> Which do you speculate will come first?
> a) The press will regularly refer to "X" rather than "X, formerly known as Twitter"
> OR
> b) The contra dance world will agree to one of larks/robins or gents/ladies
>
I like to point out two important factors that should influence the transition to larks/robins.
1. To some LGBTQ+ people being called a Lady or Gent is mentally harmful because gender ID is a very important matter and sometimes has a long and often uncomfortable personal history.
2. It helps encourage people to dance both roles.
a) I’ve been at dances where there are more people of one gender than the other and as a result some dancers sit out a dance because they feel uncomfortable about asking someone of the same gender to dance. And there are some people who think that Ladies shouldn’t ask Gents to dance.
b) I think dancing both roles makes you a better dancer because you get to appreciate the affect of some moves on the other person.
Which do you speculate will come first?
a) The press will regularly refer to "X" rather than "X, formerly known as Twitter"
OR
b) The contra dance world will agree to one of larks/robins or gents/ladies
I've been asked if I will teach/lead a one hour long 'contra dance' at a
day program for young adults with a variety of physical and cognitive
disabilities. (The staff probably would be happy for me to do more than one
session, but I'm not willing to commit to that. At Least not now.)
My usual repertoire for a wedding or party of non-dancers seems tricky for
many of the clients--especially those who are uncomfortable being touched.
I did a similar event about 10 years ago--at a different program-- and it
didn't seem many of them had a good time.
I'd like to figure out a way to make it fun for this group.
I have a couple of ideas and am looking for more. Have you ever led a
dance/music event with a similar population?
I'd appreciate any advice/suggestions.
Bree Kalb
Carrboro NC
Hi all,
Does anyone know when the Balance & Swing as we know it today
become popular with a 12-beat Swing instead of the more standard 8-beat or
16-beat Swing?
Thanks.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://www.contrafusion.co.uk for Dancing in Kent
Hi Folks :)
This summer, I called for a week long event. Near the end of the week, I
found my ears were really tired and the level of sound coming from the
speakers was hurting my ears. I did talk to the sound person a bit but
they needed to accommodate the dancers of course and so turning down the
main speakers was not an option. While I call from the stage some of the
time, it often worked better if I was calling from the floor.
Has anyone had similar experiences? Have you found solutions?
Thanks!
:) Emily in Ottawa
I recently had a conversation with a dear friend in NH, a long-time contra
dancer, who has an adult daughter who is deaf (who lives in SF, CA if that
helps). Daughter doesn't dance, because she can't hear the calls and gets
confused on the dance floor. She wishes that, during walk-throughs, the
calls could be signed as well as spoken. I'm writing to ask if any of you
have encountered this request? AFAIK there are no deaf dancers in my
community in the Maine highlands, but I'd be willing to learn some basic
signs to go along with my teaching. I think it would be challenging to sign
as I call once the dance gets started, though.
Thoughts?
Allison Aldrich Smith
--
www.huntandallison.netwww.info@thsmaritime.comwww.centralhallcommons.org
Seth Tepfer asked me what Contras I considered to be difficult. Two
immediately sprang to mind:-
Double Back by Mark Elvins (a double progression backwards)
Henry and Jacqui by Scott Higgs
There are several others including Irish Stars.
Barrie Bullimore
Gosport, UK
I’m not saying this phrasing should be outlawed. But it’s enough of a challenge to get new folks to do a balance on 1-2-3-4 without giving them an exception early on.
Tony Parkes
Billerica, Mass.
www.hands4.com<http://www.hands4.com/>
New book! Square Dance Calling: An Old Art for a New Century
(available now)
From: Katherine Kitching <kat(a)outdooractive.ca>
Sent: Wednesday, September 27, 2023 10:03 AM
To: Tony Parkes <tony(a)hands4.com>
Subject: Re: [Callers] Re: Most-Easiest Duple Minors in existence
aw, really?
I say, don't knock it till you try it :)
- I had a mix of beginner and more experienced dancers - I didn't explain it any detail, I just demo'd it once, and then they all did it easily and with gusto. :D
Sep 27, 2023 10:50:10 AM Tony Parkes <tony(a)hands4.com<mailto:tony@hands4.com>>:
Ah, thanks.
Different strokes for different folks. I don’t think I could bring myself to ask for a balance on 3-4-5-6 of an 8-count phrase.
Tony Parkes
Billerica, Mass.
www.hands4.com<http://www.hands4.com/>
New book! Square Dance Calling: An Old Art for a New Century
(available now)
From: Katherine Kitching <kat(a)outdooractive.ca<mailto:kat@outdooractive.ca>>
Sent: Wednesday, September 27, 2023 9:46 AM
To: Tony Parkes <tony(a)hands4.com<mailto:tony@hands4.com>>
Cc: Shared Weight Contra Callers <contracallers(a)lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
Subject: Re: [Callers] Re: Most-Easiest Duple Minors in existence
haha I was unsure it would work when I called it for the first time the other night - but it worked great!!
Previously I had done LLFB, LLF and pull by, LLFB, LLF and pull by--
but my dancers did it so fast and energetically there was a super long and awkward pause after they pulled by and turned to face their partner again.
the secret is, it only takes them 2 counts to get close enough to rt-hand balance.
so it's 1-2 (walk), 1-2-3-4 (balance), and 1-2 pass by and turn - that part is admittedly fast, but they enjoyed the challenge of it and it really livened up this beginner-oriented dance.
