Richard Hopkins
850-894-9212 at home
850-544-7614 mobile
Hopkinsrs(a)comcast.net
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On Aug 30, 2013, at 5:39 AM, callers-request(a)sharedweight.net wrote:
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> Today's Topics:
>
> 1. dances with down-the-halls (JoLaine Jones-Pokorney)
> 2. Re: dances with down-the-halls (Rich Goss)
> 3. Re: dances with down-the-halls (Kalia Kliban)
> 4. Caller backed out; need a new one (or a fiddler) for Saturday
> in East Putney. (Amy Cann)
> 5. Re: dances with down-the-halls (Bill Baritompa)
> 6. addenda: East Putney is in Vermont (Amy Cann)
> 7. Re: dances with down-the-halls (Bob Isaacs)
> 8. Re: dances with down-the-halls (Liz and Bill)
> 9. Re: dances with down-the-halls (Cynthia Phinney)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Thu, 29 Aug 2013 16:58:27 -0400
> From: JoLaine Jones-Pokorney <jolaine(a)gmail.com>
> To: callers-request(a)sharedweight.net, callers(a)sharedweight.net
> Subject: [Callers] dances with down-the-halls
> Message-ID:
> <CACpV+-P1QBWa6=Jpa4+dibiegu1Q9_24mHcNCM_HJn=FRWBdXg(a)mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Hi Everyone - Many of our easier dances include down-the-halls, but there
> are so many ways to come back up! There's turn alone, and turn as a couple
> of course, but there's also sliding doors, right-hand-high-left-hand-low,
> loop-de-loop, cloverleaf. What are your favorite dances that include an
> unusual down-the-hall? I've thought of putting together a program that
> highlights all the different ways to go down the hall. I think there is a
> wide enough variety in these dances that it could be doable without boring
> the dancers.
> JoLaine
>
> --
> JoLaine Jones-Pokorney
>
> "We are as gods and might as well get good at it!"
> - Stewart Brand
>
>
> ------------------------------
>
> Message: 2
> Date: Thu, 29 Aug 2013 14:31:49 -0700
> From: Rich Goss <richgoss(a)comcast.net>
> To: Caller's discussion list <callers(a)sharedweight.net>
> Subject: Re: [Callers] dances with down-the-halls
> Message-ID: <81557FC5-4DBF-4715-B6E2-FB5402D483CF(a)comcast.net>
> Content-Type: text/plain; charset=windows-1252
>
> You could include Alberta Street. Has an unusual way to reverse the line of four.
>
> Alberta Street Contra ? Rich Goss Improper
> Easy, down hall
>
> A1: (new) Neighbor Balance and Swing
>
> A2: Down hall 4-in-line, *Dixie Twirl
> Return, Bend the line
>
> B1: Circle left 3/4, Partner Swing
>
> B2: R/L Thru across (or Prom), Ladies chain
>
> *Middles arch. Keep hands joined, right hand dancer (#1 lady) leads through arch
> while the left hand dancer (#1 Gent) leads across set to face up.
> At the end of the move, the line is still in the same order, just facing up.
>
>
>
>
> ------------------------------
>
> Message: 3
> Date: Thu, 29 Aug 2013 14:36:37 -0700
> From: Kalia Kliban <kalia(a)sbcglobal.net>
> To: Caller's discussion list <callers(a)sharedweight.net>
> Subject: Re: [Callers] dances with down-the-halls
> Message-ID: <521FBEE5.9050405(a)sbcglobal.net>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> On 8/29/2013 1:58 PM, JoLaine Jones-Pokorney wrote:
>> Hi Everyone - Many of our easier dances include down-the-halls, but there
>> are so many ways to come back up! There's turn alone, and turn as a couple
>> of course, but there's also sliding doors, right-hand-high-left-hand-low,
>> loop-de-loop, cloverleaf. What are your favorite dances that include an
>> unusual down-the-hall? I've thought of putting together a program that
>> highlights all the different ways to go down the hall. I think there is a
>> wide enough variety in these dances that it could be doable without boring
>> the dancers.
>
> Al Olson's "Leaving Home" features a Dublin-Bay-style (that's an English
> country dance, for those who aren't familiar with the name) down the hall.
>
> A1 N gypsy and swing, ending facing down.
> A2 Line of 4 lead down for 4, turn toward N to face up but keep backing
> down the hall for another 4, then lead up for 4, turn toward N to face
> down and keep backing up the hall, bending the line at the very end.
