I think my third photo isn't quite picturing the swing Kat is referring to
-- while the arms close to the camera are as described, in my picture the
arms away from the camera are in standard contra position swing position
with the Lark's hand behind the Robin's back and the Robin's hand behind
the Lark's shoulder. The same as in the first picture on the page.
If, instead, you imagine the arms farther from the camera were also in
the position that the closer-to-the-camera arms are in, I think that gets
you the swing Kat describes? Symmetrical, supported, and a bit less close
than the standard swing.
Jeff
On Wed, Mar 13, 2024 at 7:14 PM Alexandra Deis-Lauby via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Unsupported swings are the worst!
Shoulder blades with nice rounded frame provide support and distance.
Kat- can you clarify when you say the swing is like in Jeff’s third
picture, does that mean the other arms are on shoulder blades like in the
photo? Or are the other arms “point”?
On Mar 13, 2024, at 5:06 PM, Katherine Kitching via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
oh! wonderful!!
Here is the modified-hold swing I've been talking about, on Jeff K's page
- third photo down!!
labelled under the photo as *arm-hold ballroom swing*
https://www.jefftk.com/p/contra-avoiding-sore-arms
Thanks Jeff!!
Now I'm going to comment to two things again - Julian's comment and Jeff's
comment (both included below).
Julian's question: "why [does] a ballroom hold feels more "intimate"
than
other holds?"
For me personally, what I find more "intimate" about the ballroom hold
(and a lot of the other holds), is that it puts me very close to the other
person - closer than in any other figure - and also more "locked in" -
since both hands of both people are involved in maintaining the hold.
And what I noticed in my own body, when in recent dances I've been doing
the elbow-hold ballroom position with most neighbours and a new man
suddenly grabs my waist and pulls me into conventional ballroom hold - is
that I don't really like his hand there on my back. I feel a bit trapped -
like if I wanted to back away a little, I can't.
(I acknowledge I am speaking in gendered terms here, but I feel it is
relevant because for me, this feeling of being excessively close to someone
only seems to come up when I'm dancing with some men. I've never to my
recollection had a woman pull me "too close for comfort").
I'll be curious to hear how others answer this question.
Regarding hand placement- I definitely agree with Jeff's page about the
importance of symmetry - prior to our elbow-hold swing, we always taught
the ballroom swing where both parties put their hands on the other person's
shoulder blade- with the shorter person's arm going under the taller
person's arm. I like the symmetry of it and fully agree that both parties
should be responsible for supporting the other.
And Jeff wrote:
"In general, I would be excited to see common positioning move ... to
where both people are using both of their arms to hold the couple together,
sharing the weight more evenly"
And that's one reason I love this elbow-hold (or "arm-hold" as Jeff calls
it) - I've found this hold gives me an even better connection to my dancing
patner than the shoulder-blade hold.
It doesn't feel easy to cup one's hand in an effective way around someone
else's back - and I agree it asks a lot of the wrist.
I find it much easier to cup my hand around the back of someone's elbow -
it is perfectly hand-sized :) .
Kat K
-----
Julian wrote:
I would love to read elaboration / articulation on why a ballroom hold
feels more "intimate" than other holds?
Is it a matter of the historical social attachment we have in our minds
with couples dances that use the hold, and romance in our culture?
Is it a physical proximity? (I find ceilidh holds to be closer, crossed
arms has my hands bearish their belly which has its own intimacy to me,
though sometimes barrel holds can be done with a bit more space - though I
wouldn't say the default)
Is it something else?
Maybe if we looked at the why, it'd give insight to what a solution to an
alternate swing hold and/or an adjusted mindset might entail?
In dance,
Julian Blechner
He/him
Western Mass
Jeff Kaufman via Contra Callers <contracallers(a)lists.sharedweight.net>
Wednesday, March 13, 2024 5:46 PM
"I firmly believe that the best place for the lady's left hand is resting
on the man's upper arm in a relaxed manner."
The biggest downside of this approach is that in a conventional ballroom
hold it puts all the effort of holding the couple together on the right
wrist of the Lark/Gent. I have relatively weak wrists, and dancing as the
Lark with people who rest their left hand on the Lark's upper arm is
somewhere between tiring and painful.
In general, I would be excited to see common positioning move in the
opposite direction, to where both people are using both of their arms to
hold the couple together, sharing the weight more evenly:
https://www.jefftk.com/p/contra-avoiding-sore-arms
Jeff
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Becky Liddle via Contra Callers <contracallers(a)lists.sharedweight.net>
Wednesday, March 13, 2024 11:16 AM
In the discussion about some men being uncomfortable doing ballroom dance
hold swing with other men, the modified ballroom hold (hand above elbow of
partner instead of on robin’s shoulder) was mentioned.
