Hello everyone,
Tonight I had a pretty bad gig (just a hint: don't schedule a dentist
appointment for the afternoon before your gig). So tonight I made some
choreographic goofs when choosing my dances. One dance I realized that
it didn't flow as well as I would have hoped after the walkthrough.
Should I have aborted and called something else? Tom Hinds has a line "I
don't like that dance, let's do something else". However, he usually
follows it by teaching the very same dance again. I stuck with it and
just ran the dance a little shorter.
The same thing happened a little later when I called two dances in a row
with the sequence: ladies chain, ladies "x" once around, partner swing.
I realized it during the walk through, but went ahead and called it anyway.
What do you think? Abort or deal with it?
Chris Weiler
Goffstown, NH
http://www.chrisweiler.ws/
Hello everyone!
It was three years ago that Seth and I started SharedWeight. The first
invitations went out on September 19th and the first messages went out
shortly afterwards. We'd like to thank everyone for sharing their
thoughts, material, opinions and attention. It's been our privilege to
see you take our vision for what these lists could be and make them a
reality.
This next year is going to be an exciting one as well. As the Musicians
and Organizers lists get going, there are more plans in the works for
SharedWeight.
Happy Dancing!!
Chris Weiler
Richard;
Here are a couple from me that work well for mixed crowds;
Pearls of Wisdom Improper, 12/7/02
A1. Neighbor allemande R 1 1/2, gents allemande L 1 1/2
A2. Partner balance, swing
B1. Circle L 3/4, neighbor swing
B2. Balance, Petronella, balance, Petronella 1 1/2
The Cure for the Claps Improper, 8/17/03
A1. Balance, Petronella, partner swing
A2. Balance, Petronella, neighbor swing
B1. Down hall in line/4 - turn alone, up hall and bend line
B2. Circle L, Balance, California twirl
This is one of those rare contras with no fractions. Because of this
dance many think I am anti-clap. I actually like the claps, but only
when going from ring to ring. When going into a swing, star, or an
allemande like the one above the claps gum up the works. Petronellas
are best when they are more than a positioning device, but use the
momentum to flow into the next move.
Bob
_______________________________________________________________
From: "Richard Green" <richard.a.green(a)hotmail.com>
Reply-To: Caller's discussion list <callers(a)sharedweight.net>
To: <callers(a)sharedweight.net>
Subject: [Callers] Petronella spins
Date: Mon, 17 Sep 2007 16:36:22 -0400
>I would like to find a couple of fairly easy but interesting
contradances
>with petronella spins in them somewhere. I am going to call for an
unknown
>mixed dance this weekend and would like to use this figure
somewhere in the
>program. I have used "Maliza's Magical Mystery Motion" before but
it seems
>like it might be a little bit challenging if there are a lot of
beginners.
>
>
>
>Your suggestions would be appreciated. If you can include or point
me to
>the transcription, that would also greatly help.
>
>
>
>Thanks,
>
>Richard
>
>_______________________________________________
>Callers mailing list
>Callers(a)sharedweight.net
>http://www.sharedweight.net/mailman/listinfo/callers
__________________________________________________________________
[1]Kick back and relax with hot games and cool activities at the
Messenger Café.
References
1. http://g.msn.com/8HMBENUS/2740??PS=47575
--- You wrote:
I would like to find a couple of fairly easy but interesting contradances with
petronella spins in them somewhere. ... I have used "Maliza's Magical Mystery
Motion" before but it seems like it might be a little bit challenging if there
are a lot of beginners.
--- end of quote ---
How about introducing those dancers to Petronella?
David Millstone
I think there might be a typo in the tune/dance name, which should be "Sadie _at_ the Back Door." It's a great tune - I'll have to try the dance.
Suzanne
-----Original Message-----
>From: Walter Daves <walterdaves(a)alltel.net>
>Sent: Sep 18, 2007 6:29 AM
>To: Callers(a)sharedweight.net
>Subject: [Callers] New dances
>
>I've composed three dances that I'd like to put out to the list for
>feedback. I'd appreciate any comments you might have.
>Walter
>
>Sadie and theBack door
>Duple, Improper
>Walter Daves
>
>A1: Neighbor gypsy and swing
>A2: Gents allemande left 1.5 to partner; partner swing
>B1: Gents start hey for 4, passing left shoulders in the center
>B2: Circle left 3 places; balance the ring; partner California twirl to
>face next
>
>This dance was inspired by Jere Canote's tune of the same name about his
>cat, Sadie, who would meow at the front door to get out, then
>immediately go around to the back door and meow to get back in. It
>works pretty well with that tune.
