Contrary to the action of switching at the ends of the set, this
instruction is a part of set management. In fact it also helps to manage
the focus of the dancers.
I always give out set formation instructions. In addition to forming the
sets properly these instructions give important cues to the dancers to help
them gracefully transition from conversations in the set into listing to
instructions during the walk-through. Ending a conversation politely and
graciously takes time. The instruction of "Please take hands in groups of
four from the top," gives the dancers a cue that the caller will soon be
moving into the walk-through phase of the slot. I try to allow about 20
seconds or so for the hands four to propagate to the bottom of the line.
Then I say "Number ones please cross over," if appropriate. I say this
even if ALL of the dancers have crossed over already. This command tells
the dancers that the walk-through instructions will begin very shortly and
that they must quickly finish their story or anecdote and begin listening.
These cues, given clearly and not too loudly, will set a tone of politeness
and consideration. I much prefer this to callers who use the volume of the
PA system to interrupt conversations on the floor. People will quickly
learn the "drill" and will respond by helping the caller to make a smooth
transition. This approach also lowers the volume level in the room and
builds a cooperative relationship with the caller.
Another thought,
Greg
***********
At 04:55 PM 12/1/2010, Richard wrote:
And a related question: when will callers stop
saying "Hands four from the
top, number ones cross over"--in acknowledgement that improper formation is
the default for modern contras? I'm curious how many callers have already
stopped saying that. Or to put the question another way, in how many dance
communities do dancers line up inproper and not expect a reminder to "cross
over" and be in improper formation?
Richard
On Dec 1, 2010, at 7:37 PM, Mark Widmer wrote:
Hey, I was wondering what other callers thought
about the following:
often, during the walkthrough of the 1st contra dance of the
evening, the
caller explains that dancers should trade places with their partner whenever
they reach the end of the set
However, I never do this, and have never had a problem as a result --
the
experienced dancers in the set, apparently, are able to get the new
dancers to do this, and nobody has ever complained to me that I didn't
instruct dancers to switch
I have wondered what others thought about this -- my own thinking is why
take time
to explain something when it isn't necessary?
Regards,
Mark Widmer / central NJ
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