In this discussion, much has been said about men who don’t want to do
ballroom hold with other men, but what nobody has mentioned yet is the
scads of women (both straight and queer) who have long been uncomfortable
dancing ballroom swing with men (or often just with particular men). *I
am intrigued by this modified ballroom swing idea because it might solve
many problems at once*.
I have two simultaneous (and conflicting) emotional responses to men
uncomfortable swinging with other men:
The ungenerous one is: "As a lesbian I had to get over my discomfort
swinging with you in order to participate in the joy of contra. If I can do
it, you can do it." But more importantly (and more generously): *We’d
like everyone to be as comfortable at contra dances as is reasonably
feasible*. To that end, I am very interested in this idea of the modified
ballroom hold. It might solve MANY different problems. Here are a few that
come to mind:
1. The enforced intimacy problem: this is not just a problem with straight
men being uncomfortable swinging with other men. There is a lot of forced
intimacy in the ballroom hold. Maybe that intimacy is not the best thing to
force on *anyone*?. Modified ballroom swing would help with the problem
of not wanting enforced closeness/intimacy with others for all kinds of
reasons: keeping distance from the lecherous dancer who uses the ballroom
hold as an excuse for unwanted intimacy; but also simply to provide a bit
of space for folks who simply aren’t comfortable being that close to
ANYBODY. I recently struck up a conversation with a new dancer who was
leaving early (because we need to know why we’re losing potential dancers)
and she said “It just feels too intimate.” She didn’t say too intimate
swinging with men or with women. Just “too intimate” and I got the definite
feeling that it was the enforced close hold (with *everyone*) that was
difficult for her. I wonder if we would have lost her if we used the
modified ballroom swing (hand above elbow instead of on shoulder).
2. There are other difficulties with the ballroom hold: sometimes there is
simply not enough room: short arms or large girth can make it difficult to
reach the back of the shoulder of the other partner at times, and this
leaves the Lark in the uncomfortable/dangerous position of “where do I put
my hand now?” While trying to avoid the “accidental side boob graze” issue.
3. Speaking of which, is nobody else out there having trouble with this
“side boob graze” problem with the ballroom hold? I’m a lesbian who dances
the Lark role because of knee and hip issues. At least once/evening when
moving into or out of the ballroom hold I accidentally graze the side of my
partner’s breast. If I were straight I wouldn’t worry about it. But as a
lesbian my mind always leaps to “what if she thinks I did that on purpose?” *Do
straight men not also have this problem?? Why is nobody talking about
this??* If the robin is female-presenting, the back of the robin’s
shoulder is dangerously close to the side of her breast. Which means (a)
it’s easy for a sleaze to cop a feel and pass it off as an accident, and
(b) it’s easy for a lesbian or straight man to truly accidentally graze and
then worry that they’ll be *perceived *as a sleaze. The elbow hold would
solve both of these problems.
4. The robin clamping down their arm problem: Larks, have you ever danced
with a robin who clamps down their arm on your wrist during the swing?
Again, elbow hold would solve this.
5. The problem of robins dancing backwards when swinging: I have never
danced the modified ballroom hold, but I’d like to know from folks who do:
does it solve the problem of many robins feeling like they need to dance
backwards when swinging? On the occasions when I do dance robin (usually
because I’m pairing with a newbie who is dancing lark) I often find myself
skittering backwards in the swing, instead of both of us walking/dancing
forward. I’m not experienced enough as a robin to fully understand this
phenomenon, but I think it has to do with the closeness and rigidity of
some Larks’ hold in the ballroom swing. Question for folks who have used
the elbow hold: does this hold solve this problem and allow the robin to
dance forward instead of backward in the swing?
I am particularly interested in this issue because I am about to move from
Toronto (where the ballroom hold is firmly established) to an island off
the coast of Vancouver (Bowen Island) where, if I want to continue to
dance, I will have to start my own contra dance. This conversation has made
me wonder whether I should start that group with the modified ballroom hold
to solve many of these problems. *I’d love to hear from others who have
used this swing about the pros and cons *(if any) and any other advice
you’d have for someone starting a dance using this swing hold.
Thanks!!
Becky Liddle
(Note: my email is changing from beckyliddle(a)bell.net to
becky.liddle(a)icloud.com )
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