> The 1s are below.
> B1 Circle L 3/4 and swing P on side
> B2 Ladies chain. Star L to new Ns.
>
> And I'm sure someone will correct me if I've picked up a tweaked version
> of this. The "lead down, turn, and keep backing down" move is
> wonderfully swoopy, especially if you turn toward your neighbors.
>
> Kalia
>
>
> ------------------------------
>
> Message: 4
> Date: Thu, 29 Aug 2013 18:46:44 -0400
> From: Amy Cann <acann(a)putneyschool.org>
> To: "Caller's discussion list" <callers(a)sharedweight.net>
> Subject: [Callers] Caller backed out; need a new one (or a fiddler)
> for Saturday in East Putney.
> Message-ID:
> <CALZWU+t6FdFJTQ2-mLG=OJYub9pp4tPsCpJ=wGSFVt4FQPHFPw(a)mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Want a gig? Know any other caller who might? Or a fiddler?
>
> I haven't posted in ages so some of you might wonder who the heck I am.
>
> I'm Amy Cann, and usually I play anchor fiddle for the every-other-month
> East Putney All-Comers band.
>
> It's a local dance, off in the woods (outhouse, not bathroom!) that's been
> going continuously for many decades -- it was Fred Breunig's for many
> years, along with Andy Davis and the Tune Police.
>
> It's much beloved by locals and we have a very, very good time. There's
> about a dozen amateur musicians that pile onto the stage, somebody brings
> lemonade and cookies, we dance pretty much without a long break but with
> lots of short ones for water and neighborly gossip, and usually end by
> 10:30.
>
> Quena Crain ended up with a last minute family conflict and has had to
> withdraw; I can step in if I can find a fiddle replacement, or one of you
> can step up to call.
>
> The dancers are zest-ful and experienced but NOT contra-only types; squares
> and circles and Quebecois longways and anything else you enjoy is fair
> game, they'll do it and love it. Pay is reasonably decent, and for this
> we'll hit up the kitty for travel $ if we need to.
>
> WE ARE WILLING TO SUPPORT LEARNERS. If you have an apprentice, someone
> who's shared the mic and is just about ready to take on a whole night, this
> is their chance. They'll get good feedback and tons of patience/gratitude.
>
>
> Give me a ring - 802-222-7598 or email me directly, and
>
> PLEASE FEEL FREE TO PASS THIS ON to fiddling friends.
>
> Cheers,
> Amy
>
>
> ------------------------------
>
> Message: 5
> Date: Fri, 30 Aug 2013 11:01:48 +1200
> From: Bill Baritompa <staf186(a)ext.canterbury.ac.nz>
> To: Caller's discussion list <callers(a)sharedweight.net>
> Subject: Re: [Callers] dances with down-the-halls
> Message-ID: <521FD2DC.9020703(a)ext.canterbury.ac.nz>
> Content-Type: text/plain; charset="ISO-8859-1"; format=flowed
>
> Hi JoLaine,
>
> These two use a swing and face up to start back.
>
> Two Way Street Lisa Greenleaf, Bob Isaacs Becket
>
> A1 Ladies Right Allemand 1 1/2, Neighbor Swing
> A2 Down the hall four in line, (outsides walk and) insides turn (back to right),
> Next Neighbor Swing
> B1 Up the hall four in line, Circle left 3/4, Pass thru
> B2 Shadow Left Gypsy (or allemand), Partner Swing
>
> The above inspired this easier dancer for our group here in CHCH
>
> Walking Down the Street Bill Baritompa Improper
> June 2012
>
> A1 (#1 in middle)Down the hall four in line (8); Neighbor Swing (face up)
> A2 Up the hall (8); Ladies Chain
> B1 Ladies Gypsy 1; Partner Swing (on gent's side)
> B2 Circle Left 3/4; Balance (the ring), #1 dive under #2 (and get between
> the next)
>
> note: In A2 rather than bending the line before the LC, it can be started nicely
> from
> the lines facing up, the women just move towards each other for the R
> arm turn.
