A minor point, but one which seems to noticeably improve how contra dancers react to a square:

After the room has achieved hands-four for the contra dance immediately before the square, but before the walk through for that dance I announce "The dance after this one will be a square."  This does a couple of things.  It gives the dancers an opportunity to opt out if they really don't enjoy squares or opt-in if they are big fans of squares; it lets them select partners that they like to do square dances with; and it avoids the confusion of switching from contra dance lines to squares.

Timing is important. If you announce it too soon some people will hear the word "square" and try to form squares for *this* dance.  If you announce it too late, the dancers have already started to absorb the teaching for this dance and they forget the heads up.

Dale

On Sat, Mar 18, 2023 at 5:34 PM Woody Lane via Contra Callers <contracallers@lists.sharedweight.net> wrote:

A lot of good descriptions and suggestions already, but I’d like to add a couple.

 

Calling squares can require a different mindset than calling contras. This is especially true for western-style or southern-style squares. New England-style squares with their 32-bar structure and generally slower tempos are less demanding of callers, as these are more like contras in square formations, but still I think the difference from contra calling is still a reality. And most of the caller techniques are the same.

 

Calling a square dance is becoming part of the music. The caller is not just a prompter. The caller drives the dancers with voice, including pulse with down-beat emphases and patter to fill the space and increase the excitement. As one person noted, the calling doesn’t stop – the caller calls straight through the entire dance.

 

And can play with the music. 32 bars are great, but many many tunes, especially southern or Quebecois tunes, have never heard of that structure, and we can definitely call squares to them. Even to bluegrass or European tunes. And this is a strength. We can play with it. At a dance camp, I once called the square “Texas Star” to the jazz tune “Take Five”. It was an experience for everyone.

 

The caller watches the entire room, and if one or two squares begin to break up or fall behind, there is always the laughing “Everyone home and swing your own!” reset button. Or the caller can add a circle left, swing your partner, promenade – to bring the entire room up to the music. And so it seamlessly so everyone has a good time. At the same time, playing with the musical phrases so that the next part of the dance begins at the top of the tuner – no one may ever realize that, but it’s good caller-craft.

 

And the thing is that the caller can really bring fun and acceptance into the dance – using their voice and patter and laughter and jokes (“Some use a shovel, some use a hoe, if you know that you’re doing that’s more than I know!”). Calling squares opens up wonderful possibilities for fun and artistry. And great fun for the dancers.

 

Woody

 

Woody Lane

Caller, percussive dancer

Roseburg, Oregon

 

 

From: Maia McCormick via Contra Callers <contracallers@lists.sharedweight.net>
Sent: Saturday, March 18, 2023 9:21 AM
To: Shared Weight Contra Callers <contracallers@lists.sharedweight.net>
Subject: [Callers] Starting to call squares at contra dances

 

After dancing to some of Lisa's Greenleaf's 🔥 squares at Beantown Stomp last weekend, I'm feeling inspired to add some to my repertoire. (To be clear, I'm looking for squares-for-contra-dancers, not MWSD squares.)

  1. Any resources to recommend for someone learning to call squares?
  2. Any advice to share, techniques to look into, things you wish you'd known when starting out / wish contra callers knew about squares?
  3. Suggestions for callers to look up on YouTube (besides Lisa ofc) / fave videos?
  4. Favorite dances that I should add to my box?

Thanks in advance,

Maia

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Maia McCormick (she/her)

917.279.8194

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