Hi,
I am wondering if you have any dances for low numbers of dancers (perhaps 6
or less), when most or all of the dancers are beginners and adults. I am
also wondering if you have any dances (presumably different dances), that do
not require choosing a partner and are good openers for beginner adults.
Thanks as always to all,
Rickey Holt.
Hi Joe,
You can contact Emily Rush, who shares her Google drive link with folks to use for calling techno contras.
I’ve called a techno contra recently using a couple of her tunes as well as slowing down the BPM on some EDM music I found online (Spotify, Apple Music, etc)
There are amazing DJs who have made some fun dance mixes and many of them are square tunes. I counted them out to be sure for mine.
I also got some tunes from Caller DJ Noah Grunzweig in Portland OR. And a recording from a zoom techno contra that M’Gilvry Allen did for our Zoom NYE 2020.
Good luck!
Claire Takemori
> On Dec 3, 2022, at 10:54 AM, contracallers-request(a)lists.sharedweight.net wrote:
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> 1. Re: Seeking new Techno Contra recorded music (Joe Harrington)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sat, 3 Dec 2022 10:46:08 -0500
> From: Joe Harrington <contradancerjoe(a)gmail.com>
> Subject: [Callers] Re: Seeking new Techno Contra recorded music
> To: Lisa Sieverts <lisa(a)lisasieverts.com>
> Cc: contracallers(a)lists.sharedweight.net
> Message-ID:
> <CAHyB5qFG_wBakAtYSVD60D=JWyRT6gkAh+W7YivOo-WOtzT4cQ(a)mail.gmail.com>
> Content-Type: multipart/related;
> boundary="000000000000161a7205eeee5b6a"
>
> Folks, please be careful talking about buying and trading contra DJ mixes
> in a public forum. Unless the music is original (e.g., Dr. Shadow), it
> isn't legal to buy and sell mixes unless the creator/seller bought
> mechanical licenses for every input track and kept the licenses current
> when they sold the copy to you. Those licenses are $15/track plus a few
> pennies per copy, making a 10 mix collection with three tracks per mix a
> whopping $450/year to create and retain the right to sell or give away
> free. They are separate from the performance licenses available from
> Callerlab. We haven't attracted the attention of the music industry like
> the square-dance callers did a while back (leading to threatened lawsuits
> and the creation of Callerlab). Callerlab's license lets you PLAY music
> you've legally acquired at non-private events, whether paid or not. To
> make mixes or give it to someone else without destroying your copy, you
> need a mechanical license.
>
> That said, I'm putting together some resources for contra DJs. One item in
> development (don't hold your breath) is a solution to the music mixing
> problem that does not require a mechanical license because it does not
> create a "fixed form" copy of the created work. If you're interested in
> DJ-related conversations and resources, sign up here:
>
> https://forms.gle/uZcHhH7P8eDUy2Pz5
>
> We've had one zoom call so far, and traded good advice and experiences
> about building fun, diverse pop-music contrra dances!
>
> Thanks,
>
> --jh--
> Joe Harrington
> Organizer, Greater Orlando Contra Dance
> Faculty Advisor, Contra Knights, the UCF contra dancing club
> contraknights.org
> FB, Ig: Contra Knights
> contradancerjoe(a)gmail.com
> 321-696-9914
>
> On Sat, Dec 3, 2022 at 10:12 AM Lisa Sieverts via Contra Callers <
> contracallers(a)lists.sharedweight.net> wrote:
>
>> I love the D.R. Shadow album, here’s the Apple Music link. It’s not new
>> (2015) but it’s very cool.
>>
>> [image: preview.png]
>>
>> Electro Contra
>> <https://music.apple.com/us/album/electro-contra/1040606364>
>> D.R. Shadow <https://music.apple.com/us/album/electro-contra/1040606364>
>> <https://music.apple.com/us/album/electro-contra/1040606364>
>>
>>
>> Lisa Sieverts
>>
>> On Dec 2, 2022, at 10:50 PM, Lissa Bengtson via Contra Callers <
>> contracallers(a)lists.sharedweight.net> wrote:
>>
>> I have some great Techno Contra music I purchased in 2018 from a super
>> Washington DC DJ. But I’m wondering if there are some newer mixes, using
>> recent artists, that I could purchase in time to get used to them before
>> our January 14 TechnoContra? (I’ll be one of the callers.)
>>
>> Please contact me if you know of a source! Many thanks!