Sep 27, 2023 10:40:00 AM Tony Parkes via Contra Callers <contracallers(a)lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>:
“- LLFB, LLF, balance pull by:, LLFB, LLF, balance pull by again”
Will someone please explain the timing of this sequence? I get 8 steps for LLFB, 4 for LLF, 4 for a balance, and 4 for a pull by, adding up to 20; but I assume it’s intended to be done in 16. (I’m assuming that “turn to face in” is done as part of the pull by – no problem there.) Is there actually no LLF apart from the balance?
Tony Parkes
Billerica, Mass.
www.hands4.com<http://www.hands4.com/>
New book! Square Dance Calling: An Old Art for a New Century
(available now)
From: Katherine Kitching via Contra Callers <contracallers(a)lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
Sent: Wednesday, September 27, 2023 9:33 AM
To: Joe Harrington <contradancerjoe(a)gmail.com<mailto:contradancerjoe@gmail.com>>
Cc: contracallers(a)lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>
Subject: [Callers] Re: Most-Easiest Duple Minors in existence
lol "full washing machine" - I hadn't heard that before!
I agree on avoiding the full one as much as possible - but I quite like just a circle-left-circle-right - brings the group together for some smiles and allows for fancy footwork for those who want to throw in a little something extra.
But it may be interesting to ask the group to compile a list of beginner-friendly figures, beyond the very basic ones like allemandes and do si dos, that could be used to put together some dances of the type that you (and I, always!!) are seeking?
My criteria would be:
- does not take anyone out of home place
(or takes them out temporarily but puts them back again, such as pulling by your partner across the set, but then pulling by again within the next 1 or 2 moves).
- doesn't involve anything that is known to cause confusion for total beginners, such as courtesy turns or heys.
Here are some that I like:
- do si do as couples
- LLFB, LLF, balance pull by:, LLFB, LLF, balance pull by again
- take 4 steps left then 4 steps right, around the oval
- turn and walk individually around the oval for 8, then back for 8
- balance and spin the star (as per Louise S)
- balance the ring, then 2 hand balance your partner
- holding hands, veer right then left with your partner to progress
- what else?? :)
Sep 27, 2023 12:44:51 AM Joe Harrington <contradancerjoe(a)gmail.com<mailto:contradancerjoe@gmail.com>>:
Thanks for this thread! My group is tired of me bailing out to a small collection of trivial contras (Airpants, Midwest Folklore...).
How about the easiest dance *that experienced dancers don't mind dancing*? I have always disliked the "full washing machine" of circle left, circle right, star right, star left. Even a half-wash makes my shoulders sag, inwardly. Of course, I will try to do them with a smile and encourage both the new dancers and the caller. But, surely we can make it a little more interesting without losing the newbies. Airpants and Midwest Folklore do, though they involve swings. Elbow or crossed-hand swings are fine for this and don't need to be taught outside of a walkthrough. If I'm using these dances in a workshop, I do tell the experienced dancers not to teach the ballroom swing, we'll get to that in a minute. Otherwise, they all try.
--jh--
On Mon, Sep 25, 2023 at 7:27 PM Katherine Kitching via Contra Callers <contracallers(a)lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>> wrote:
Here are a couple more that I wrote, that I called the other night and went very well.
(again, I haven't searched to see if they exist already)
these all build on the skills we did in my "very simple contra" in the sicilian formation, that I outlined in a previous message.
1. "Off they go"
- Circle left
- Circle right
- LLFB
- (still holding hands) - walk 4 steps left then 4 steps right (or call it a giant oval left then right if you prefer)
- partner do si do
- neighbour left hand turn (allemande)
- partner 2 hand balance twice (I suggest the convention of veering slightly to the left the first balance, and slightly to the right on the second, for interest)
- holding inside hands with your partner facing the other couple, veer on a forward right diagonal to pass the other couple, then on a forward left diagonal to meet the next couple
2. "first out of place dance" (at a brisk pace)
people found this very fun!!
- circle left
- circle right
- partner do si do
- neighbour 2 hand balance once, and baby turn (ie switch places, by circling while holding 2 hands in the same direction you would in a 2 hand turn or swing - can also say - switch places with your neighbour, with the ravens going on the inside)
- LLFB
- LLF, balance partner by the right one time and pull by (to switch places w partner)
- LLFB
- LLF, just pull by the right (no balance) - give a little nod and stomp to your old group, turn to face the new
3. " first down the hall dance"
-1's split the 2's and all walk down the hall in line of 4, turn alone
- come on back, bend line
- circle left
- circle right
- partner left shoulder round
- neighbour right hand turn (allemande)
- all circle left again
- left hand star to new group
4. "first swing (or 2 hand turn) dance"
- N bal and 2 hand turn (or swing, depending on level of dancers), for 16
- LLFB
- Partner left shoulder round
- Neighbour right shoulder round
- circle left
- circle right
- balance the circle one time, 2 hand balance your partner one time, turn to face new group
There were 2 more dances in my sequence after this, but they wouldn't qualify as super easy. (though probably still easier than most of you call!! :) )
- Kat k
in Hfx, NS, CA
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