>
>Nail That Catfish to the Tree
>Duple, Improper
>Walter Daves and Bob Dalsemer
>
>A1: In ring of 4, balance the ring; circle left 2 places; balance the
>ring; circle left two places, back to starting point.
>A2: Couple # 1 balance and swing
>B1: Neighbor do-si-do and swing; end facing down the hall with #2
>couple in the middle
>B2: Down the hall 4 in line, turn single, return, #2s arch and #1s duck
>thru to next.
>
>To avoid the rush from B2 to the next A1, encourage the dancers to turn
>around after only 4 steps down the hall.
>I wrote this dance 3 years ago at the John C. Campbell Folk School Dance
>Caller's workshop. Bob Dalsemer made a couple of improvements.
>
>It was inspired by Steve Rosen's tune of the same name, and works well
>with that tune. We play it in a medley with Squirrel Heads and Gravy,
>which also works well.
>
>Little Nell
>Duple, impoper
>Walter Daves
>
>Line up in a wavy line of 4, with ladies in the center
>A1: Balance the line; allemande right .5 to wavy line with gents in
>center; balance the line;
> Gents allemande left to partner
>A2: Partner balance and swing
>B1: Ladies allemande right 1.5 to neighbor; neighbor swing
>B2: Circle left; balance the circle; ladies roll away to change places
>with partner; pass thru to next
>
>Inspired by Tony Mates' tune of the same name.
>
>*/ / *
>
>
>_______________________________________________
>Callers mailing list
>Callers(a)sharedweight.net
>http://www.sharedweight.net/mailman/listinfo/callers
Walter,
One or two notes about KItchen Stomp. If you have new dancers or the like, this dance can be unflowing in the B2. If a dancer turns over the correct shoulder enough times and then steps into the center for the star, then it can flow very nice. When done properly the star has a sling shot effect to the next neighbor. I have seen people turn in the most interesting ways and that would make the star rushed. The timing on B1 balance can be affected by the star in B2. Please keep in mind the level of dancers that are looking to you guide them in fun. It is all about the dancers and the band for me. Thanks
See ya from the floor,
Dan Black
----- Original Message ----
From: Joy Greenwolfe <joy2the(a)mindspring.com>
To: Caller's discussion list <callers(a)sharedweight.net>
Sent: Monday, September 17, 2007 5:58:55 PM
Subject: Re: [Callers] Calls for Kitchen Stomp and Salmonella Evening
> On Sep 17, 2007, at 5:56 PM, Walter Daves wrote:
> Can someone write out the calls for Kitchen Stomp and Salmonella
> Evening?
> Thanks
> Walter
Coincidentally, I have Kitchen Stomp right in front of me.
Kitchen Stomp by Becky Hill
Improper
A1 N Balance & swing (16)
A2 Gents allemande L 1+/2 (8)
P Swing (8)
B1 Ladies chain to N (8)
(form a ring)
Balance the Ring, Petronella twirl (8)
B2 Balance the Ring, Petronella twirl (8)
Star L (8)
look for your new N
Suggested music notes: strong jigs or reels. Bs need punctuated 4-
beat phrases
Joy Greenwolfe
Durham, NC
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I would like to find a couple of fairly easy but interesting contradances
with petronella spins in them somewhere. I am going to call for an unknown
mixed dance this weekend and would like to use this figure somewhere in the
program. I have used "Maliza's Magical Mystery Motion" before but it seems
like it might be a little bit challenging if there are a lot of beginners.
Your suggestions would be appreciated. If you can include or point me to
the transcription, that would also greatly help.
Thanks,
Richard
Thanks for the suggestions Clark
I had not considered Lake Shore Farm , that's close to my home ....
Though the floor is a little rough :-)
I will get in touch with them and Mill-Around
Thanks again
Gale
Attn: Callers/ Southern NH
Does anyone know of a hall that can be rented for small dollars
Every other month (or so) . For a Sunday afternoon .
or weekday evening???
(my experience is: halls are hard to come by and expensive
in seacoast NH)
A smaller venue than a normal dance hall will do.
A central location would be great (Concord Area?)
What I am thinking about is doing a callers workshop/open stage
all callers would be welcome!
to try out new (to us) dances and dance moves.
Invite musicians so they can work on new tunes/ jam
Invite local dancers (guinea pigs) to try out dances
I have been to kitchen junckets and those work with a limited
number of dancers.
If all participants chip in a couple of bucks for hall rent it could be
An enjoyable way to work out the kinks in dances and gain some
feed back/experiance.
Something to hash around
Thanks Gale
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