Thanks, Jack.
I think we, as callers, ought to acknowledge there are 2 camps of dancers,
believing either:
1. Gents/Larks role is implicitly "led", and ladies/Ravens role is
implicitly "follow" (along with all of the good comments about consent,
such as Maia's)
2. Contra is implicitly not lead/follow, and any initiating can be done
from either role.
Either way to dance can be valid. Because both are valid, then we cannot
assume either is default. Thus, technically both viewpoints are wrong.
Contra is not *implicitly* one or the other. And in fact, I dance both
styles, depending on partner. Sometimes, I feel like one style and the very
next dance I might feel like the other. Options!
Neither viewpoint is universal, nor is either rare. Thus, if we don't
acknowledge that these both exist, we are doing a huge disservice by
denying dancers to dance the way they want to dance.
Thus, as callers, the view we should treat lead/follow are *style* choices.
And while some areas may have dominant styles, it's not right to stifle
either. Thus I have several practical recommendations:
1. Refer to it as style choice.
2. Get to know what your dance partners' preference is. Don't presume one
or the other.
3. Lead/Follow are not appropriate role terms, because they dismiss people
whose style is not that.
4. Teach leading tips for both roles. Like, you have a long lines, and then
a mad robin or gents/larks allemande left? The ladies/Ravens are leading
the move by easing the gents/Larks into those moves.
In dance,
Ron Blechner
On Mon, Mar 12, 2018, 10:09 AM Jack Mitchell via Callers <
callers(a)lists.sharedweight.net> wrote:
My friend Ron Blechner wrote a wonderful piece
<http://contradances.tumblr.com/post/132380206885/lead-and-follow-as-styles-not-roles-in-contra>
a
few years ago about "lead" and "follow" as being how one can dance
whichever role in contra you are dancing. I commend it to your attention.
It's tangentially related, but that's not really what you were asking
about.
A few thoughts on that:
Any lead *offered *from one dancer to another should be just that -- an
offer -- and not a command. It shouldn't be so forceful that it can't be
refused. Additionally, the person leading the flourish should be ready for
the person to refuse (or not to respond) and be ready to continue with
whatever courtesy turn or completion of a swing would have normally been
expected.
I believe that the response to any lead can be one of three (or possibly
more) response: "Yes!", "No!" and "What was that??!" and
that if you get
either of the latter two responses those should be taken as a "no" and the
one leading that move should continue on with whatever the default version
of that move might be.
So, how do you ask that "question"?
- You can just ask verbally. A long time dancer in our local
community will, when he encounters me in the line dancing the lady's /
right side role, ask me "Twirling today?" And we've been dancing in
the
same community for approaching 20 years now. I have had others ask as we
start swinging if I am ok being dipped. (The answer is almost always yes,
but occasionally it's not, and it only takes a second.)
- A lot of swing exits / flourishes, can be "pre-led". There is some
part of the lead that you can start just a couple of counts before you
would actually do it. This can be a way of asking that question. It also
allows your partner to be ready to change which direction they're going,
and generally to use much less force in the lead. A few examples....
Starting to bring the joined hands in a swing up just a bit a few counts
before the twirl would happen, or bringing the "gent's" left hand to
the
"lady's" shoulder, and then using very light pressure on the back of
the
"lady's" left shoulder and the front of her right to cue the twirl out
of
the swing.
- We will frequently say in the newcomers lesson that a sign of an
offered twirl is for the twirling person's partner to lift their joined
hands (either the "pointy end" hands in a swing or the left hand in a
courtesy turn, and that if one is not desiring a twirl at that particular
moment, that one should pull that hand back down. To that I would just add
that as the person leading the twirl raises the appropriate hand, no
reaction / limp arm probably is best to take as a "No" or at least as a
"What was that??" and move along. If it's your partner, you can always
talk about the various flourishes and try again.
So I suppose what it mostly comes down to is:
1. Many leads should be able to be able to be refused / ignored
2. If you're dancing with someone you don't know, and you want to lead
something that is difficult to do in a refusable way (dips come to mind),
ask.
- Even if you encounter someone you do know if you don't have time to
ask (and haven't made previous arrangement), try to make sure your leads
are refusable. [I'm thinking particularly of the various ways that the
same role dancer can twirl a neighbor as they pass in a hey, and the time
on the friday of a dance weekend when someone forced a twirl in a hay on my
wife when she had already planted her foot and wasn't ready to be
twirled....messed up her knee for the rest of the weekend and that was the
last dance she did.]
I can give you other examples if you'd like, but this is already getting a
bit rambling. Hope that some of it is useful! Let us know how the
workshop goes!
Jack
On Tue, Mar 6, 2018 at 12:22 AM Jeanette Mill via Callers <
callers(a)lists.sharedweight.net> wrote:
Hello
I am devising a workshop for a festival here in Australia, and have long
been of the opinion that there are no "leaders" in contra dance couples.
Moves should be executed with mutual consent, especially embellishments
such as turning under out of a ladies' chain. Conventions such as waltz
hold swings are really useful here. In Australia, other related dance forms
use a variety of swing holds, which lead to confusion and interruption of
flow. I plan to place some emphasis on conventions of holds, such as
allemande and star holds.
I would value people's opinions on this, as it may ruffle some long-held
conventions. Any words of wisdom from the gender free dance community would
be especially welcome.
Also, I believe that if dancers are to enjoy embellishments, they must be
by mutual consent. This is so difficult to establish in a microsecond. I
would value any thoughts on how to advise reaching this consent in the
context of a contra dance.
Looking forward to your thoughts
cheers
Jeanette
Jeanette Mill
Contra dance caller, musician, workshop facilitator
Canberra, Australia
Phone: +61 (0)449 686 077 <+61%20449%20686%20077>
Email: jeanette_mill(a)yahoo.com.au
Skype: jeanette.mill
"The piano - 88 little mistakes waiting to happen" Kate Barnes
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