Hi all,
I understand that some people object to the use of the word
Dixie (I don't necessarily agree, but please let's not get into that now).
I am currently using "Grand Twirl" as an alternative name for
a Dixie Twirl, since "Grand" generally implies "everyone" and the move
applies to all four dancers in the line.
Has anyone come up with a better term?
Thanks.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://contrafusion.co.uk/KentCeilidhs.html for Live Music Ceilidhs
http://www.contrafusion.co.uk for Dancing in Kent
http://www.modernjive.com for Modern Jive DVDs
Early-Bird tickets for May Heydays Festival at Evesham are now on sale.
Top bands and callers bring you a 3-day programme of English, American and International
workshops and dances over the bank holiday weekend.
Don't take my word for it - ask anyone who was there this year and they'll tell you what a
great festival it was and how excellent the new venue is.
http://mayheydays.org.uk/
Colin Hume
Email colin(a)colinhume.com Web site http://colinhume.com
Hello all,
Contras are starting back up, and I thought we might play a little game.
I recently had the joy of calling my "most Vermont gig ever".
I had to go down a dirt road to get there.
Hosted by a farm, it was outdoors in a cow pasture.
Half way through the cows came down to the adjacent pasture.
There was a fabulou view of the sunset on the nearby mountains
The music was a wonderful local band.
The dancers were intergenerational, kids with grandparents and folks in
between.
When I finished my gig, I went to another contra dance less than an hour
away.
Over half of my pay was in maple syrup.
So that's my "most Vermont gig ever". What's a quintessential experience
calling for you? The most ______ gig ever, where the blank might be your
own state, or festival, or wedding, etc.?
Happy dancing, happy calling!
> Begin forwarded message:
>
> From: Sandra Gillette <sandegillette(a)mac.com>
> Subject: Fwd: [Callers] Seeking sheet music for 2 tunes
> Date: July 9, 2022 at 5:33:05 PM PDT
> To: joe micheals <joemicheals1(a)yahoo.com>
>
> Hmm - guess you will have to forward this email to the contra callers group, Joe. It does not think I exist!
>
> ~ Sande
>
>> Begin forwarded message:
>>
>> From: contracallers-owner(a)lists.sharedweight.net <mailto:contracallers-owner@lists.sharedweight.net>
>> Subject: Re: [Callers] Seeking sheet music for 2 tunes
>> Date: July 9, 2022 at 5:31:33 PM PDT
>> To: sandegillette(a)mac.com <mailto:sandegillette@mac.com>
>>
>> Your message to the Contra Callers mailing-list was rejected for the following
>> reasons:
>>
>> The message is not from a list member
>>
>> The original message as received by Mailman is attached.
>>
>> From: Sandra Gillette <sandegillette(a)mac.com <mailto:sandegillette@mac.com>>
>> Subject: Re: [Callers] Seeking sheet music for 2 tunes
>> Date: July 9, 2022 at 5:31:29 PM PDT
>> To: joe micheals <joemicheals1(a)yahoo.com <mailto:joemicheals1@yahoo.com>>
>> Cc: lesiddons(a)gmail.com <mailto:lesiddons@gmail.com>, callers(a)sharedweight.net <mailto:callers@sharedweight.net>, contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>
>>
>>
>> Hi Joe & Louise,
>>
>> Yes, Sandpoint is published in Rodney Miller’s Collection of Original Fiddle Tunes. Please contact Rodney at rodneymiller.net <http://rodneymiller.net/>.
>>
>> I do not know about the waltz The Way Back Home by Larry Unger. Please contact Larry at larryunger.net <http://larryunger.net/>.
>>
>> Happy calling and fiddling,
>>
>> ~ Sande Gillette
>>
>>
>>> On Jul 7, 2022, at 5:24 PM, joe micheals <joemicheals1(a)yahoo.com <mailto:joemicheals1@yahoo.com>> wrote:
>>>
>>> Hi Sande…thought of you. Might you have a resource for these…?
>>>
>>>> Begin forwarded message:
>>>>
>>>> From: Louise Siddons via Contra Callers <contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>>
>>>> Subject: [Callers] Seeking sheet music for 2 tunes
>>>> Date: July 7, 2022 at 3:57:53 PM PDT
>>>> To: callers(a)sharedweight.net <mailto:callers@sharedweight.net>
>>>> Reply-To: Louise Siddons <lesiddons(a)gmail.com <mailto:lesiddons@gmail.com>>
>>>>
>>>> Hi all,
>>>>
>>>> I’m in the process of moving and many of my books are currently inaccessible. I’m seeking sheet music for 2 tunes: Sandpoint, by Rodney Miller, and The Way Back Home, by Larry Unger. The latter is in Waltz Time, which I promise I do own, and to be honest I have no idea if dots for the former have been published anywhere — it’s recorded on Flying on Home.
>>>>
>>>> Any help would be greatly appreciated!
>>>>
>>>> Louise
>>>> (Winchester, UK)
>>>>
>>>>
>>>> _______________________________________________
>>>> Contra Callers mailing list -- contracallers(a)lists.sharedweight.net <mailto:contracallers@lists.sharedweight.net>
>>>> To unsubscribe send an email to contracallers-leave(a)lists.sharedweight.net <mailto:contracallers-leave@lists.sharedweight.net>
>>>
>>
>>
>>
>
Hi,
Does anybody recognise this dance:-
Duple minor, improper, double progression
Star right all the way, star left halfway, balance neighbour.
Swing neighbour, promenade across set, cross trail.
Square through 2 changes, swing next person.
Think I have remembered it correctly as did not have time to copy callers card!
Thanks,
Graham
Sent from my iPad
Hi all,
I’m in the process of moving and many of my books are currently inaccessible. I’m seeking sheet music for 2 tunes: Sandpoint, by Rodney Miller, and The Way Back Home, by Larry Unger. The latter is in Waltz Time, which I promise I do own, and to be honest I have no idea if dots for the former have been published anywhere — it’s recorded on Flying on Home.
Any help would be greatly appreciated!
Louise
(Winchester, UK)
May have been talked about already so forgive me if it has. I have been
contracted to call a wedding in Oct. Currently covid numbers are rising in
my area and the bride, groom and I have talked about vaccines (yes),
alcohol (no) and what if.
Normally I do not require a deposit but I do expect payment upon arrival at
venue. The question is: what to request as cancellation payment.
What do others put in your contracts regarding this?
Thanks in advance.
Mary Collins
Aside: strangely, this thread wasn't there when I looked on the Shared
Weight site.
Seth Tepfer wrote: Do you have any sense of how long that ½ hey for four in
couples in promenade position should take? I know in "Cranky Ingenuity" the
couple DSD is to take 8 counts but it is always tight and really should
take 10 and steals from the individual DSD
Response: Something that stood out immediately was that in A2, 4 couples
are swinging in a line. Ouch! 😋
On the point of the couple's hey, I'd suggest just taking handy hands,
rather than promenade, as in the dance Weave the Line.
Running it through my brain, it seems when a couple arrives at the end, and
just turn around, they will be standing around a for a couple/a few beats.
If that's right, that will throw off the idea of flow and continuity but I
understand the need to change places at the ends, by simply turning
individually, as opposed to wheeling around. Perhaps one could add
individual looping-around at the ends, such as in a single hey, which may
eat up the extra beats.
For me the bigger concern, I think, is the 4-in-line swing. One could
suggest keeping lateral distance across but that will be hard to maintain
given that the last swing with partner will tend, I think, to close it up
again.
??
Ken Panton
Ottawa
I'm posting this on behalf of Deborah Dennenfeld, who founded and does
great work through this project.
—Jerome
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