A minor point, but one which seems to noticeably improve how contra dancers
react to a square:
After the room has achieved hands-four for the contra dance immediately
before the square, but before the walk through for that dance I announce
"The dance after this one will be a square." This does a couple of
things. It gives the dancers an opportunity to opt out if they really
don't enjoy squares or opt-in if they are big fans of squares; it lets them
select partners that they like to do square dances with; and it avoids the
confusion of switching from contra dance lines to squares.
Timing is important. If you announce it too soon some people will hear the
word "square" and try to form squares for *this* dance. If you announce it
too late, the dancers have already started to absorb the teaching for this
dance and they forget the heads up.
Dale
On Sat, Mar 18, 2023 at 5:34 PM Woody Lane via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
A lot of good descriptions and suggestions already,
but I’d like to add a
couple.
Calling squares can require a different mindset than calling contras. This
is especially true for western-style or southern-style squares. New
England-style squares with their 32-bar structure and generally slower
tempos are less demanding of callers, as these are more like contras in
square formations, but still I think the difference from contra calling is
still a reality. And most of the caller techniques are the same.
Calling a square dance is becoming part of the music. The caller is not
just a prompter. The caller drives the dancers with voice, including pulse
with down-beat emphases and patter to fill the space and increase the
excitement. As one person noted, the calling doesn’t stop – the caller
calls straight through the entire dance.
And can play with the music. 32 bars are great, but many many tunes,
especially southern or Quebecois tunes, have never heard of that structure,
and we can definitely call squares to them. Even to bluegrass or European
tunes. And this is a strength. We can play with it. At a dance camp, I once
called the square “Texas Star” to the jazz tune “Take Five”. It was an
experience for everyone.
The caller watches the entire room, and if one or two squares begin to
break up or fall behind, there is always the laughing “Everyone home and
swing your own!” reset button. Or the caller can add a circle left, swing
your partner, promenade – to bring the entire room up to the music. And so
it seamlessly so everyone has a good time. At the same time, playing with
the musical phrases so that the next part of the dance begins at the top of
the tuner – no one may ever realize that, but it’s good caller-craft.
And the thing is that the caller can really bring fun and acceptance into
the dance – using their voice and patter and laughter and jokes (“Some use
a shovel, some use a hoe, if you know that you’re doing that’s more than I
know!”). Calling squares opens up wonderful possibilities for fun and
artistry. And great fun for the dancers.
Woody
Woody Lane
Caller, percussive dancer
Roseburg, Oregon
*From:* Maia McCormick via Contra Callers <
contracallers(a)lists.sharedweight.net>
*Sent:* Saturday, March 18, 2023 9:21 AM
*To:* Shared Weight Contra Callers <contracallers(a)lists.sharedweight.net>
*Subject:* [Callers] Starting to call squares at contra dances
After dancing to some of Lisa's Greenleaf's 🔥 squares at Beantown Stomp
last weekend, I'm feeling inspired to add some to my repertoire. (To be
clear, I'm looking for squares-for-contra-dancers, not MWSD squares.)
1. Any resources to recommend for someone learning to call squares?
2. Any advice to share, techniques to look into, things you wish you'd
known when starting out / wish contra callers knew about squares?
3. Suggestions for callers to look up on YouTube (besides Lisa ofc) /
fave videos?
4. Favorite dances that I should add to my box?
Thanks in advance,
Maia
--
Maia McCormick (she/her)
917.279.8194
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