The reason I didn't provide any details is there are so many
different groups are structured and how they use their resources. I did a survey of
contra groups almost 20 years ago and published the results in CDSS newsletter. That made
it obvious how difficult comparisons can be.
Some of the issues
Attendance levels
Who runs the dance (separate organization, non-for-profit, individual, band, etc)
What is the financial goal of the program - break even, subsidize dance
weekend or the dance weekend might provide support for the weekly
dances.
How much do you charge for admission
Does the dance have funding in addition to the admission fees.
Given that - here is what we do for our regular contra program in St Louis (we have other
programs that I will not address here)
We are a non-for-profit organization and this program receives some
support from our local arts commission - so we can stand to be a little
short at the end of the year.
Our dances are every Sunday except the 3rd. It is on Saturday that weekend.
We charge $5 on Sunday and $7 on Saturday (Saturday attendance is smaller - but not
because of the price - just more alternative events that night)
Attendance varies by time of year, weather, conflicting out of town weekends (we
have a lot of regulars who travel to dances on some weekends). We find
this has more effect on attendance than the band or caller (with some
exceptions - the Carolina Chocolate Drops packed the place and we paid them accordingly).
Over a year we average about 80 dancers on Sundays and 70 on Saturdays.
We use the same pay scale without any adjustment for attendance:
Saturday - Band splits $250 - any members from out of town get a little more for travel
costs
Caller gets $75 - a little more for traveling
Sunday - Band splits $200 - plus travel like above
Caller gets $60 - plus travel
The reason we pay more on Saturdays is we hoped it would attract out of
town bands who find it easier to travel on Saturdays. It hasn't really worked out that
way. We also find bands are a little
hesitant to make commitments on Saturdays because there are more
opportunities for better paying gigs.
Sound tech gets $25 - we have our own equipment stored at the hall
Sound techs all all also dancers. Each works about every 3rd dance. They
get in free when they are not working (but also usually end up helping
each other. They are free to dance the nights they work.
All the this depends on the generosity of the bands, callers and sound techs - which we
greatly appreciate and let them know it.
Other costs include rent, insurance, publicity and supplies.
We have access to a lot of bands - so we might only see on a couple times a year. We
stretch the fees a little if we have an out of town band or
caller that requires a little more. Sunday night dances sometimes give us access to
bands or callers returning from
being featured at dance weekends. Surprisingly, having these bands does not seem to have
much impact on attendance.
Hope that helps a little.
Mac McKeever
________________________________
From: Rich Goss <richgoss(a)comcast.net>
To: Caller's discussion list <callers(a)sharedweight.net>
Sent: Sunday, June 19, 2011 7:17 PM
Subject: Re: [Callers] Caller Fees
Portland,Oregon guarantees bands and callers $70, with shares above breakeven evenly
distributed between band members, caller and a share to PCDC. Bands above four members
split the amount that would be paid to four. For fifth Saturdays (open band/mic) only the
two lead musicians and the lead caller are paid, same formula.
Sound person is paid $125.
Rich Goss
Sent from my iPad
On Jun 19, 2011, at 5:46 AM, Delia Clark <deliaclark8(a)gmail.com> wrote:
I would urge folks not to reply off list, as I think
this is of interest to all!
On Jun 18, 2011, at 10:32 PM, Sue Robishaw wrote:
Hi,
I know that "it varies" and probably quite widely, but I'm trying to get
an idea of what is typically charged for one-time or semi-regular dance calling (not the
high end festivals and balls and camps) or how receipts are divided between caller, band,
and house. My interest is as caller, band, and dance organizer so all input would be
appreciated. You can reply off-list to sue(a)manytracks.com.
Thanks,
Sue Robishaw, Upper Peninsula of Michigan
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