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Puttin’ On The Dance 3 ::: A gathering of trad social dance organizers!

by Puttin' on the Dance Team

Dear organizers! Exciting news: Plans are afoot for Puttin’ on the Dance 3: A weekend gathering of traditional social dance organizers. We hope you’ll… - READ this message - FORWARD it to anyone who might be interested + let us know about these folks - SAVE THE DATE - May 2-4, 2015 WHAT? Puttin' On the Dance <http://www.puttinonthedance.org/> convenes dance organizers from across the Northeastern United States and Eastern Canada. The objective of this weekend event is to provide resources and opportunities for learning, sharing, renewal, and fun! POTD3 will strengthen networks for sustaining dance organizers, who in turn sustain important traditions of participatory social dance throughout our region. Visit our website <https://www.puttinonthedance.org/> to learn more about what happens at POTD conferences including testimonials from past participants <https://www.puttinonthedance.org/testimonials/>. WHO? For organizers of various forms of North American and British Isles social dance traditions (e.g., barn, Cape Breton, community, contra, English, family, Irish, Quebecois, Scottish, and square). ALL dance organizers are welcome to attend! We prioritize organizers in our catchment area: Eastern Canada and the northeastern U.S. (i.e., Connecticut, Maine, Massachusetts, New Brunswick, Newfoundland, New Hampshire, New York, Nova Scotia, Ontario, Prince Edward Island, Quebec, Rhode Island, and Vermont); however, space permitting, others are welcome. HOW MUCH? Attending POTD is an excellent investment in your dance’s future! That said, we strive to make POTD as affordable as possible and details on cost and registration will be available in the winter. Meanwhile, start talking with your dance community: Here are some tips <https://www.puttinonthedance.org/register/fund-your-attendance/> on how to fund your attendance, including travel costs. WHERE? The first POTD conference was in White River Junction, Vermont and the second POTD conference was in Ottawa, Ontario. This time we are heading to Waldo County, Maine where local dance organizers are keen to put on Puttin’ On the Dance 3! WANT TO HELP? Want to help POTD happen? Let us know! QUESTIONS? Email puttinonthedance(a)gmail.com. PLEASE HELP SPREAD THE WORD. Forward this message to… - Other members of your community who might want to come - People who organize dances near you that we may not have on our list - ANYONE you know who might be interested. + To help us build our contact list, email puttinonthedance(a)gmail.com with organizer info (name, email, and dance series details). Stay tuned for updates via the POTD email list and the POTD website. Want to be on the POTD email list? Email puttinonthedance(a)gmail.com and tell us your name, where you organize, and what type of tradition. We look forward to learning, dancing, and having lots of fun with many of you next May! Emily Addison (Ottawa, Ontario) and Chrissy Fowler (Belfast, Maine) POTD Advisory Board -- puttinonthedance.org facebook.com/PuttinOnTheDance *You're on the POTD email list because we think you're interested in conferences for dance organizers. Let us know if you want your address removed. **. *

6 months, 1 week

Bob Green Update 9/23

by Keith Tuxhorn

Hi all- an encouraging update on Monday from Bob's daughter Sarah... Update on my dad (Bob Green): He has been making small steps of improvement each day. He was awake and alert most of the day today. He knows where he is at although he did communicate to the OT today that he wishes he was at the grocery store. What can I say, he loves Trader Joe's. His lungs continue to need a lot of support and his muscles are very weak. Now that he is awake and alert, he is trying to communicate more. I can usually guess what he is trying to mouth but it can be frustrating when I can't figure it out. Our project this week will be to build a better communication system for him. -For the latecomers, Bob is a St. Louis caller, and writer of contra and English dances, who had a bad auto accident a month ago. Keith Tuxhorn Springfield IL

6 months, 1 week

Bob Dalsemer documentary

by Ann Fallon

Hello, everyone I am passing on information about this Bob Dalsemer documentary in case you have not already seen it. It is very well done . It is indeed a “rich portrait”. See below. Ann ----- Forwarded Message ----- From: David Millstone via Trad Callers <tradcallers(a)lists.sharedweight.net>To: Trad Callers (formerly trad-dance-callers) <tradcallers(a)lists.sharedweight.net>Cc: David Millstone <davidmillstone7(a)gmail.com>Sent: Monday, September 23, 2024 at 06:49:38 PM EDTSubject: [TradCallers] Bob Dalsemer documentary Dear colleagues, Harrison Keely has released a lovely 45-minute portrait of Bob Dalsemer. https://www.youtube.com/watch?v=guQAB-lOMUA Bob does all the talking. We see him calling dances over the decades, playing various instruments, talking about his years growing up, time in Baltimore, the move to the Folk School in Brasstown, current health challenges. It's a rich portrait. Enjoy! (And spread the word to others who'd enjoy this!) David Millstone_______________________________________________ Trad Callers mailing list -- tradcallers(a)lists.sharedweight.net To unsubscribe send an email to tradcallers-leave(a)lists.sharedweight.net

6 months, 1 week

Sad News, Dan Pearl has passed

by Luke Donforth

Hello all, I just learned that Dan Pearl passed back in August. I hadn't heard the news myself, so I'm guessing it might not have reached some of you. Obituary here: https://www.shortrowefuneralhome.com/obituary/Daniel-Pearl Celebration of his life this Sunday at the Scout House. He will be missed.