>
> Might bring back a few memories for you :-)
> http://youtu.be/EnvjLpVGJ7A?t=4m22s
>
>
> Cheers, Bill
>
>
>
>
> ------------------------------
>
> Message: 6
> Date: Thu, 29 Aug 2013 21:34:36 -0400
> From: Amy Cann <acann(a)putneyschool.org>
> To: "Caller's discussion list" <callers(a)sharedweight.net>
> Subject: [Callers] addenda: East Putney is in Vermont
> Message-ID:
> <CALZWU+vSG3u7NyxyLRpf=H9JnNp1=5cjx_SRidPP1cPv0nDYXQ(a)mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
>
> and the Saturday in question is in 2 days, 8/31/13
>
> Cheers, and apologies,
> Amy
>
>
> ------------------------------
>
> Message: 7
> Date: Fri, 30 Aug 2013 00:55:55 -0400
> From: Bob Isaacs <isaacsbob(a)hotmail.com>
> To: Shared Weight <callers(a)sharedweight.net>,
> "callers-request(a)sharedweight.net" <callers-request(a)sharedweight.net>
> Subject: Re: [Callers] dances with down-the-halls
> Message-ID: <BAY172-W9273EAF1E253A905121F9AA350(a)phx.gbl>
> Content-Type: text/plain; charset="iso-8859-1"
>
> JoLaine and All:
>
>
>
> Does it always have to be down-the-hall?
>
>
>
> Turning in Turn Improper - line/4 (2s in the middle)
>
> Bob Isaacs, 12/99
>
>
>
> 1A1. Up hall in line/4 - turn alone, down hall and bend line
>
> 1A2. Circle L, 1s 1/2 figure 8 above
>
> 1B1. 1s turn contra corners
>
> 1B2. 1s balance, swing - face down
> 2A1. Down hall in line/4 - turn alone, up hall and bend line
>
> 2A2. Circle L, 2s 1/2 figure 8 below
>
> 2B1. 2s turn contra corners
>
> 2B2. 2s balance, swing - face up
>
>
> Unlike other alternating cc dances, this povides a reminder of who's active. When starting up the hall, it's the 1s; down the hall, it's the 2s -
>
>
>
> Bob
>
>
>
>> Date: Thu, 29 Aug 2013 16:58:27 -0400
>> From: jolaine(a)gmail.com
>> To: callers-request(a)sharedweight.net; callers(a)sharedweight.net
>> Subject: [Callers] dances with down-the-halls
>>
>> Hi Everyone - Many of our easier dances include down-the-halls, but there
>> are so many ways to come back up! There's turn alone, and turn as a couple
>> of course, but there's also sliding doors, right-hand-high-left-hand-low,
>> loop-de-loop, cloverleaf. What are your favorite dances that include an
>> unusual down-the-hall? I've thought of putting together a program that
>> highlights all the different ways to go down the hall. I think there is a
>> wide enough variety in these dances that it could be doable without boring
>> the dancers.
>> JoLaine
>>
>> --
>> JoLaine Jones-Pokorney
>>
>> "We are as gods and might as well get good at it!"
>> - Stewart Brand
>> _______________________________________________
>> Callers mailing list
>> Callers(a)sharedweight.net
>> http://www.sharedweight.net/mailman/listinfo/callers
>
>
> ------------------------------
>
> Message: 8
> Date: Fri, 30 Aug 2013 19:26:20 +1200
> From: Liz and Bill <staf186(a)ext.canterbury.ac.nz>
> To: Caller's discussion list <callers(a)sharedweight.net>
> Subject: Re: [Callers] dances with down-the-halls
> Message-ID: <5220491C.9020105(a)ext.canterbury.ac.nz>
> Content-Type: text/plain; charset="ISO-8859-1"; format=flowed
>
> Hi Bob and All,
>
>> Does it always have to be down-the-hall?
>> Turning in Turn Improper - line/4 (2s in the middle)
>> 1A1. Up hall in line/4 - turn alone, down hall and bend line
>
> The up then down will require the contra lines to stay away from the band :-)
>
> Why not go down the hall and stay there the first time, and up the hall and stay
> there the
> second? Combining Turning in Turn and the use of a swing to start back as in
> Two Way Street and Walking Down the Street gives a dance with a N Sw. The
> reminder feature for the 1s and 2s
> is even more pronounced, and it doesn't require a gap at the head of the lines.
