Chrissy hits the nail on the head of why there are numerous callers (her,
myself, Will Loving, to name a few) who vehemently oppose the inroads
"lead/follow" terminology is making within contradance. Thanks to mentors
who emphasized that "gent" and "lady" simply described dance roles,
distancing the terms from gender, i for the most part rely on "gent/lady".
However, as some within the contra meta-community become disenchanted with
gendered role-terminology systems, a viable alternative is needed. Given
the awkwardness of "bands/bare-arms" in some situations and (to more than a
few of us) the misleading nature of "lead/follow", we hope to energize the
collective Mind of the community to brainstorm new possibilities. As Will
mentioned in his initial post, there are four criteria he and i came up
with which we believe a new terminology system must meet in order to catch
on (i've modified them slightly) :
1. Matches the one/two syllable form of gents/ladies, lead/follow, etc.
2. Sound distinctly different for easy recognition (this nixes "b/b-a")
3. Accurately describe the experience and/or geometry of contra dance (eg,
referencing LHP/RHP; we submit that "l/f" does not accurately describe the
experience of contra)
4. Is gender and connotatively neutral without a lot of referential baggage
I can appreciate people's desire to defend their preferred systems, but the
point of starting this thread was to generate new possibilities.
>
>
> Donna Hunt said:
> I'm glad you said this was a "true story" otherwise I would have
> thought it was a "caller's nightmare". I'm wondering (as I'm sure
> everyone is) what else you had to "adapt" to and how you handled it
> all. If you have time I'd love more information.
>
Donna,
I know I recorded that dance. If I ever find it I'll send a copy to
you. It was easy to adapt because I was teaching dance and calling
full time. I was calling MWSD, calling to kids, mentally challenged
etc. So I was used to adapting all of the time. This situation was
just on the extreme side of adapting. The dancers were very gung-ho
and that made the experience very enjoyable. I can see that visiting
couple squares would have been a good choice but I really can't
remember what I did because it happened in 1988 or 1989.
When I called MWSD I soon learned that calling full throttle for
every tip wasn't real smart. For the dancers it got old. So I
developed these different voice personalities for variety. Sometimes
I'd be relaxed, or kid around or was challenging and yes full
throttle once in a while. I think this helped me more than anything
else when calling to the blues music.
Tom
>
>
>
>
Tom:
I'm glad you said this was a "true story" otherwise I would have thought it was a "caller's nightmare". I'm wondering (as I'm sure everyone is) what else you had to "adapt" to and how you handled it all. If you have time I'd love more information.
Happy New Year one and all!
Donna Hunt
-----Original Message-----
From: Tom Hinds <twhinds(a)earthlink.net>
To: callers <callers(a)sharedweight.net>
Sent: Sun, Dec 30, 2012 9:28 pm
Subject: [Callers] true story
Talent agent (who probably just had his coffee enema): TOM HINDS, ARE
YOU AVAILABLE TO CALL A SQUARE DANCE ON SUCH AND SUCH DATE?
Tom: Yes I'm free. What kind of........
Talent agent: GREAT! I'LL PUT YOU DOWN! click
So I get to the gig and discover that the band plays top 40 music.
The hundred or so dancers all wanted to dance and each square had
about a 5 foot by 5 foot space.
The band decided to play blues progressions. It was actually fun
because I had to really adapt.
T
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Oh, Mark, that is so awesome! What a great nightmare. I've had them too, but it mostly involves showing up in a strange place without any cards or totally forgetting I was going to call or having my slippers on - no lovely Zwiefacher's or Dave Brubeck band music. My real caller's nightmare was calling for a bunch of airline personnel at a large company party in a tent opposite a climbing wall and a craps table who were all drunk and new people kept crashing into the dance and dragging other people along with them.
Martha
On Dec 29, 2012, at 9:00 AM, callers-request(a)sharedweight.net wrote:
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> Today's Topics:
>
> 1. Contra Dance Caller's Nightmare (was Slices) (Mark Hillegonds)
> 2. Re: Contra Dance Caller's Nightmare (was Slices) (Dorcas Hand)
> 3. Re: Contra Dance Caller's Nightmare (was Slices) (Donald Perley)
> 4. Re: Contra Dance Caller's Nightmare (was Slices) (Kalia Kliban)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Fri, 28 Dec 2012 12:41:25 -0500
> From: "Mark Hillegonds" <mhillegonds(a)comcast.net>
> To: "'Caller's discussion list'" <callers(a)sharedweight.net>
> Subject: [Callers] Contra Dance Caller's Nightmare (was Slices)
> Message-ID: <001301cde522$8f66cc20$ae346460$@net>
> Content-Type: text/plain; charset="us-ascii"
>
> Hi all,
>
> Hope you're all enjoying the holiday season.
>
> I had one of the worst dreams of my life last night and thought I'd share
> it.
>
> I was calling a contra dance where I didn't know the dancers very well.
> There were a good number of people, but most of them were square dancers who
> insisted in doing the contra dances in square formation. The contra dancers
> were experienced and wanted to dance in lines.