6 months, 1 week

Contra corners recommendations needed

by Abbie Sorg

Any suggestions on contra corners dances? None have been called at our local dance for years now, and I want to try and re-introduce the move. I've been calling for a few years and think it's a good time to try, but I haven't collected any contra corners dances yet so I'd like to start with something as straightforward as possible. Chorus Jig seems like the natural choice, but I noticed that basically every video I could find of it uses the same tune. How rigid is this tradition? What if the band doesn't have this in their repertoire? Will the contra police raid the dance hall if I call this choreography to a different tune? Abbie Sorg Tucson, AZ

6 months, 1 week

Sicilian Circle

by Susan English

I like to end an evening of contras with a Sicilian circle to waltz music and then continue directly into the open waltz. That saves time and everyone gets a partner. Will this dance work? CITRONELLA EVENING Sicilian Circle to Waltz Music by SE 9-16-24 (4) Two on two dosidos opposite cpl (4) Circle L (4) L hands across (4) R hands across (4) P. mad Robin cw (end in original position) (4) Balance ring, Petronella turn (4) Balance ring, Petronella turn (4) Balance ring, California twirl to face next cpl. Based on Citronella Morning contra by Al Olson Susan [image: 🎶] [image: ☺] 330-347-8155 woosterdance.com

6 months, 2 weeks

Contra corners

by Stein, Robert

Almost every contra corners dance can be made alternating. There’s a good Ted Sanella contra corners triplet which is indeed a good way to introduce it. I also agree that one should teach the corners their role (since they are not moving) as well as the active couple. Also note that chorus jig is inherently gender free. Bob

6 months, 3 weeks

Re: Bob Green, STL caller and dance writer

by Keith Tuxhorn

An update from Bob's daughter, Friday 9/13, around noon: "One memory that I have of my father in his younger years is his love of rollercoasters. He has definitely taken us on one the last 48 hours. The good news is that everything is stable now. He has been fighting an aggressive case of pneumonia. They seem to have found an antibiotic that is working for him. He appears to be more comfortable and will continue to be heavily sedated for at least another day. Continued well wishes and prayers are appreciated." I will probably post future updates separately, as I think they will be coming less frequently unless something dramatic happens. I'll title them Bob Green Update, with the date. Keith On Thu, Sep 12, 2024 at 12:22 PM Thomas J Senior <thomasjsenior(a)gmail.com> wrote: > Thanks Keith for the information on Bob. Barbara and I would appreciate > your passing on our Best wishes to the family. > > Tom > > On Tue, Sep 10, 2024 at 2:22 PM Keith Tuxhorn via Contra Callers < > contracallers(a)lists.sharedweight.net> wrote: > >> Hi all-- >> >> Bob Green had an auto accident Friday. He's in the hospital, and has been >> improving, but it may be a long haul. I am reposting two messages from his >> daughters. The first is from Saturday... >> Hello: >> Some of you may know that my dad (Bob Green) was involved in a serious >> auto accident on Friday. Because he has so many people who care about him >> in the contra community, I wanted to summarize what happened and how he's >> doing so you all can be updated together. >> He was driving by himself on the highway west of St. Louis when his car >> went off the road. No other car was involved and we don't know why he went >> off the road, as it wasn't witnessed. >> Highway Patrol and paramedics responded relatively quickly (his iPhone >> called 911 on its own!) and he was transported by LifeFlight to a trauma >> hospital. He sustained a serious neck injury that required surgery right >> away, and he also likely has some degree of traumatic brain injury. He >> broke several ribs and had one collapsed lung, thanks to the seat belt that >> did an otherwise good job keeping him inside the car. >> At the moment, he is on a ventilator and is being kept relatively >> sedated. He has shown signs of positive improvement over the first 24 hours >> - he is intermittently responsive and able to answer yes/no questions, and >> he is moving his arms and legs and following basic commands. He has >> attempted a smile at a few dumb jokes, which is quite encouraging. The >> neurosurgeon and trauma team were very pleased with his progress. However, >> his injuries are still very serious and we will be taking it day by day. He >> will certainly be recovering for quite some time. >> We are so appreciative of the support from his contra family, which means >> a lot as he heals and as Martha adjusts to his absence in their usual >> routine. As there are limited hospital visitors allowed and several of his >> family are in town to be with him at the hospital, at the moment we would >> like to ask that no one ask to visit him at the hospital. We would welcome >> any videos of music, dancing, well-wishing, etc to be sent this way so we >> can lift his spirits with loving presence. >> Thank you, >> Leah Baruch, Sarah Spencer, and Emily Green >> ("Bob's Daughters") >> >> ... And here is an update from Tuesday morning... >> >> I wanted to post an update on Dad's ( Robert Green >> <https://www.facebook.com/groups/1567243646891967/user/1532899718/?__cft__[0…>) >> condition. He remains stable which is the best we could hope for currently. >> He is more awake and aware and trying to communicate. He has been listening >> to a lot of contra music and at times has been coreographing new dances in >> his head. if someone can dance in an icu bed while recovering from a spinal >> cord injury, it is my dad. >> >> ... His wife, fiddler Martha Edwards, has family and friends taking care >> of her needs... It's recommended that emails, videos and posts are good >> ways to send support to Bob, no calls or visits.... Bob has been a >> positive, creative, joyful presence in the lives of many in this community. >> Please transmit your support for him in the best way you can. I'll post >> updates for the next few weeks, if that's okay with the moderators. >> >> Keith Tuxhorn >> Springfield IL >> _______________________________________________ >> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net >> To unsubscribe send an email to >> contracallers-leave(a)lists.sharedweight.net >> > > > -- > Tom Senior > Dance while you can. > see my website: http://marblechimes.com/ >