>
> 1A1 (#1 between #2) Down the hall; Nbr Swing Face Across
> 1A2 Circle Left 1; 2s figure 8 below
> 1B1 2s turn contra conrners
> 1B2 2s balance and swing - face up
> 2A1 (#2 between #1) Up the hall; Nbr Swing Face Across
> 2A2 Circle Left 1; 1s figure 8 above
> 2B1 1s turn contra conrners
> 2B2 1s balance and swing - face down
>
> Cheers, Bill
>
>
>
>
>
> ------------------------------
>
> Message: 9
> Date: Fri, 30 Aug 2013 05:39:02 -0400
> From: "Cynthia Phinney" <online(a)starleft.org>
> To: "'Caller's discussion list'" <callers(a)sharedweight.net>
> Subject: Re: [Callers] dances with down-the-halls
> Message-ID: <01af01cea564$c3a50e90$4aef2bb0$@org>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Here's a fun twist.
> "Hickman's Hey"
> There is half a hey when you get the bottom of the hall, then you finish the
> hey when you get back home.
>
> Hickman's Hey
>
> A1 Down the Hall, four in line (Ones in middle)
> ? Hey (Start facing in, ones pass right, End where partner was)
> A2 Up the Hall
> Finish the Hey
> B1 One?s Allemande Left 1 1/2
> Neighbor Swing
> B2 One?s Balance & Swing
>
>> From what I can find out, Steve Hickman was the name of the person who
> collected the dance and he did not know the actual name, nor the author.
> Also, it seems that the B1 and B2 parts vary (the A1 and A2, being what
> makes the dance distinctive, do not), but this is how I learned it and how I
> call it.
>
> -cynthia
>
>
>
> -----Original Message-----
> From: callers-bounces(a)sharedweight.net
> [mailto:callers-bounces@sharedweight.net] On Behalf Of JoLaine
> Jones-Pokorney
> Sent: Thursday, August 29, 2013 4:58 PM
> To: callers-request(a)sharedweight.net; callers(a)sharedweight.net
> Subject: [Callers] dances with down-the-halls
>
> Hi Everyone - Many of our easier dances include down-the-halls, but there
> are so many ways to come back up! There's turn alone, and turn as a couple
> of course, but there's also sliding doors, right-hand-high-left-hand-low,
> loop-de-loop, cloverleaf. What are your favorite dances that include an
> unusual down-the-hall? I've thought of putting together a program that
> highlights all the different ways to go down the hall. I think there is a
> wide enough variety in these dances that it could be doable without boring
> the dancers.
> JoLaine
>
> --
> JoLaine Jones-Pokorney
>
> "We are as gods and might as well get good at it!"
> - Stewart Brand
> _______________________________________________
> Callers mailing list
> Callers(a)sharedweight.net
> http://www.sharedweight.net/mailman/listinfo/callers
>
>
>
> ------------------------------
>
> _______________________________________________
> Callers mailing list
> Callers(a)sharedweight.net
> http://www.sharedweight.net/mailman/listinfo/callers
>
>
> End of Callers Digest, Vol 108, Issue 26
> ****************************************
It seems the ones allemande doesn't bring partners together (if it is the ones who allemande) but it does seem to bring you to your same sex neighbor. An allemande once will do it.
Perry
Sent from my Galaxy S®III
-------- Original message --------
From: Bill Baritompa <staf186(a)ext.canterbury.ac.nz>
Date: 08/30/2013 6:36 AM (GMT-05:00)
To: Caller's discussion list <callers(a)sharedweight.net>
Subject: Re: [Callers] dances with down-the-halls
Hi Cynthia,
Could you clarify a bit. Is there a typo? Doesn't the AL 1 1/2 in B1 bring
partners together? The transition A1/A2 seems like it requires two of the dancers
to make quick changes of direction. The transition A2/B1 has the AL coming
after the left shoulder pass of the hey. How do the dancers react to it?
Cheers, Bill
On 30/08/2013 9:39 p.m., Cynthia Phinney wrote:
> Here's a fun twist.
> "Hickman's Hey"
> There is half a hey when you get the bottom of the hall, then you finish the
> hey when you get back home.
>
> Hickman's Hey
>
> A1 Down the Hall, four in line (Ones in middle)
> ½ Hey (Start facing in, ones pass right, End where partner was)
> A2 Up the Hall
> Finish the Hey
> B1 One's Allemande Left 1 1/2
> Neighbor Swing
> B2 One's Balance & Swing
>
_______________________________________________
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http://www.sharedweight.net/mailman/listinfo/callers
Hi all,
It was a real treat to utilize the lesson plan Stan Fowler and Laura Brown
developed for Glen Echo's Friday night dance. As a caller who's often more
comfortable with experienced crowds than one night stands, it was magic to
watch the simple concept behind this come to life and open a new way of
looking at teaching. In response to interest some caller friends showed on
a facebook post about the lesson plan, it is with permission of Laura and
Stan and thanks to Kevin Mabon that i share what they developed. It has
been published before, but i thought in response to friends' requests for
the document that sharing it in this forum would make it available and
archived for a new generation and wider audience of callers.
