Robert, are you looking for tips beyond the basic
“clear, well-phrased,
LONG/well-in-advance calls”? That’s probably the biggest thing, in my
mind—a nice long (3-4 beat) call in advance of the move that often lags, to
give dancers some heads up. (And of course, identifying ahead of time what
parts of the dance that are likely to get smeary.)
You might be able to preempt some of the timing issues in teaching. Eg
“take JUST FOUR STEPS down the hall, it’s shorter than you think” etc, but
honestly that kind of thing flies right out of people’s heads when the
music starts.
Cheers,
Maia in Brooklyn
--
Maia McCormick (she/her)
917.279.8194
On Wed, Sep 25, 2024 at 2:51 AM Luke Donforth via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
Thanks for giving the new dance a spin! I
haven't even tried it with
people yet :-)
Robert, I'm reminded of George Wilson's beginner lesson where he talks
explicitly about the connection between the music and the dancing, and
makes the timing explicit:
https://www.youtube.com/watch?v=14nxFdcaKWA
Thanks again all,
Luke
On Tue, Sep 24, 2024 at 3:25 PM Robert Matson via Contra Callers <
contracallers(a)lists.sharedweight.net> wrote:
> Like Harris recently did, we plan to try Star Trek Phaser for our
> beginner-heavy college contra next week. Thanks for writing and posting
> it, Luke.
>
> We often find that our dancers get off-phrase, especially with flowy
> dances, like this one. Is that what causes the challenge with the oval in
> this dance?
>
> We have the benefit of choosing our music program at the same time as
> our dance program. So, our Plan A for flowy dances is to choose a tune set
> with clear differentiation between the 8-bar phrases and some sort of
> punctuation at the start or end of each phrase. (Maybe a tune set
> like this one.
> <https://youtu.be/ADQq_nqqHik?si=UX83w43tUtd8pw6x&t=151>)
>
> From the perspective of callers, what would be a few tips that help
> ensure flowy dances don't get off-phrase or would help in a case like
> Harris'?
>
> Thanks,
> Rob
>
> - - - - - - - - - - - -
>
> Robert Matson
> Cell: (917) 626-2675
>
>
>
> On Tue, Sep 24, 2024 at 12:51 AM Harris Lapiroff via Contra Callers <
> contracallers(a)lists.sharedweight.net> wrote:
>
>> I called Star Trek Phraser at a beginner-heavy college dance last
>> weekend and it worked quite well! The only thing I noticed was that I had
>> to keep jumping in to keep the oval on time (dancers kept trying to shift
>> it to A2) and even still it got pretty messy. But it's a nice whole-set
>> moment that I think is worth it. (And for attentive beginners I think it
>> also reveals something to them about the structure of the dance.) I was
>> surprised and pleased by how well beginners were able to handle the
>> star-to-star transition, quick though it is!
>>
>> Thanks for that one, Luke!
>>
>> Harris Lapiroff
>>
>> Dance Caller and Organizer
>> Boston Intergenerational Dance Advocates Board (Cambridge MA)
>> Pinewoods Camp, Inc Board (Plymouth MA)
>>
https://chromamine.com/contra/
>>
>> On Mon, Sep 9, 2024, at 8:08 PM, Luke Donforth via Contra Callers
>> wrote:
>>
>> Thanks all.
>>
>> I continue to turn this one over in my head, and I think I've got a
>> new one (borrowing heavily from Bob Isaac's *To Turn a Phrase* and
>> the star-to-star transition of Mick Richardson's *Star Trek*)
>>
>> Star Trek Phraser
>> by Luke Donforth
>> Contra/Becket-CCW
>>
>> A1 -----------
>> (8) Left hand Star
>> (8) Whole set oval right
>> A2 -----------
>> (8) whole set oval Left
>> (8) Groups of 4 Circle Left 1X
>> B1 -----------
>> (8) Partner Do-si-do
>> (8) Partner swing
>> B2 -----------
>> (8) Long lines, forward and back
>> (8) Left hand Star 1x, walk on to next star
>>
>> On Sun, Sep 8, 2024 at 7:55 PM <sjapartments(a)gmail.com> wrote:
>>
>>
https://aptsg.org/Dance/dances.html#Balter
>>
>> On Sun, Sep 8, 2024 at 11:50 AM Luke Donforth via Contra Callers <
>> contracallers(a)lists.sharedweight.net> wrote:
>>
>> Hello all,
>>
>> Oftentimes at One Night Gigs, I'll do a mix of circle and longways
>> set dances. With scatter mixers and specialty dances, I can fill an
>> evening. But sometimes I get a group that "wants contras" or is looking
to
>> grow their familiarity with the dance form.
>>
>> I think Becket dances without lark/robin distinctions and no neighbor
>> swing are AN easy option into "hands-four" contras. There are other
ways
>> in, but I'm looking for more Beckets that match that description. For a
>> while I've had "Pluck It" in my box as a friendly option:
>>
>> Pluck It
>> Contra/Becket-CW
>>
>> A1 -----------
>> (8) Circle Left
>> (8) Circle Right
>> A2 -----------
>> (8) Left hand Star
>> (8) Right hand Star
>> B1 -----------
>> (8) Partner Do-si-do
>> (8) Partner swing
>> B2 -----------
>> (8) Neighbor Do-si-do across set
>> (8) Long lines, yearn left
>>
>> This is, in my opinion, pretty close to the traditional mixer Scatter
>> Shot but done as a keeper in Becket. (It does have a DSD across the set,
>> which in a recent thread was listed as a no-no for some callers. While I
>> wouldn't use that move at a dance weekend, for One Night gigs I think
it's
>> accessible and acceptable). You don't have to teach ballroom swing, and if
>> folks want to elbow swing and swap roles with their partner it doesn't
>> really impact the dance (this is a small advantage of Becket over improper
>> for this type of dance; different position on the side is less disorienting
>> than different side of the set).
>>
>> What other Becket dances do folks have that don't rely on roles? No
>> larks allemande or robins chain, etc.
>>
>> On the drive home from my gig last night I came up with this one
>> (which may already exist), written for Naomi who organizes the community
>> dance I was at:
>>
>> A Pillar of Weathersfield
>> Contra/Becket-CW
>>
>> A1 -----------
>> (8) Balance the ring and spin to the right (petronella)
>> (8) Balance the ring and spin to the right (petronella)
>> A2 -----------
>> (16) Partner balance and swing, end facing down the hall
>> B1 -----------
>> (8) Down the hall, four in line (turn as couples)
>> (8) Return and face across
>> B2 -----------
>> (8) Long lines, forward and back
>> (8) Promenade across the Set, turn as a couple and progress
>> (Go between the ones you danced with, passing by left shoulder, and
>> the new couple on your right, turn to take hands with new couple)
>>
>> I'd be curious what else folks have that they use for entry-level
>> contras when you don't have a critical mass of experience for improper
>> dances with neighbor swings.
>>
>> Thanks!
>> Luke Donforth
>> Burlington, VT
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>>
>>
>> --
>> Luke Donforth
>> Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
>> _______________________________________________
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>>
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> _______________________________________________
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--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
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