I can only speak with reference to calling at NEFFA, as I have never applied to DownEast. As some of you may know that Linda Leslie is NEFFA's program chair, I will note that the program chair does not select performers for contra sessions.
Regarding NEFFA 2007, the following notice is now posted at http://neffa.org/perf_app.html - The Program Committee is not prepared to take your application at this time, since it is too late to apply for this year's NEFFA Festival. Please note that the application to perform is always available during the month of September, with a deadline in October. If you'd like to get an e-mail notice of application availability, send a blank e-mail to NEFFA_Performers-subscribe(a)yahoogroups.com
So you can note on your calendar that September is a good time to check the NEFFA web site, and also arrange for a notice to pop up in your e-mail.
The NEFFA application invites you to come up with a briefly-described theme for your session, with a title of 20 characters or less. IMO, use your own judgment as to how important the theme is. If you are offering a concept that's really meaningful to you, don't be afraid to describe it. If what you really want to do is just call some hot contras, then IMO I wouldn't go overboard on the theme.
Unlike Northwest Folklife, callers and bands apply SEPARATELY to the New England Folk Festival. And I believe that this is a very good thing for beginning callers who hope to have a chance at getting onstage. This mix-and-match policy gives a fresh perspective for experienced performers, and can be an eye-opening experience for newcomers who may get to work with seasoned veterans. I will never forget calling at NEFFA with Northern Spy, a band that has worked with caller David Millstone for 25 years. And where was David during this session? Out on the floor, happily dancing to the music of his own band. NEFFA's selection process made that wonderful hour possible for me.
For what it's worth, the first year I successfully applied I asked for a "Festival Orchestra" slot, which means that instead of calling a themed, hour-long session I called two dances in the Main Hall with the assembled orchestra and then got off the stage as the next Festival Orchestra caller had a turn. IMO, the key here (as well as in submitting a session proposal) is to choose dances that you know by heart, can teach well, fully believe in, and love to share with a crowd. You don't want to have second thoughts as you approach the microphone.
If you're wondering why performer applications are required so far in advance of a festival, note that NEFFA may have 1700 performers, many of whom perform in multiple sessions (perhaps performing alone, and with a participatory dance group, and also with a concert performance group!). You can't doublebook a performer (or larger groups to which she may belong), you have to give her time to move from one venue to another, plus a bunch of other scheduling etceteras that would drive me loony to contemplate further. How scheduling was done in the days before computers is beyond me.
--
Robert Jon Golder
164 Maxfield St
New Bedford, MA 02740
(508) 999-2486
Hi
I saw a 48 bar dance called Beatrice by Erik
Hoffmann - intrigued me.
I am planning to use it in December --- spoke with the
band about a 48 Bar tune set.
Never called a 48 Bar dance before ----
anything tricky about it - aside from the length
issue - staying focused for that extra section?
thanks for any insights.
Mavis L McGaugh
510-814-8118 (answering machine-leave message)
____________________________________________________________________________________
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Associate's, Bachelor's, or Master's - in less than one year.
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>From a left-hand balance, a man can lift his left hand over his head and
lead the woman's left hand onto his right shoulder. Ron Buchanan taught this
styling at the (lamentably late) Celebration Dance weekend in Indianapolis
in July 2003.
Mange Tak
*By Ron Buchanan*
Improper Contra
A1:
Neighbors balance by Left hand & swing
A2:
Face across, pass thru to an ocean wave (ladies in middle, *neighbor* in
other hand),
Balance, Allemande Right neighbor ½, men pull by Left, allemande Right
partner ¾
B1:
Allemande Left shadow 1x
Swing partner
B2:
Face across, pass thru to an ocean wave (ladies in middle, *Partner* in
other hand),
Balance, Allemande Right partner ½, men pull by Left, allemande Right
neighbor ¾ to new neighbor.