Stan (aka "Dance Ranger") writes: "As I recall we wrote this paper to solve
a particular issues we were having at the time. If I recall at the time,
the caller was sometimes to teach the work shop, and their methods were all
over the board. Our dance was often the largest dance the caller had
worked. We wished to provide the caller a guideline for our dances. They
did not have to use the paper, but we wished the newcomers to come out of
the workshop with confidence to join the dance and have a good time and
want to return."
Whether or not you use it in a big crowd, the basic idea - keep them moving
to music *the whole time -* is, as Stan added, the key element. Applying
the "Create Chaos" technique was mad fun. Steps 2 and 3 may require for
some an ad lib about the flexibility of gender and role in your philosophy
dance community. But the document speaks for itself.
With gratitude for all our community shares,
tavi
Please send requests to Michael directly, and not to the list. It
creates too much traffic for the rest of us.
I have e-mailed him and let him know that it's ok to send it to the group.
Please trim your posts to be kind to fellow list members and especially
those on digest.
Thank you for your participation and thoughtfulness. You make this
community work!
Chris Weiler
SharedWeight Admin.
I have sent the list of easy dances I have collected to he 23 people who requested such.
If you have not received it by Monday, email me.
Make sure to check your trash ans spam folders, in case it ended up there.
Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844
I'd like the list of easy dances also. I somehow missed the earlier post.
On 8/26/2013 12:00 PM, callers-request(a)sharedweight.net wrote:
> Send Callers mailing list submissions to
> callers(a)sharedweight.net
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://www.sharedweight.net/mailman/listinfo/callers
> or, via email, send a message with subject or body 'help' to
> callers-request(a)sharedweight.net
>
> You can reach the person managing the list at
> callers-owner(a)sharedweight.net
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of Callers digest..."
>
>
> Today's Topics:
>
> 1. Easy dance List (Michael Fuerst)
> 2. Re: Easy dance List (Rickey Holt)
> 3. Re: Easy dance List (Greg McKenzie)
> 4. Re: Easy dance List (Andrea Nettleton)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sun, 25 Aug 2013 16:58:05 -0700 (PDT)
> From: Michael Fuerst <mjerryfuerst(a)yahoo.com>
> To: "callers(a)sharedweight.net" <callers(a)sharedweight.net>
> Subject: [Callers] Easy dance List
> Message-ID:
> <1377475085.77988.YahooMailNeo(a)web122201.mail.ne1.yahoo.com>
> Content-Type: text/plain; charset=iso-8859-1
>
> I have sent the list of easy dances I have collected to he 23 people who requested such.
> If you have not received it by Monday, email me.
> Make sure to check your trash ans spam folders, in case it ended up there.
> ?
> Michael Fuerst ? ? ?802 N Broadway ? ? ?Urbana IL 61801?????? 217-239-5844
>
> ------------------------------
>
> Message: 2
> Date: Sun, 25 Aug 2013 20:27:06 -0400
> From: "Rickey Holt" <holt.e(a)comcast.net>
> To: "'Michael Fuerst'" <mjerryfuerst(a)yahoo.com>, "'Caller's discussion
> list'" <callers(a)sharedweight.net>
> Subject: Re: [Callers] Easy dance List
> Message-ID: <001b01cea1f2$ff075030$fd15f090$(a)comcast.net>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Can I still request a copy as well? That would be very helpful as I call to
> many who would enjoy them.
> Rickey Holt
>
> -----Original Message-----
> From: callers-bounces(a)sharedweight.net
> [mailto:callers-bounces@sharedweight.net] On Behalf Of Michael Fuerst
> Sent: Sunday, August 25, 2013 7:58 PM
> To: callers(a)sharedweight.net
> Subject: [Callers] Easy dance List
>
> I have sent the list of easy dances I have collected to he 23 people who
> requested such.
> If you have not received it by Monday, email me.
> Make sure to check your trash ans spam folders, in case it ended up there.
> ?
