Hi all -- been lurking for awhile, but posting for the first time now. Sorry for any
formatting issues I create.
Jo, I like this new dance. I'd been toying with the idea of a reverse-progression
improper dance, but never quite got around to implementing it. Your dance seems
different, but still accessible. I'm writing it down.
Laila Lewis
This is a fairly new dance, just written in June.
I've called it twice,
and people like it very much. Callers ask me for it
afterwards.
It has two quirks, which need to be explained at the beginning. One is
that it is a reverse progression dance. The ones progress up the hall,
the twos progress down.
The other is that when you and your partner progress out of the line,
during A2, you will naturally swing each other at the end of the line.
After you swing, while you are waiting to get back into the dance, the
lady needs to be on the gent's LEFT.
Galena
Duple Improper
Jo Mortland, 2009
Begin in wavy lines of four, ones facing down, twos facing up,
women holding left hands, everyone's neighbor is in their right hand
A1 Balance right and left, slide right
Balance left and right, slide left (as in Rory O'Moore)
A2 with neighbor, allemande right half way and walk forward to the
next neighbor (progression is here)
Swing
B1 Circle left 3 places
Partner swing on the side of the set
B2 Circle left 3 places
With neighbor (the one you swung) do si do to wavy lines of four
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Sent: Saturday, August 29, 2009 9:00:28 AM
Subject: Callers Digest, Vol 60, Issue 17
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Today's Topics:
1. Re: which hand (Tina Fields)
2. Re: emerging artists (Mortland, Jo)
3. Re: Help with a contra for newbies (Gillian Carney)
----------------------------------------------------------------------
Message: 1
Date: Fri, 28 Aug 2009 11:01:33 -0700 (PDT)
From: Tina Fields <tfields8(a)yahoo.com>
To: callers(a)sharedweight.net
Subject: Re: [Callers] which hand
Message-ID: <215767.71503.qm(a)web180107.mail.gq1.yahoo.com>
Content-Type: text/plain; charset=iso-8859-1
Re: diagramming dances, Jerome suggested some terrific web flash, then wrote,
And of course, there's always salt and pepper
shakers....
then Alan responded,
I like coins.? (Different denominations for different
numbers - pennies,
nickels, dimes, quarters tells you who's who in a square,
face-up or face-down
for? gender, and you can have them face one way or the other.)
Me, I like Extreme Visual, No-Tech style. My dirty secret is this: Smurfs. I borrowed a
bunch of figurines from a friend, each of which sports a different-colored hat. I have
male and female red, blue, and yellow hat couples. The fourth couple is a pair of green
toy soldiers, with the one holding his gun up higher in the air designated as male. I walk
them around through the dance, noting when each is facing her/his neighbor, etc., when the
progression happens, and potential weird effects. It's goofy but it really works.
Tina
------------------------------
Message: 2
Date: Fri, 28 Aug 2009 14:07:35 -0500
From: "Mortland, Jo" <j-mortland(a)neiu.edu>
To: "Caller's discussion list" <callers(a)sharedweight.net>
Subject: Re: [Callers] emerging artists
Message-ID:
<9B0B0B8FF2328E48930D4B6273C1B261132CEBC6(a)EXNODE2.univ.neiu.edu>
Content-Type: text/plain; charset="us-ascii"
This is a fairly new dance, just written in June. I've called it twice,
and people like it very much. Callers ask me for it afterwards.
It has two quirks, which need to be explained at the beginning. One is
that it is a reverse progression dance. The ones progress up the hall,
the twos progress down.
The other is that when you and your partner progress out of the line,
during A2, you will naturally swing each other at the end of the line.
After you swing, while you are waiting to get back into the dance, the
lady needs to be on the gent's LEFT.
Galena
Duple Improper
Jo Mortland, 2009
Begin in wavy lines of four, ones facing down, twos facing up,
women holding left hands, everyone's neighbor is in their right hand
A1 Balance right and left, slide right
Balance left and right, slide left (as in Rory O'Moore)
A2 with neighbor, allemande right half way and walk forward to the
next neighbor (progression is here)
Swing
B1 Circle left 3 places
Partner swing on the side of the set
B2 Circle left 3 places
With neighbor (the one you swung) do si do to wavy lines of four
------------------------------
Message: 3
Date: Fri, 28 Aug 2009 15:08:32 -0400
From: Gillian Carney <gillcarney(a)hotmail.com>
To: <callers(a)sharedweight.net>
Subject: Re: [Callers] Help with a contra for newbies
Message-ID: <COL114-W9CBB61C48C46ECBB239B5C3F50(a)phx.gbl>
Content-Type: text/plain; charset="iso-8859-1"
Thanks Alan and Lark for the wonderful and positive feedback.
Incidentally, amused to see Cary Ravitz's name in the message following mine - his
mother is one of my infrequent dancers who provided me with the loveliest quote. To
paraphrase; three hours after the dance I was aching, but found it was my face that was
aching because I was still smiling. This is the experience I am used to with my dance
group, and the experience I want to bring to the estates contra.
In refering to "real contra", I meant keeping away from set dance or
ceili/ceilidh type barn dances which I also call. Nothing against them, but want to
emphasize contra. I will be repeating the first session as the second session, and think I
can build up to a (one) longways duple improper. But, Alan, thank you so very much for the
dances you included.You gave me a lot to consider.
A band member gave me a copy of Good Morning last night, and the estates are working on
getting me copies of programmes from dances Ford would have attended. But, I didn't
like feeling pushed for time in getting a programme like this together, which is why I
asked for help from the list - and I'm glad I did. Thanks, and wish me luck!
Gillian Carney
fortmyersdancers(a)hotmail.com
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