I'm running up against a wall in a dance I'm currently writing, and
it's making me wonder: what dances, if any, have a full hey that spans two
sections* and really WORKS? I feel like in general, if I danced such a
dance, I would roll my eyes at the choreographer "breaking the rules", but
I can also imagine delightful dances a hey spanning two phrases that
justify their own existence and feel great to dance.
Thoughts? Dances to point me to?
As always, in dance,
* e.g. hey occurs during the last eight counts of B1 and the first eight of