>>
>> Lissa Bengtson
>> lissabengtson(a)gmail.com
>> 210-627-5940
>> San Antonio, TX
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>
Hello Folks,
I am looking for some contra dances which have a holiday theme for
Christmas, Chanukah, or New Year's (Eve) for an open contra dance.
Do You have any favorites?
Rich
I have some great Techno Contra music I purchased in 2018 from a super
Washington DC DJ. But I’m wondering if there are some newer mixes, using
recent artists, that I could purchase in time to get used to them before
our January 14 TechnoContra? (I’ll be one of the callers.)
Please contact me if you know of a source! Many thanks!
Lissa Bengtson
lissabengtson(a)gmail.com
210-627-5940
San Antonio, TX
At the risk of derailing this conversation, ah, I definitely am derailing it so will change the subject line.
I’d like to see new COVID-aware choreography with fewer swings. If swinging is perhaps the most dangerous thing we do while dancing, I’d like to see some new dances that emphasize partner swings and de-emphasize neighbor swings, and at least some dances without any swings.
I’m intrigued by the idea that dances without swings open up 32 beats of opportunity for new choreography.
Lisa Sieverts
603-762-0235
lisa(a)lisasieverts.com
On 23 Nov 2022, at 9:30, Jeff Kaufman via Contra Callers wrote:
> "during the average contra evening, you will spend approximately 30 minutes
> swinging"
>
> Tangent: I thought "that can't be right" but a little playing with numbers
> and I think it is. My back of the envelope: guess ~12 dances, each ~17
> times through, with ~20 beats of swinging per dance. That's 4k beats of
> swinging, which at 118bpm is 35min. Another way to think of it is that in
> a 3hr evening half of your time is dancing and a third of that is swinging.
>
> Jeff
>
Pepper's Black, interesting tune and dance.
In looking at this website, some information is confusing and/or outright incorrect. The website writes in the heading tune is in D major but the key signature in the transcription with its two flats suggests Bb or G minor. Or, uh, D Phrygian mode. My curiosity of this melody got me to put the tune in my transcription program, Finale. With Finale I could put the tune in all seven "Greek" modes. I didn't favor D Phrygian, but I liked D major, D Mixolydian and D Dorian. D Lydian was also actually nice. I've made a PDF of this effort along with a few words on modes. I had Finale make an audio .wav file of my transcription. That way you can follow the PDF through the sound of the modes. You can download the PDF and audio files from here:
https://www.asuswebstorage.com/navigate/a/#/s/2BD7BDCBD4CC4B37AA41E1C424376…
Also the website says the dance is "A circle dance." I'm not sure what kind of circle fits the figures unless it's a Sicilian circle. Then the website says, "3xAABB," but just getting through the dance once with its four figures seems to go through the tune with various numbers of As & Bs: I: AABB then II: AABBB (or is that AABBBB?) then III: AABBBB (or BBBBB?) and IV: AAABBB (or BBBB?). How does any of this except the figures in I fit AABB, and, uh, only 3 times through the tune? (I have yet to refer and analyze the picture of the original Playford description.)
Erik Hoffman
erik(a)erikhoffman.com<mailto:erik@erikhoffman.com>
From: John Sweeney via Contra Callers <contracallers(a)lists.sharedweight.net<mailto:contracallers@lists.sharedweight.net>>
Sent: Wednesday, November 23, 2022 10:35 AM
To: 'Caller's discussion list' <callers(a)sharedweight.net<mailto:callers@sharedweight.net>>
Subject: [Callers] Re: Dances with fewer swings
Re " uses the square dance figure Right Hand High, Left Hand Low" Tony does, of course, mean "uses the Right Hand High, Left Hand Low figure from the 1651 dance Pepper's Black" http://playforddances.c
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Re " uses the square dance figure Right Hand High, Left Hand Low"
Tony does, of course, mean "uses the Right Hand High, Left Hand Low figure from the 1651 dance Pepper's Black"
http://playforddances.com/dances/peppers-black/<https://shared.outlook.inky.com/link?domain=playforddances.com&t=h.eJxljU0O…>
It's amazing how old some of these figures really are! :-) :-)
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com<mailto:john@modernjive.com> 01233 625 362 & 07802 940 574
http://contrafusion.co.uk/KentCeilidhs.html<https://shared.outlook.inky.com/link?domain=contrafusion.co.uk&t=h.eJxljrEO…> for Live Music Ceilidhs
http://www.contrafusion.co.uk<https://shared.outlook.inky.com/link?domain=www.contrafusion.co.uk&t=h.eJxl…> for Dancing in Kent
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Hey folks,
Calling the occasional gig again after uh, everything, and I'm finally
inspired to iron out a bit of my beginners' lesson that I've always just
fudged in the past: *when calling gender-neutral, how do you have the
beginners pick roles?*
My spiel is generally, "we have these two roles, they're almost entirely
the same with some small differences, pick one and stick with it for a few
dances just to start and then you can try the other if you want, the most
important thing is knowing which role you are for a given dance."