> Michael Fuerst ? ? ?802 N Broadway ? ? ?Urbana IL 61801?????? 217-239-5844
> _______________________________________________
> Callers mailing list
> Callers(a)sharedweight.net
> http://www.sharedweight.net/mailman/listinfo/callers
>
>
>
> ------------------------------
>
> Message: 3
> Date: Mon, 26 Aug 2013 08:13:23 -0700
> From: Greg McKenzie <grekenzie(a)gmail.com>
> To: Michael Fuerst <mjerryfuerst(a)yahoo.com>, "Caller's discussion
> list" <callers(a)sharedweight.net>
> Subject: Re: [Callers] Easy dance List
> Message-ID:
> <CAFqkWLssXMMbuSZLoj_cNghHsj5_icmdTWMqWAfQeSZ3WuJdPA(a)mail.gmail.com>
> Content-Type: text/plain; charset=UTF-8
>
> On Sun, Aug 25, 2013 at 4:58 PM, Michael Fuerst <mjerryfuerst(a)yahoo.com>wrote:
>
>> I have sent the list of easy dances I have collected to he 23 people who
>> requested such.
>> If you have not received it by Monday, email me.
>> Make sure to check your trash ans spam folders, in case it ended up there.
>>
>> Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844
>> _______________________________________________
>> Callers mailing list
>> Callers(a)sharedweight.net
>> http://www.sharedweight.net/mailman/listinfo/callers
>>
>
> ------------------------------
>
> Message: 4
> Date: Mon, 26 Aug 2013 11:32:09 -0400
> From: Andrea Nettleton <twirly-girl(a)bellsouth.net>
> To: Caller's discussion list <callers(a)sharedweight.net>
> Subject: Re: [Callers] Easy dance List
> Message-ID: <DB8BE1B4-7F59-40A4-B28D-03BF5B034331(a)bellsouth.net>
> Content-Type: text/plain; charset=us-ascii
>
> I missed the posts regarding this list of dances, therefore did not request it. I'd like the list if possible. Wondering why you chose to send it by request only instead of putting it on the list, where presumably only the interested parties old bother downloading it.
> Andrea
>
> Sent from my iPad
>
> On Aug 26, 2013, at 11:13 AM, Greg McKenzie <grekenzie(a)gmail.com> wrote:
>
>> On Sun, Aug 25, 2013 at 4:58 PM, Michael Fuerst <mjerryfuerst(a)yahoo.com>wrote:
>>
>>> I have sent the list of easy dances I have collected to he 23 people who
>>> requested such.
>>> If you have not received it by Monday, email me.
>>> Make sure to check your trash ans spam folders, in case it ended up there.
>>>
>>> Michael Fuerst 802 N Broadway Urbana IL 61801 217-239-5844
>>> _______________________________________________
>>> Callers mailing list
>>> Callers(a)sharedweight.net
>>> http://www.sharedweight.net/mailman/listinfo/callers
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> End of Callers Digest, Vol 108, Issue 19
> ****************************************
Thanks everyone, particularly Chris and Jim! Very helpful.
So far almost everything in my original email has been positively
identified. Most of them were scribbled down on scraps of paper years ago,
and in some cases I introduced additional errors when I transferred them to
my notation system of the time. With the titles on hand and your help I've
been able to fix everything and now have a bunch more good and usable
dances.
All that remains are the last two (which I am about 80% certain I wrote)
and the dance with circles of three, which I nicknamed Hawaii Three-O a
long time ago. People are suggesting Christmas Hornpipe as the source, but
Don Armstrong's Raccoon Ramble (not Old Raccoon as previously stated) is a
much closer match than the Ralph Page or traditional versions. I don't
have a copy of the Ted Sannella/Tony Saletan variant to compare.
I have about four or five more dances which have popped up without titles
and/or authors; I'll get them typed up later tonight, and that should bring
me into compliance with all International Standards of Contra Dance
Choreographer Recognition.
Cheers, and many thanks to all!
Neal
Tucson, AZ
--
The third-rate mind is only happy when thinking with the majority. The
second-rate mind is only happy when thinking with the minority. The
first rate mind is only happy when thinking.
Hi everyone,I'm hoping that some of you will be able and willing to help me identify a few dances; I'm new on this list although I've been calling for a while.