(Shadow is on your left diagonal at start of the dance)
***
And returning to the original idea of figures that use a balance in a
(hands-across) star, here's one of my favorite dances:
Catch a Falling Star *By Melanie Axel-Lute*
Contra - Improper easy-med
A1
(16) Neighbors balance and swing
A2
(8) Circle left 3/4
(8) Partners swing
B1
(8) Long lines go forward and back
(8) Hands across right-hand star
B2
(4) Balance the star
(4) Ladies trade places with a half gypsy,
while the gents turn single left
(8) Hands across left-hand star
*Editor's Notes:*
Turn single left: walk a loop over your left shoulder, ending up where you
started. The term is from English Country dancing.
--Jerome
--
Jerome Grisanti
660-528-0858
660-528-0714
http://www.jeromegrisanti.com
Jerome Grisanti's use of the "hands-across grip in several dances where
there is a
'balance the star' move before or after turning the star" immediately
brought to mind Michael McKernan's "Daybreak Reel" (which was often called
just before breakfast at the dawn dances that used to take place at the
beautiful old hall on Number 10 pond in Calais, Vermont).
Daybreak Reel, by Michael McKernan
(Duple Improper)
A1: Allemand L below 1-1/2; women dosido
A2: Men balance, dosido, allemand R 1-1/4 to form wave by joining L hands
with partners
B1: Balance wave, swing partners
B2: Women chain 1/2 to R-hands across star position; turn star 1/2 and
look for next neighbor
Following David Millstone's suggestion, went to David Smukler's discussion
of Dandy's Hornpipe at
http://www.davidsmukler.syracusecountrydancers.org/dandies.htm which was
so intriguing that it was hard to resist trying yet another tweaked
version. This is a totally spur-of-the moment conception with no time
spent researching, so if it's already been done, my apologies for
reinventing someone else's wheel. Comments and suggestions would be
extremely welcome.
Handy Dandy
(Duple Proper)
A1: Long lines forward and back; actives turn by R hand 1/2, allemand L
neighbor (till women are facing in again--will be less than a full turn in
men's line)
A2: Ladies chain over and back
B1: Star L; star R with NEXT couple down
B2: Actives swing; end facing up and cast off with original neighbor
If A1 is too rushed, what about
A1: Actives turn by R 1-1/2; allemand L neighbor, etc?
Don't know whether you'd want to direct beginning callers to this, but folks on
this list might also enjoy the articles by Richard Powers, including this one on
teaching dances:
http://socialdance.stanford.edu/syllabi/teaching_tips.htm
His particular field of expertise is teaching vintage social dances, not
particularly aimed at contras, and much of what he says here is aimed at people
who will be teaching in a class setting, not at a public dance. Nonetheless, he
is an experienced dance teacher and has much of value to offer.
David Millstone
It's not really a California twirl though, more like a swat the flea. CT is gents right/ladies left hands. The end of the wave figure is left/left with your partner.
Daybreak Reel, by Michael McKernan
(Duple Improper)
A1: Allemand L below 1-1/2; women dosido
A2: Men balance, dosido, allemand R 1-1/4 to form wave by joining L hands with partners
B1: Balance wave, swing partners
B2: Women chain 1/2 to R-hands across star position; BALANCE; turn star 1/2 and look for next neighbor
-------------- Original message --------------
From: "gtwood(a)worldpath.net" <gtwood(a)worldpath.net>
>
> Hi Rich,
> If I am reading the dance correctly, and perhaps this has been already
> suggested
> How about a: Cal Twirl into the Partner swing. This can be done by either
> partner
> Its quick and sets up the swing nicely.
> Thanks Gale
> Original Message:
Gotta luv the dance community :-) Thank you everyone who called and emailed, particularly Nell and Karen. And thanks Chris for putting the note out onto the other Boston Area list. Liza Carter has picked up my jacket and will be bringing it to NEFFA for me. Big hugs all !
Hope to see and dance with most of you later today.
Bev
***********************************
wturnip(a)sympatico.ca
Travelling again !
Responding via web-based email
***********************************
Hi Rich,
If I am reading the dance correctly, and perhaps this has been already
suggested
How about a: Cal Twirl into the Partner swing. This can be done by either
partner
Its quick and sets up the swing nicely.
Thanks Gale
Original Message:
-----------------
From: Rich Goss richgoss(a)comcast.net
Date: Fri, 20 Apr 2007 06:50:44 -0700
To: callers(a)sharedweight.net
Subject: Re: [Callers] Balance the star, etc.