In my lesson, I alternately:
1. say "whoever's standing on the right of this couple right now, that's
the robin" and then teach the swing in those roles
2. tell folks "decide who's the lark and who's the robin" with no
particular context and they pick arbitrarily
3. teach both sides of the swing and let them choose roles based on
which swing feels more comfortable
But it feels clunky and awkward every time.
I'm curious if others have similar experiences, or things they do in their
lessons that feel effective at getting people into one role (for now) with
a minimum of confusion. Hit me with your wisdom!
*Note: this is NOT an invitation to debate whether contra roles should be
gendered, or which set of role terms we should use, or whether we should
use role terms or positional calling. If you must, please make a separate
thread so I can mute it. If such discussion crops up in this thread, I'd
ask people not to respond, or to take responses to a separate thread.
Thanks.*
--
Maia McCormick (she/her)
917.279.8194
Hi, all - and Happy Thanksgiving next week!
I'm working with a group of somewhat new callers to possibly call a medley in December for a group of average dancers. I'm hoping you all can suggest one you already know is easy to call and flows well from one dance to the next, minimizing confusion on the floor and among the callers. We need 3-4 dances that work well together. I have called in a medley team before, but never actually composed the medley.
We're slowly building community skill!
Thanks for any suggestions.
Dorcas Hand
[Freedom to Read Foundation and ALA/OIF offer webinar on the History of Intellectual Freedom and Censorship | News and Press Center]<ftrf.org>
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Hi all,
In a workshop yesterday, one of the participants asked about favorite 3-facing-3 dances. I have several (Walpole Condo, by Ric Goldman, and Rita Rescheduled, by Alan Davies, for example), but I said this is exactly the sort of question I find it productive to ask this list — so here I am, asking on the workshop’s behalf!
And while we’re at it, a second question along these lines came up: great triplets that *don’t* have contra corners? That’s a long list, potentially, so I’ll nuance it by saying for myself I’m always particularly interested in accessible but unusual figures (The Pleasure-Vest, by Colin Wallace, has an utterly delightful figure that combines a chain, a star, and an orbit, for example).
Please don’t only point us to lists of these formations; the workshop participants were specifically asking for individual recommendations of favorites. We can all Google, but there’s utility in knowing that real, living humans find a particular dance worth doing :)
Louise
Winchester, UK
louisesiddons.com
(not sure how this will look as it seems shared weight admin has changed
the behaviour of website posting - my email client opened up)
In reply to Joe:
Good on ya for being active in your new contra series.
A couple of suggestions to consider:
Sometimes you don't need an entirely new figure; rather, you can select a
dance that modifies one previously learned. Classic example is a hey for 4.
First one could be a full hey (16 beats) across and back followed by (16
beats= long recovery time) of <something: balance, etc.> + swing.
Subsequent dance could be, e.g., just a half hey or full hey with a
turnout at the end to meet someone new or ???
Another option is different sorts of wavy lines (longways, across). Take a
look at United We Dance (pretty simple longways waves and a lovely dance).
This dance was adapted by David Smukler, I believe, to replace the longways
wavy lines with short waves across (don't recall the name); you probably
wouldn't want to call them both on the same evening. For something a little
more advanced and mood-adaptable with different kinds of music, look at
Chuck the Budgie.
Some degree of challenge can be added by choosing a dance that takes a
dancer out of their "home" foursome. One of the simplest dances with which
to introduce this is Young Adult Rose (Baby Rose growing up) which offers a
simple allemande to a trailbuddy and come right back to partner.
Other things to look for are the manner in which, and at what point in the
dance, the progression occurs.
Not sure if this helps.
One last tidbit. One of the first places I look in the choreography for a
dance is to see what/where the progression is and work back from there.
Cheers,
Ken Panton