My wife and I moved to Tucson for her job, and I've been getting more gigs here than I did in Colorado. I left all of my dance books up there, but went back and brought down all my old notes and have been typing them up and putting them in order. Unfortunately, I've got a bunch of contras that I have incomplete/incorrect information on and I'd like to know the proper titles, sequences, and authors. There are even a few which I may have written years ago myself, but it isn't indicated on the bits of scrap paper.
Any help that anyone can provide would be fantastic!
This first bunch all came from the 2000 Pinewoods American Dance Week and Caller's Course, and were all written by other people:
Unknown
(from my notes: Called by Larry Edelman at Pinewoods 2000)
A1: Dosado below to an ocean wave (8) and balance (4). Turn 1/2 right and 1/2 left (4)
A2: Balance (4), 1/2 hey (8), Balance again (4)
B1: 1/2 hey again (8), Partner Swing (8)
B2: Right and left thru and ladies chain (16)
***Timing seems strange in A2
Unknown Duple Improper
(called by Larry Edelman, Pinewoods 2000)
A1: Balance and swing below
A2: Circle once around; Ladies chain across
B1: Ladies dosado; Partner swing
B2: Circle 3/4, Pass thru and dosado
Unknown ???
(Pinewoods, 2000)
A1:Partner balance and box the gnat, right and left thru** (Not with neighbor)(????)
A2: Courtesy turn to long waves and balance, allemande right
B1: Opposite Swing, circle 3/4
B2: Ladies chain; long lines forward and back
(***This is how the dance is written in my notes. However, as far as I can tell, it doesn't work in Beckett or Duple improper. Looking at it, I think it must be right and left thru with new neighbor and allemande right outside of the minor set with prior neighbor, but then the dance doesn't progress without at least one more change. Making B2 a partner swing and ladies chain does work.)
Unknown Beckett
(Pinewoods, 2000)
A1: Circle 3/4 and allemande right once and a half below
A2: 1/2 hey by left (gents lead), opposite swing (end facing across)
B1: Long lines up and back, men dosado once and a half
B2: Find partner and swing; look to the left and circle 3/4
Unknown Duple Improper
(Pinewoods 2000, called by Beverly Smith)
A1: Balance and swing the person behind you
A2: Lines forward and back, actives swing and face down.
B1: Star left with original neighbor and circle left
B2: Weave the line (veer left, right, right, left) and dosado the next (perhaps as a couple?)
Unknown Becket
(Pinewoods 2000)
A1: Circle 3/4 and neighbor swing
A2: CIrcle 3/4 and pass thru, trail buddy Allemande left
B1: with partner, allemande right 3/4; ladies pass left for full hey
B2: (should be finishing hey); Partner Balance and swing (???)
****Seems to have no progression.
Unknown Beckett
(Pinewoods 2000, called by Beverly Smith)
A1: Ladies turn right 1/2, turn opposite left 1 1/2, men turn right 1/2
A2: Partner balance and swing
B1: Slant left and right and left thru with a roll away; men dosado
B2: Ladies pull by right, left shoulder seesaw partner to place. Long lines go forward and back
The next two I picked up in Hawai'i years ago at a dance I happened to stop at:
Unknown Duple Improper
A1: 1's balance and circle with #2 lady
A2: 1's balance and circle with #2 man
B1: Down the hall four in line, U-turn and come back
B2: Bend the line and forward and back, #2s swing in the center
***This is similar to Old Raccoon with the 3-preson circles, but the B part is entirely different.
Unknown Duple Improper
A1: Circle 3/4 and pass thru; partner dosado on the side
A2: Partner gypsy to a swing
B1: Ladies lead hey for 4
B2: Partner allemande left and ladies chain across
The next two I think I may have written a long time ago because they're a bit unusual musically and seem like something I would have come up with when I first started calling; if someone recognizes them I'd appreciate the correction!
Unknown Beckett
(Possibly by Neal Schlein?)
A1: Star Left full, ladies turn back and partner swing
A2: Ladies allemande right 1 1/2 and opposite swing
B1: Men lead left hey
B2: Men allemande left 1 and 1/2, partner promenade 1/2 across and up/down to the next
Unknown Beckett
(Possibly by Neal Schlein?)
A1: on Right diagonal, right and left thru; straight across circle 3/4
A2: Allemande right neighbor full (x1 or x2) to short waves; balance right and left and spin right
B1: Balance left and right and spin left to neighbor swing
B2: Men allemande left 1 and 1/2 to partner swing
Again, many thanks in advance!
Neal Schlein
