The one that comes to mind is Chris Weiler’s “Vallimont’s Steamboat”, written to pair with “Vladimir’s Steamboat” and inspired by the one and only Julie Vallimont: http://caller.chrisweiler.ws/dances.htm#vallimonts On Thu, Mar 9, 2023 at 7:45 AM Rich Sbardella via Contra Callers < contracallers(a)lists.sharedweight.net&gt; wrote: -- -- Maia McCormick (she/her) 917.279.8194

A band wanted to play Mongoose Hop, by Lionel Belasco. Compared to the way it’s played in the video, it needed to be sped up a little (by the end of the piece it was closer to contra tempo) and played ABB—adjusted for those 32 bars. So, I mad up a dance for it: Mongoose Stomp: a YouTube of the tune: https://www.youtube.com/watch?v=4RZbxP9nhPs MONGOOSE STOMP Improper (Duple Minor) Erik Hoffman A1 Neighbor Balance & Swing A2 Circle Left 3/4; Partner Swing B1 Join Hands in a ring and do One Petronella Balance (4) & Twirl (4) -- but Twirl into a short Wave across: Women in center, Neighbor in Right -- Do One Rory O'More Balance: right & left (4), then Slide (or twirl) right, -- to put the Men in the center, now Neighbor in Left B2 Do the second Rory O'More Balance -- Left then Right (4), then slide (or twirl) Left Right shoulder Gypsy Neighbor 1-1/4 to progress to next couple Written for the tune Mongoose Hop, by Lionel Belasco Request: Please don’t say, “As in Petronella,” or, “As in Rory O’More.” When callers say this I look around and believe most people have no idea what Petronella or Rory O’More are. I say, “the signature move from a wonderful dance, Petronella.” OK, it takes a bit longer, but much more informative. And, sometime someone might ask, “What is the original dance like?” And we might get a few more people interested in the history and evolution of our dance form… A New Petronella Improper Erik Hoffman A1 Number One Women/Robin: Push Partner through Number Two Couple to join hands in a Petronella Diamond (Twos facing across, Number One Man now facing up, and below the Twos, Number One Woman now facing down and above the Twos) (4): Petronella Balance (4) & Twirl (4), Petronella Balance (4) and: A2 Twirl (4), Petronella Balance (4) & Twirl, Petronella Balance (4) and: Twos Draw Neighbor to your side and: B1 Neighbor Swing B2 Long Lines Forward & Back; Ones Swing (or All Swing as long as 2s know how to get out of the way. NOTE, this swing ends in an older way, backing away from Partner (or who you’re swinging), ending facing partner instead of side by side. It can be very nice, placing each other where they need to be next. I work with bands who love playing Petronella. I’m a bit of a curmudgeon about Chestnut tunes should be played for their Chestnut dances. I’ve realized that the likelihood that people who found contra dances in the last say, 20 years may never get a chance to dance the Chestnut dances and newer callers may not know what “A Chestnut dance” means. Or maybe they’ve danced the one Chestnut dance, Chorus Jig, that does get called. I miss dancing those dances we regularly danced when I started dancing in 1980, Petronella, Rory O’More, Hull’s Victory, Lamplighters, Lady of the Lake, and more. C’est la vie. So, realizing that Petronella evolved from only the ones, the active, doing the balance & spin to including the inactive to participating in the figure, and Chorus Jig evolving from a triple minor to a duple minor, I’m a Composed an version that evolved to modern standards. A bit presumptuous, I know, but there you have it… Native American Woman Becket—10 Bar B Part Erik Hoffman A1 Circle Left ¾, Pass Thru; New Neighbor Swing A2 Long Lines Forward & Back; Women/Robins Allemande Left 1½ B1 Partner Box the Gnat (4), Pull into a Full Hey, Partners start Right Shoulder (16) B2 Partner Do Si Do (8); Partner Swing (12) Made up for Suzy’s Floozies (which included Suzy Thompson & Maxine Gerber, who wanted to play a tune Indian Squaw, a tune with a 10-bar B part. OK, today I just searched the internet and my library for that tune. The two versions I heard were crooked but not the recording (now lost) Suzy & Maxine sent me. And no luck in my book collection. Must be out there somewhere, anyone? Erik Hoffman Oakland, CA From: Lisa Sieverts via Contra Callers &lt;contracallers(a)lists.sharedweight.net&gt; Sent: Thursday, March 9, 2023 6:32 AM To: Caller's discussion list &lt;callers(a)sharedweight.net&gt; Subject: [Callers] Re: Dances Crafted for a Tune These weren’t composed together but I love them together Tune: Rainy Night in Montague Dance: Trip to Lambertville by Steve Zakon-Anderson Lisa Sieverts 603-762-0235 lisa@lisasieverts.com<mailto:lisa@lisasieverts.com> ‌ ‌ ‌ ‌ ‌ ‌ External (contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>) Report This Email<https://protection.inkyphishfence.com/report?id=bmV0b3JnZnQxNTA4MD… FAQ<https://www.godaddy.com/help/report-email-with-advanced-email-securi… GoDaddy Advanced Email Security, Powered by INKY<https://www.inky.com/protection-by-inky> These weren’t composed together but I love them together Tune: Rainy Night in Montague Dance: Trip to Lambertville by Steve Zakon-Anderson Lisa Sieverts 603-762-0235 lisa@lisasieverts.com<mailto:lisa@lisasieverts.com> On 8 Mar 2023, at 23:01, Don Veino via Contra Callers wrote: I'm looking for recommendations for contras written to specifically match a given tune, square or crooked. Obviously, there's singing squares, the Chestnuts and some well known examples like David Kaynor's Cherokee Shuffle. I'm looking for other examples of excellent "modern era" dances perfectly crafted to fit an outstanding or unusual tune - such that it surpasses the standard "pick the dance, then a suitable tune" approach to foster dance floor joy. I've written a few such dances but would love to augment my repertoire with others. Thanks, Don ________________________________ Contra Callers mailing list -- contracallers@lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net> To unsubscribe send an email to contracallers-leave@lists.sharedweight.net<mailto:contracallers-leave@lists.sharedweight.net>