I thought about that too. You could twirl the lady under right into your
arms, but otherwise it seems a bit clumsy.
Rich
On 4/19/07 6:20 PM, "Jack Mitchell" <jamitch3(a)mindspring.com> wrote:
> Ok....the wave balance (with partner's left hand) into a swing seems
> really awkward. I'm sure there's a way to make it flow, but I'm
> missing it. Thoughts?
>
> Jack
>
>
>> A2: Men balance, dosido, allemand R 1-1/4 to form wave by joining L hands
>> with partners
>>
>> B1: Balance wave, swing partners
>>
>> B2: Women chain 1/2 to R-hands across star position; turn star 1/2 and
>> look for next neighbor
>>
>>
>>
>> Following David Millstone's suggestion, went to David Smukler's
discussion
>> of Dandy's Hornpipe at
>> http://www.davidsmukler.syracusecountrydancers.org/dandies.htm which was
>> so intriguing that it was hard to resist trying yet another tweaked
>> version. This is a totally spur-of-the moment conception with no time
>> spent researching, so if it's already been done, my apologies for
>> reinventing someone else's wheel. Comments and suggestions would be
>> extremely welcome.
>>
>> Handy Dandy
>> (Duple Proper)
>>
>> A1: Long lines forward and back; actives turn by R hand 1/2, allemand L
>> neighbor (till women are facing in again--will be less than a full turn
in
>> men's line)
>>
>> A2: Ladies chain over and back
>>
>> B1: Star L; star R with NEXT couple down
>>
>> B2: Actives swing; end facing up and cast off with original neighbor
>>
>> If A1 is too rushed, what about
>> A1: Actives turn by R 1-1/2; allemand L neighbor, etc?
>> _______________________________________________
>> Callers mailing list
>> Callers(a)sharedweight.net
>> http://www.sharedweight.net/mailman/listinfo/callers
>
>
> _______________________________________________
> Callers mailing list
> Callers(a)sharedweight.net
> http://www.sharedweight.net/mailman/listinfo/callers
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Hi y'all,
I'm looking for Robert Cromartie's "For The Love Of
The Dance." Anyone have it? I appreciate the help.
Many thanks,
-ag
---------
Adina Gordon
828.230.9266
adina(a)adinagordon.com
http://www.adinagordon.com/
__________________________________________________
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DUH ! It's late and I'm tired. My cell phone number is 416-458-0586. And I'm staying at Lynda Wright's for the night heading back to Malden tomorrow. Her number is 207-748-3219. Since I get the digest version of Shared Weight and won't see it until 12 noon today, please call.
Thanks again,
Bev
> From: The Witful Turnip <wturnip(a)sympatico.ca>
> Date: 2007/04/20 Fri AM 02:09:03 EDT
> To: <callers(a)sharedweight.net>
> CC: <wturnip(a)sympatico.ca>
> Subject: Jacket left at Scout House !
>
> My apologies to everyone in advance for my mis-use of this list for this purpose. But since I'm a long way from home and don't have access to my email address book, this was the only way I could thing of to contact people who might have been at the Pre-NEFFA contra dance at The Scout House in Concord MA earlier this evening.
>
> I realized half way to ME that I've left my jacket (black denim with lots of silver zippers and buttons) hanging on a peg on the left side of the hall, down clode to the stage. My carelessness, I know. But I'm wondering if there's any way to get it back before I fly home to Toronto on Monday afternoon. Unfortunately, I'm not staying for the Monday night dance. Does the hall have a day job such that it might be open and I stop there on my way back to MA tomorrow ? Might someone have picked it up, and if so who ? I'll beg.....
>
> Thanks in advance.
> Bev
> p.s. It was a terrific dance with great calling by lots of different callers from all over North America to fab tunes by The Groovemongers. Thanks to Sue Rosen for organizing, and Dan Pearl for sound. Think NEFFA !
>
> ***********************************
> wturnip(a)sympatico.ca
> Travelling again !
> Responding via web-based email
> ***********************************
>
>
***********************************
wturnip(a)sympatico.ca
Travelling again !
Responding via web-based email
***********************************