter what the
origin.
 >>
  Where did you find a dance description for
Flowers of Edinburgh in the 1500s? 
 >
 > -- Alan
 > _______________________________________________
 > Callers mailing list
 > Callers(a)lists.sharedweight.net <mailto:Callers@lists.sharedweight.net>
 > 
http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net
<http://lists.sharedweight.net/listinfo.cgi/callers-sharedweight.net>
 
 
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