>
> When I looked at the card for the first dance, it was a combination of
> contra and square dance calls. I went back to my box of dance cards and
> found that it was filled with restaurant menus. I opened one of the menus
> and found some dances, but every one of them referenced some sort of slice,
> like cucumber slice and tomato slice and pizza slice. (I guess I had the
> Slices thread on my mind!)
>
> The band (which only knew zwiefachers and Dave Brubeck's Take Five) began
> playing some tunes and one of the dancers started a conga line.
>
> I rang a hand bell to get everyone's attention and realized it was my alarm
> going off. I was never so relieved to hear my alarm. 8-)
>
> Hope you all have better dreams!!!
>
> Mark Hillegonds
>
> cell: 734-756-8441
> email: mhillegonds(a)comcast.net
> blog: www.defriction.com
>
>
>
>
> ------------------------------
>
> Message: 2
> Date: Fri, 28 Dec 2012 12:29:31 -0600
> From: Dorcas Hand <handd51(a)tekkmail.com>
> To: Caller's discussion list <callers(a)sharedweight.net>
> Subject: Re: [Callers] Contra Dance Caller's Nightmare (was Slices)
> Message-ID:
> <68BE1BAE269CBC4B80BD58B034C86C9901D66E5DC5E5(a)mx1.networkservice.local>
>
> Content-Type: text/plain; charset="us-ascii"
>
> If the SNL writers knew anything about contradancing, they could have a heck of a good time with that one!
> Dorcas Hand
>
> -----Original Message-----
> From: callers-bounces(a)sharedweight.net [mailto:callers-bounces@sharedweight.net] On Behalf Of Mark Hillegonds
> Sent: Friday, December 28, 2012 11:41 AM
> To: 'Caller's discussion list'
> Subject: [Callers] Contra Dance Caller's Nightmare (was Slices)
>
> Hi all,
>
> Hope you're all enjoying the holiday season.
>
> I had one of the worst dreams of my life last night and thought I'd share it.
>
> I was calling a contra dance where I didn't know the dancers very well.
> There were a good number of people, but most of them were square dancers who insisted in doing the contra dances in square formation. The contra dancers were experienced and wanted to dance in lines.
>
> When I looked at the card for the first dance, it was a combination of contra and square dance calls. I went back to my box of dance cards and found that it was filled with restaurant menus. I opened one of the menus and found some dances, but every one of them referenced some sort of slice, like cucumber slice and tomato slice and pizza slice. (I guess I had the Slices thread on my mind!)
>
> The band (which only knew zwiefachers and Dave Brubeck's Take Five) began playing some tunes and one of the dancers started a conga line.
>
> I rang a hand bell to get everyone's attention and realized it was my alarm going off. I was never so relieved to hear my alarm. 8-)
>
> Hope you all have better dreams!!!
>
> Mark Hillegonds
>
> cell: 734-756-8441
> email: mhillegonds(a)comcast.net
> blog: www.defriction.com
>
>
> _______________________________________________
> Callers mailing list
> Callers(a)sharedweight.net
> http://www.sharedweight.net/mailman/listinfo/callers
>
>
> ------------------------------
>
> Message: 3
> Date: Fri, 28 Dec 2012 16:10:24 -0500
> From: Donald Perley <donperley(a)gmail.com>
> To: "Caller's discussion list" <callers(a)sharedweight.net>
> Subject: Re: [Callers] Contra Dance Caller's Nightmare (was Slices)
> Message-ID:
> <CAMKNU+8pxKEzE9p278UcHsf19aH7N3WU4=M81F39xMkk5sLAyA(a)mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Just the other day I was contemplating Take 5 as a dance tune. Must
> be the obituary put it in our heads.
>
> On Fri, Dec 28, 2012 at 12:41 PM, Mark Hillegonds
> <mhillegonds(a)comcast.net> wrote:
>
>> The band (which only knew zwiefachers and Dave Brubeck's Take Five) began
>> playing some tunes and one of the dancers started a conga line.
>
>
> ------------------------------
>
> Message: 4
> Date: Fri, 28 Dec 2012 13:30:47 -0800
> From: Kalia Kliban <kalia(a)sbcglobal.net>
> To: Caller's discussion list <callers(a)sharedweight.net>
> Subject: Re: [Callers] Contra Dance Caller's Nightmare (was Slices)
> Message-ID: <50DE0F87.4030104(a)sbcglobal.net>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> On 12/28/2012 1:10 PM, Donald Perley wrote:
>> Just the other day I was contemplating Take 5 as a dance tune. Must
>> be the obituary put it in our heads.
>
> Here's a video of the stellar (sorry for the pun) Orion Longsword and
> their original dance Take 5:
> http://www.youtube.com/watch?v=PnZZlEEyJ8c
>
> For those unfamiliar with the tradition of English longsword dance, you
> can find a fair number of videos out there on Youtube. Orion (based in
> the Boston area) does some of the traditional dances, but mostly
> performs their own compositions. If you ever go to NEFFA you might get
> to see them there.
