16 Nov
2004
16 Nov
'04
5:18 p.m.
That's a great question. I've gotten into many discussions about this
very issue. I think that your first example is the one to go with. Just
for fun, go down the hall with a partner and keep your joined hands down
during beats1 through 6. Then, on beats 7 and 8, turn as a couple.
You'll probably find that allowing 2 beats to turn as a couple is
rushed. So I think of turning as a couple as a 4 beat move. Turning
alone in 2 beats works but I'd still call it on 5-8. Calling in fours
fits the music nicely and sounds good.
Tom
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Today's Topics:
1. Timing on calling a 4 in line down the hall (Chris Weiler)
----------------------------------------------------------------------
Message: 1
Date: Sun, 14 Nov 2004 23:03:26 -0500
From: Chris Weiler <chris(a)sharedweight.net>
Subject: [Callers] Timing on calling a 4 in line down the hall
To: callers(a)sharedweight.net
Message-ID: <41982A8E.8040305(a)sharedweight.net>
Content-Type: text/plain; charset=us-ascii; format=flowed
Hey all,
We sat down today and programmed our dance on Dec. 4th.
(http://www.seeger.ws/dec4_contradance.pdf)
We're all pretty excited. I was going through my dances tonight doing a
little thinking ahead and realized that I'm not sure about timing the
calls for a 4 in line down the hall. Do you time the call to end on the
6th beat to encourage dancers to use the final 2 beats to turn around,
or do you time it to end on the eighth beat?
Beat - Call
5 - Down the
6 - Hall
7 - 4 in
8 - Line
1 -
2 -
3 -
4 -
5 - Turn as a
6 - Couple
7 - C'mon
8 - Back
Or:
5 - Down the
6 - Hall
7 - 4 in
8 - Line
1 -
2 -
3 -
4 -
5 -
6 -
7 - Turn as a
8 - Couple
1 - C'mon
2 - Back
I think that I answered my own question, but I'm interested in hearing
what people say about it.
Thanks!
Chris
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