9 May
2016
9 May
'16
6:55 p.m.
My tentative name (assuming the composition doesn't already exist) is
Vallimont's Silver Hammer. The dance came out of a conversation with the
talented musician Julie Vallimont (just got permission to use the name)
about closing sets; and how callers like dances that end with swings but
bands often have something that builds to a big hit at the A to B
transition in the music.
On Mon, May 9, 2016 at 1:52 PM, Jerome Grisanti <jerome.grisanti(a)gmail.com>
wrote:
Luke,
I don't recognize it, but it looks fun.
Just curious ... did you have a particular tune in mind that shaped your
desire for the balance at the top of the B sections?
--Jerome
Jerome Grisanti
660-528-0858
http://www.jeromegrisanti.com
"Whatever you do, or dream you can, begin it. Boldness has genius and
power and magic in it." --Johann Wolfgang von Goethe
On Mon, May 9, 2016 at 12:46 PM, Luke Donforth via Callers <
callers(a)lists.sharedweight.net> wrote:
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
Hello all,
I was trying to write a nice end-of-evening dance that had a balance at
the top of B1, and ended with a partner swing (that wasn't Old Time Elixir
#2 or Tica Tica timing...) and came up with this. I think it's new, and it
worked well in Montreal recently; but I'd like to know if it already
existed:
Becket
A1
Circle left 3/4
Neighbor swing
A2
Gents start hey for 4 by left
B1
Right to neighbor (women back to back in middle), balance and box gnat
Pull by right, women allemande left 1 1/2
B2
Partner balance and swing
Slide left
Happy dancing
--
Luke Donforth
Luke.Donforth(a)gmail.com <Luke.Donev(a)gmail.com>
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