>
> Kalia
>
> p.s. Though it was the Dave Brubeck Quintet who recorded the tune, it
> was actually written by the group's sax player, Paul Desmond.
>
>
> ------------------------------
>
> _______________________________________________
> Callers mailing list
> Callers(a)sharedweight.net
> http://www.sharedweight.net/mailman/listinfo/callers
>
>
> End of Callers Digest, Vol 100, Issue 18
> ****************************************
There was a two-part video previously available on the WMUR TV (Manchester,
NH) web site on the history of contra dancing. IIRC, it had footage from
the RPDLW. I'd linked to it from the http://mondaycontras.com site but WMUR
apparently redesigned their site and those links no longer work (and
searching uncovered nothing). Does anyone have an alternative location
where that material is posted?
Thanks,
Don
Once, I dreamed that I looked down at my card, and it was a recipe card, a d so I said, "go down the hall, four in line, turn by yourself and return with a pound of hand-rolled pasta."
Nothing gives me anxiety dreams like calling ....
Meg
Sent from my iPhone
From: Tom Hinds <twhinds(a)earthlink.net>
>> John: We have slices, double slices and half slices as well.
> Just curious, can you tell us how to dance a double slice and a
> half slice? It's great to have all of these different ideas when
> writing dances.
> Thanks, Tom
Hi Tom,
A Double Slice is just another name for what some people call a
Yearn, forwards as a couple on the left (usually) diagonal to the next
couple, then backwards on a left diagonal to the next couple along - a
double progression.
Half a Slice: This was posted on this or another caller forum,
so I hope Bob won't mind me posting it again:
Half a Slice: As a couple, go forward towards each other on the
diagonal. The top two dancers join hands; the bottom two push off to
make a line of four facing down. This is an efficient way to get
everyone progressed and facing down in 8 beats, so there is time for
creative or dramatic push-offs.
Half a Slice (by Bob Isaacs)
Contra; Becket
A1: Half a Slice on Left Diagonal to a Line of Four Facing Down
Down the Hall in Lines of Four - Turn Alone
A2: Up the Hall in Lines of Four - Bend the Line
Ladies Allemande L 1 & 1/2
B1: Neighbour Balance & Swing
B2: Circle L 3/4
Partner Swing - finish facing on the Left Diagonal
= = = =
I had some ideas about using the Half a Slice move, but when I wrote
the dance it changed itself (these dances do that sometimes when you're
not looking!) and I ended up with:
The Pattern Unfolds (by John Sweeney)
Contra; Becket (CW) (when out wait Improper)
A1: Balance the Ring; Ladies Cross by the Left Shoulder (Lady
coming Up makes an Arch) - look for a New Neighbour - Men
turn to the new Circle as well (now progressed - couples out)
Balance the New Ring x 2 - on the second Unfold into a Line of
Four Facing Down
A2: Down the Hall in Lines of Four
Neighbour Swing - finish facing across
B1: Balance the Ring x 2 - on the second Unfold into a Line of Four
Facing Up
Up the Hall in Lines of Four - Bend the Line
B2: Neighbour Allemande Right; Ladies Allemande Left 1/2
Partner Swing
The Unfold is like the end of Half a Slice: the appropriate two push off
to make a line of four.
I haven't had a chance to try this one much. Feedback much appreciated
if anyone tries it.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362
http://www.contrafusion.co.uk for Dancing in Kent
Yes, everyone swings their own partner in the center of the
set. Extra room is needed up and down the set.
Jacob
>Date: Mon, 17 Dec 2012 19:11:46 -0500
>From: Luke Donforth <luke.donev(a)gmail.com>
>To: "Caller's discussion list" <callers(a)sharedweight.net>
>Subject: Re: [Callers] Genderless beginner dances
>Message-ID:
> <CAFrKOZYWECpnnc4sHyhAuuP_V0mOp3NxWbEnHy9+Jnws59hdkw(a)mail.gmail.com>
>Content-Type: text/plain; charset=ISO-8859-1
>
>Jacob, thanks for the dance. If I understand it correctly, you're having
>them swing along the set, rather than on the sides of the set?
> John Sweeney said,
> We have slices, double slices and half slices as well.
John,
Just curious, can you tell us how to dance a double slice and a half
slice? It's great to have all of these different ideas when writing
dances.
Thank
Tom
I just received this and thought I would pass it along to Shared Weight. The Ralph Page Dance Legacy Weekend is January 18-20 in Durham, New Hampshire. For information about the weekend: http://ralphpage.neffa.org/
---begin copied message---
The caller scholarship for RPDLW is up for grabs as the candidate just backed out. New deadline for applications will be this coming Thursday Dec 20, 2012.
If you know of anyone who would benefit from this opportunity please have them fill out the scholarship application found on the Neffa.org website.
http://ralphpage.neffa.org/images/ScholarshipApp.pdf
Address any questions to Sandy at: strumma(a)aol.com<mailto:strumma%40aol.com> or call (603) 673-8497.
---end copied message---
Note that the musician scholarships are not open at this time.
Beth Parkes