6 months, 3 weeks

Twirly skirts - history question

by Louise Siddons

Dear callers, There isn’t a contra fashion email list, so I’m turning to this one since we all spend a lot of time looking at dancers :) Some of you may have seen the recent survey about dancing in skirts/skirts for dancing that I helped a dancer friend create/disseminate: https://docs.google.com/forms/d/e/1FAIpQLSfpgbzYSntTZlAgkNvfI8uhISstHGqhPpV… — feel free to fill it out! As we were writing up an article about the initial results that includes advice on choosing skirts for dancing, aimed broadly to include all dancers, I made the following unsubstantiated claim: "These results suggest that for contra dancers, the primary benefit of a skirt is the extent to which it extends, amplifies, and enhances the sensation of the dance – particularly twirls and other flourishes. History bears this out: a more universal adoption of flowing and flaring skirts among contra dancers, regardless of gender or prior style preferences, coincided with the explosion of interest in flourishes and improvisational elaboration of the basic dance form among contra dancers at the turn of the 21st century.” Robert challenged me on the second sentence, asking what evidence I had — and I freely admitted I was extrapolating from my own lived experience, and had no proof that this was broadly true. And before you all jump in, I will acknowledge that the phenomenon of universal skirt-wearing, regardless of gender, also depended quite a lot on the changing cultural discourse around masculinity — especially in socially progressive communities. But I’m still interested in the hypothesis that there’s a choreographic/phenomenological connection. After all, progressive men have existed in the contra community for a long time and haven’t (if video/photographic evidence is accurate) always worn skirts for dancing — so we want to know, when did skirts become familiar enough on every gender that a (person likely to be interpellated as a) man wearing a skirt was unsurprising? Thanks for all respectful input, Louise Siddons Winchester, UK

6 months, 3 weeks

Basic Becket question

by Katherine Kitching

Hi all- here in Halifax, to keep things simple for our beginner-full/generally unskilled group, we never dance in Becket formation these days. But Luke's original post has suddenly got me "seeing the light" about how I could use simple beckets as a way to get beginner people dancing in contra lines without worrying about the complexities of ejection and getting ppl to remember to change places when ejected. (And also avoiding the strange feeling of how the dance symmetry changes when you switch from moving up the hall to down the hall or vice versa). So I'm going to test it out with my group... But I realize it's been a while since I danced a Becket and I forget some of the basic mechanics. I just tried googling but could not easily find the info I was looking for... so-- apologies for asking such a basic question here-- but I trust it will be an efficient way to find an answer :) First off just a bit of info on my plan-- , I plan for now to try out only very simple Beckets where everyone comes back to their home place after every figure. So i'll be explaining the progression as sliding CCW (I'm gonna go with CCW progression only, for now) 2 places, until you are in a new duple. (we may play on simple variations of this like going forward in lines towards the old couple, and veering backwards towards the new couple as in the first dance Luke presented here). I understand that if there is an odd number of couples, then every time the dance runs through, a couple will be ejected, either at the top or the bottom. My question is-- if there is an EVEN number of couples, then are two couples ejected, top and bottom, every second time?? Or, does the progression just involve a big fast turn for the people at the top and bottom of the giant oval, so that they always meet a new couple, every single time? thanks all for your help :) Kat k

6 months, 3 weeks

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